SKU: WD.080689877223
UPC: 080689877223.
Veteran arranger and respected leader in the field of contemporary evangelical church music, Marty Parks once again lends his pen and arranging expertise to bring us his latest Senior Adult Choir Musical for Christmas, When Earth Received Her King. Hallmarks of his distinctive arranging style include thoughtful, Biblically-inspired songs and narration; accessible, easy-to-sing vocals; and inspiring orchestrations, all composed with that special blend of Marty Parks wit, spirit, wisdom, and musical sensibility, purposed by His love for the Church, its music, and his Lord and Savior, Jesus Christ.
SKU: WD.080689802720
UPC: 080689802720.
SKU: WD.080689589362
UPC: 080689589362.
SKU: WD.080689706028
UPC: 080689706028.
SKU: WD.080689493232
UPC: 080689493232.
Shimmering and bright, Meredith Andrews’ Receive Our King, arranged and orchestrated by the dynamic creative team of David Wise and David Shipps, will bring joy and delight to your services this holiday season. This song tells of the miraculous coming of Jesus and acknowledges His holiness as we receive Him as our King. This Christmas, your congregation will be humbled before the crown, before baby Jesus…Son of God here with us…Let us receive our King!
SKU: AP.31580
UPC: 038081349817. English. Traditional.
Let the earth receive her King! So rings the closing chord of this lovely setting of Good King Wenceslas, We Three Kings and Joy to the World. Unison parts and varied section features provide interest and skill building for all instruments in this truly easy holiday piece. Correlates with String Explorer Book One, page 32.
SKU: HL.301319
UPC: 809164222248. 9.5x9.0x3.5 inches.
For the working horn player who is looking for the freedom to go wireless, the AirLine AWXm Wind Instrument system offers the latest in wireless technology by pairing the innovative ATX clip-on transmitter with the portable AR99m micro receiver. Small enough to fit into any gig bag, this system provides high definition sounds for wind instruemtns without the need of a beltpack or cable. Features: ATX-End Your Reach The ATX wireless transmitter enables easy, inconspicuous mounting while providing a secure connection to the bell of the instrument. The innovative clip design allows the performer to easily switch between instruemnts without the hassle of a wire or beltpack. Small enough to fit in the palm of your hand, the lightweight ATX transmitter features a rechargeable batery that provides up to 8 hours of continuous use, perfect for any extended performance. Clear as a Bell Designed specifically for live peroformance, the HM60 condenser microphone delivers the dynamic, natural sound of the instrument with a wide 20 Hz to 18 kHz frequency response. Able to handle high sound pressure levels (SPL) of up to 125 dB, the HM60 is well suited for close miking brass and woodwind instruments. The supercardioid polar pattern provides excellent isolation of the instrument while reducing pickup of unwanted ambient sounds. The unique 3-point halo isolation mount minimizes mechanical vibrations and keyclick noises. Micro and Multifunctional With True RF Diversity, the AR99m micro receiver ensures for maximum wireless clarity with an operating range up to 300'. With three output connections (1/4-inch, 1/8-inch, and XLR), the AR99m offers more compatibility while being a fraction of the size of other receivers. With a simple touch of a button, the AR99m analyzes the 100 available channels and selects the clearest channel for your area. Turn the AR99m into a dual channel system by connecting a Samson XPD Series USB Digital Wireless System (sold separately). Applications: • Club-date musicians • Wedding DJs and performers • House of worship • Education/corporate AV.
SKU: HL.48024424
UPC: 888680931292. 6.75x10.5 inches.
This is an SATB a cappella setting of this perennially favorite religious text (John 14: 15-17, King James Version). Commissioned by The Elders (independent global leaders working together for peace and human rights) as a parting gift to Archbishop Desmond Tutu. Although the presentation took place in 2013 the work did not receive its first performance until 2018, by Royal Birmingham Conservatoire Chamber Choir, conducted by Paul Spicer. Composed in predominantly homophonic style, and harmonically chromatic yet without extreme dissonance, this offering from a leading composer will be seized upon by choirs of intermediate standard and above.
SKU: BT.GOB-000613-120
According to his teachers, Pyotr Ilyich Tchaikovsky (1840-1893), was not particularly gifted. His special talents were acknowledged only in 1865 when he had been working for the Ministry of Finances for some years. In 1866 he was appointed teacher at the Conservatory and applied himself to composing. His oeuvre is fairly extensive and many of his compositions receive a high ranking on the international list of classical music, including his six symphonies, solo concertos (violin concerto and piano concertos), ballets (The Nut Cracker, Swan Lake), and his overtures (1812 and Romeo and Juliette). In 1893 Tchaikovsky died of Cholera after drinking a glass of infectedwater. His Slavonic March is a popular concert piece for symphonic orchestra that is still frequently performed in concert halls. David Well arranged the theme and created a contemporary march in rock style. Tchaikovsky once said to an unsatisfied teacher: ‘I will be a great composer within 10 years time.’ Volgens zijn leraren was Pjotr Iljitsj Tsjaikovski (1840-1893) niet bijzonder begaafd. Zijn speciale talenten werden alleen erkend in 1865, toen hij enkele jaren had gewerkt voor het ministerie van Financiën. In 1866 werd hijbenoemd tot docent aan het Conservatorium en legde zich toe op het componeren. Zijn oeuvre is vrij uitgebreid en veel van zijn composities krijgen een hoge ranking op de internationale lijst van klassieke muziek, met inbegrip vanzijn zes symfonieën, soloconcerten (viool en piano), balletten (De Notenkraker, Het Zwanenmeer), en zijn ouvertures (1812 en Romeo en Juliette). In 1893 is Tsjaikovski gestorven aan cholera na het drinken van een glas van besmetwater. Zijn Slavische Mars is een populair concertwerk voor symfonie orkest. David Well maakte een mooi arrangement van het thema en creëerde een mars in een hedendaagse rock stijl. Tchaikovsky zei ooittegen een ontevreden leraar: 'Ik zal een groot componist zijn binnen 10 jaar tijd'.
SKU: BT.GOB-000612-010
SKU: BT.GOB-000613-020
SKU: BT.GOB-000709-030
SKU: BT.GOB-000612-140
SKU: BT.GOB-000709-130
SKU: BR.CHB-138-02
Richard Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 u. Opera; Music theatre; Romantic. Choral score. 8 pages. Breitkopf and Haertel #ChB 138-02. Published by Breitkopf and Haertel (BR.CHB-138-02).
ISBN 9790004400791. 6 x 8.5 inches.
Translations: engl. (H. und F. Comer), french (A. Ernst/P. Bruck) Place: Tristan's ship, King Mark's castle in Cornwall, Tristan's castle Characters: Tristan (tenor) - King Mark (bass) - Isolde (soprano) - Kurwenal (baritone) - Melot (tenor) - Brangane (mezzo-soprano) - Shephard (tenor) - Mate (baritone) - Voice of a young sailor (tenor)In 1856 pressing financial obligations forced Wagner to interrupt the composition of the Ring to work on Tristan und Isolde. He initially planned a work that was modest in its production and performance demands. The project was also given priority not least because of the prospect of the royalties which he would then receive. He once again turned to Breitkopf & Hartel for the performance material: 'Tristan und Isolde' is scheduled to be given its first performance at the end of this year. I still hope that it will take place in Karlsruhe under my guidance. Due to the celebrity that I have now acquired, I assume that a new and easily performable work of mine should be able to spread very quickly across the German stages in its first winter season. Wagner was wrong. although the publisher had spent a great deal of time and money in producing preliminary material, Wagner wrote to Breitkopf & Hartel from Munich in November 1864: The squalor of Germany's opera singers and the vile condition of its opera houses have so far dissuaded me from allowing a performance of 'Tristan und Isolde'. What I needed was an impassioned young monarch to restore my courage. Next spring you will hear about the work's premiere in Munich, and you will then hopefully become more confident about this publication.Richard Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 under the direction of Hans von Bulow.
