SKU: AP.49502
ISBN 9781470649807. UPC: 038081570587. English.
Rebound by Chris M. Bernotas is an innovative piece that will place your first-year percussion students in the spotlight. Faculty members, parents, and other students are given the opportunity to perform as members of the Basketball Percussion Section! This piece focuses on the first six notes students learn and includes choreography for the basketball stars. (2:35) Correlated to Sound Innovations, Book 1, Level 3. This title is available in MakeMusic Cloud.
SKU: AP.49502S
ISBN 9781470649814. UPC: 038081570594. English.
SKU: HL.776497
UPC: 736021145252. 5.0x5.0x0.907 inches.
This 5″ rubber rebounder serves as a great practice pad accessory for CB700 drums.
SKU: HL.254197
8.25x11.5 inches.
This pack includes two separate octavos. The composition A Wanderer's Song is directed to the youngest group of performers. It is a sort of a music illustration invoking a reflection of a title character on the surrounding world. The lack of a specific meaning of the literary layer enables a young performer to create an individual interpretation based on the musical course of the work. The work Rebounds has an ABA' form. Its title means reflections resulting from a phrase interchangeably repeated in the voices. The phrase is based on the word 'echo,' which functions as an ostinato. It constitutes a background for the phonetic text that the author has invented and which is comprised of syllables of various dynamic intensity scattered in the leading rhythmic and melodic motifs. The middle part is based on the B-A-C-H theme both in the literary and the harmonic layers.
SKU: GI.G-8713
ISBN 9781622770717.
“I am not a doctor and cannot legally prescribe any kind of stress-reducing medication for dealing with parents, budgets, students, principals, coaches, dropouts, or whatever else you could add to this list. But I can confidently recommend laughter, often called the best medicine, and my number one recommendation in the laughter field for band directors is any of the five books of Trey Reely. “ —David Newell From the Foreword Nobody gets the life of a band director quite like Trey Reely. His columns in The Instrumentalist magazine have entertained an entire generation of band directors, capturing all the humor and poignant moments like no other writer. Here’s an example from “You Do the Math: Formulas for Disaster†in this volume:                           band director + parent + principal                   band director + parent + principal + superintendent           band director + parent + principal + superintendent + school board band director + parent + principal + superintendent + school board + local media Mr. Holland Rides Again is the newest installment of the Mr. Holland series by Reely, who has been described as “James Thurber, Woody Allen, Art Buchwald, and Dave Barry rolled into a single person.†Laugh along with a seasoned Arkansas band director as he explores “Mozart and Microbes,†“Things to Do with a Broken Music Stand,†“Headlines from the Podium,†and “Bach: The Selected Tweets,†among other enlightening topics. Reely’s unique, rambunctious style is full of wit and wisdom that will reduce any band director’s stress instantly. Mr. Holland Rides Again is chock full of laughter and wisdom that will have you smiling, nodding your head in agreement, and rushing to share with musical friends. Trey Reely is Director of Bands at Riverview High School in Seary AR. His other books include Mr. Holland on the Rebound, and Mr. Holland on the Edge: Even More Tales of Musical Mayhem.
SKU: GI.G-7647
ISBN 9781579997663. English.
Roll James Thurber, Woody Allen, Art Buchwald, and Dave Barry into a single person and make him a band director in Arkansas, then give him a regular column in The Instrumentalist magazine. The result is chuckling, chortling, and out-and-out guffawing as author Trey Reely present the trials and rewards of band directing in his unique, rambunctious style. On page after page, Reely has us nodding it’s true, it’s true with funny, pithy essays like The Unwritten Rules of Band (When you make a mistake, glare at your neighbor), Top Excuses for not Practicing (My reed is cracked and I don’t have any money to buy a new one on account of the iPod I bought. Or If I get better than Joey he won’t let me be his girlfriend anymore. Or I do better if I don’t practice.), Band Directors Are from Mars, Football Coaches Are from Venus, and plenty of instructional, conceptual, conducting, and rehearsal tips. More than 37 illustrated articles chock full of laughter and wisdom await you from the author of Mr. Holland on the Edge. Trey Reely is Director of Bands at Paragould High School in Paragould, Arkansas. He has a regular column in The Instrumentalist magazine.
SKU: HL.777147
UPC: 736021130487. 5.25x6.75x1.5 inches.
Angled, wood base with a rubber pad for accurate stick rebound. Excellent, simple practice pad.
SKU: GI.G-9826
ISBN 9781622773619.
The Habits of a Successful Musician series welcomes its newest addition—a book for percussionists that offers a sequential and comprehensive component for developing rudiments! All exercises in the percussion book align with the current exercises for wind players, allowing percussionists to develop basic drum strokes while also providing a musical accompaniment for the wind parts. Rudiments have been intentionally paired with certain wind player fundamentals: Legato/rebound stroke exercises pair with long tones and interval studies. Accent-tap patterns pair with lip slurs and flexibility studies. Buzz roll patterns align with articulation and dynamics studies. The development of basic drum strokes is the key to success for any percussionist. Once mastered, students will be able to apply these skills to any other percussion instrument, including timpani and drum set. Book highlights: The rudiments that accompany the wind players' scale patterns may be interchanged with each scale. The appendix contains additional rudiments that can be subsituted to challenge more advanced players. Snare exercises have been designed to be played on a practice pad. Timpani parts are included for all chorales and chord progression studies.
SKU: HL.1122892
UPC: 750795011469. 13.25x13.25x1.513 inches.
Drummers need to be able to practice, but many times it needs to happen away from the kit, either at low volume or while on the go. Vic Firth's Single-sided Practice Pads set the standard high for drumming practice with a portable, soft rubber pad that helps keep your chops sharp, whether you're perfecting a new piece of music, or working on stick control. Even when played with full force at the loudest dynamic, this pad absorbs the blows and controls the volume for longer and later practice, giving your wrists a complete workout. The natural playing surface provides the realistic feel and response of a drumhead with excellent rebound. Play on any surface, drum or right in your lap. The durable wooden base and underside grip keep this pad in place. The 12″ size also fits most snare stands for convenient practice. The trademark Vic Firth logo is printed on top, showing the world you're playing with the right feel. Made in the USA.
SKU: FP.FCA01
ISBN 9790570503872.
Forsyth is proud to publish this brand new work in three movements for treble recorder and piano by leading British composer Andrew Carter, for players of intermediate ability. Spring Song is a lilting pastorale, while the Pavane provides a plaintive recorder melody floating over fluid piano triads. Alpine Heather depicts a mountain scene with playful echoes rebounding from yodel calls.
SKU: BO.B.3652
Sonata for cello and piano was written between September and October of 2010. It is made up of three movements, each of which has unique characteristics. The first, Allegro appassionato, is monothematic, although the theme itself is presented in several ways. Following a vigorous start featuring cello cadenza, the movement is developed with a lively feel, alternating lyrical fragments with other energetic ones. Its conclusion is resounding.Meanwhile, the second movement, Quasi un lamento, is introspective and fragile. A long melody is sustained by a delicate and transparent piano accompaniment, evoking once again the theme of the first movement and concluding with a Lento of descending piano harmonies while the cello follows, in octaves, with heartfelt glissando.The third movement, Scherzando-Allegro, is a light-hearted game between the piano and the cello. The main theme is repeated once again, this time with a binary time signature. The cello uses ricochet (the rebounding of notes in a bow stroke), as well as natural and artificial harmonies in quick time. The piano part unfolds completely naturally, excluding any gratuitous artifice.The piece lasts approximately 20 minutes.
