SKU: SU.80101161
This brief composition is a freely-composed piece inspired by Psalm 130. The work uses rich harmonies and a pictorial approach. Suitable as a prelude or offertory. 8 pages Published by: Zimbel Press.
SKU: PR.342401170
UPC: 680160054930. Psalm 130.
SKU: GI.G-7518
UPC: 785147751809. English. Text Source: Psalm 130, adapt. PM. Scripture: Psalm 130.
An adaptation of the pleading text of Psalm 130 set to a haunting tune. An excellent choice for Lenten services. For cantor or soloist .
SKU: MN.50-3417
UPC: 688670534171. English. Psalm 130.
A rediscovered work of a prominent African American composer. Based on Psalm 130.
SKU: GI.G-7818
UPC: 785147781806. English. Text Source: Psalm 130, KJV, alt. Scripture: Psalm 130.
Text Source: KJV, alt.
SKU: GI.G-10945
English. Text Source: Based on Psalm 130. Text by M. D. Ridge. Scripture: Psalm 130.
SKU: GI.G-7518G
English. Text Source: Psalm 130, adapt. PM.
SKU: GI.G-4521G
English. Text Source: Psalm 130, The Grail, alt.
SKU: BT.PWM12430
SKU: M7.DOHR-21833
ISBN 9790202008331. German.
SKU: BP.HB523
Written for 4 to 7 octave handbell choir and optional 4 to 7 octaves of handchimes. level 4. This original work based upon the opening of Psalm 130 (Out of the depths I cry to you, O Lord; Lord, hear my voice.) is a haunting, emotional work for the ensemble looking to showcase its delicate musicality. Opening with ample, harsh dissonance, it gives way to a hopeful, rising theme that returns throughout the piece. Flowing sixteenth note accompaniments propel the piece toward its glorious climax, which gives way to the opening material once more. An impressive and awe-inspiring choice for an emotional moment in worship or concert.
SKU: CA.966700
ISBN 9790007167721. Text language: Latin.
Psalm 130 is one of the most dramatic and certainly one of the Old Testament texts has most often been set to music by composers. Out of the depths have I cried unto thee, O Lord ... who shall stand? Matsushita set this lament pianissimo, chordally and in a low-register, using chromatically altered chords with sparse, detached sounds. In contrast, as the aim and climax of the work he sets, most effectively the hopeful second part half of the text, with the Lord there is mercy, and with him is plenteous redemption. With the (optional) use of two hand bells he introduces the convincing, optimistic section in F major, which, however, through a reminiscence of the opening de profundis leads into a short coda: but actually Redemption is only optimism, something for the future and not reality. The level of difficulty should pose no problems for a sufficiently-sized choir with sure intonation. It is most impressive when sung either for worship services or in concert. World premiere: March 2016 in Stuttgart, Germany.