Romance Serenade for Violin

This book of violin pieces provides a wide variety of style, color, and character, including the most noteworthy compositions in musical history, all carefully revised and edited. While the student will find the contents of this book invaluable for recreation and practice, the virtuoso will recognise this set of selections as indispensable to his library. Includes Piano accompaniment. Suitable for intermediate standard (grade 4-5). / Piano

A compendium of classic solos for the Violin. This expansive volume contains the great masterpieces of the world's foremost composers. Over 50 favourite Violin solos with full Piano accompaniment and a separate matching solo part for the violinist. Carefully selected to provide a lifetime of playing pleasure for every performer. / Violon

Piano accompaniments for book G5. Par SZILVAY GEZA. The volume G of the Colourstrings Violin ACB tutors by Géza Szilvay studies every position of the violin in a separate volume. It offers art-pedagogical material in order to read confidently in the positions, to master the shifting movements and to understand why and when to use a particular position. Colourstrings Violin ABC: Piano accompaniments for the book G5 (ISMN 9790550116948) includes the piano accompaniments of the performing pieces included in Colourstrings Violin ABC: Book G5 ? Sixth and Seventh Positions. Click ?sample? to have a look inside and ?table of contents? to see the complete list of the pieces included. More about the Colourstrings method: https://www.fennicagehrman.fi/sheet-music/colourstrings/ Contents in alphabetical order: Bériot, Charles de: Air varié Bohm, Carl: Introduction and Polonaise Brahms, Johannes: Hungarian Dance No. 5 Dancla, Charles: Second Solo Drdla, Frantisek: Souvenir Glazunov, Alexander: Spanish Serenade Kodály, Zoltán: Kallo Double Dances I-III Kuula, Toivo: Chanson sans paroles Mozart, Wolfgang Amadeus: Minuet Pergolesi, Giovanni Battista: Siciliana Pugnani-Kreisler: Tempo di Minuetto Rachmaninov, Sergei: Vocalise Sibelius, Jean: Romance Sonninen, Ahti: Karelian Dance Wieniawski, Henryk: Mazurka ?ilinskis, Arvids Mazurka / Date parution : 2022-05-31/ Méthode / Violon

Sixth and seventh positions. Par SZILVAY GEZA. The volume G of the popular Colourstrings violin tutors by Géza Szilvay studies every position of the violin in a separate volume: G1 the second position, G2 the third position, G3 the fourth position, G4 the fifth position and the last one, G5, the high positions (sixth and seventh). These books form an all-embracing, rich collection of shifting exercises, position playing studies, excerpts from the literature, chamber music (mainly duos), and performing pieces, piano accompaniment offered as a separate publication (Books G1, G2

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee?s (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: ?In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.? Over the last couple of years I moved back to Jelly Roll Morton?s city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman?s reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means ?conversation with the gods? in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao?s (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950?s following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo?s ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece?s characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles? Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don?t Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach?s Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare?s Twelfth Night, and played incidental music for their production of Bertold Brecht?s The Good Woman of Sichuan. He has performed Carulli?s Guitar Concerto in A, Leonard Bernstein?s West Side Story and Marvin Hamlish?s A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony?s co-production of George Gershwin?s Opera Porgy and Bess.

Nikolai Andreïtch Roslawez (1880/81-1944) a étudié le violon dans sa jeunesse, a enseigné le violon plus tard et très souvent même donné des concerts lui-même. Les travaux comprennent qu'il gauche de nombreuses compositions pour son instrument de prédilection: deux concertos pour violon, six sonates, des cycles tels que Trois danses (1923) et 24 Préludes (1941/1942) ainsi que de nombreuses pièces individuelles. Les deux volumes publiés ici pour la première fois terminer la publication de ses oeuvres pour cette instrumentation.Les pièces de caractères différents et variés dater des 1907 ans pour 1910 et 1930 et de montrer le développement de son style personnel. Alors que les premières pièces sont plutôt traditionnels, pièces ultérieures Roslawez 'montrer son chemin vers son système tonal individuelle- la proximité de la musique Scriabine est remarquable. Le répertoire pour ce style est particulièrement faible, et c'est pourquoi les deux volumes sont des coffres au trésor réels de pièces de caractère et peut être recommandé à tous les violonistes. / Violon Et Piano / 36 pages / niveau : Avancé / Partition

Collection de 47 ?uvres de Tchaikovsky. Une sélection de symphonies, concertos, opéras, ballets et ?uvres pour piano. Partitions pour piano solo du niveau intermédiaire à celui d'avancé. / Classique / Partition /

Plus de 150 grands thèmes classiques, tous présentés dans le format ' busker ', en haut de gamme arrangements avec cordes symboles. Comprend Largo de Handel, Clair De La Lune de Debussy, Air de Bach sur une chaîne g et Elgar faste et circonstance mars. / Chant Et Guitare / 128 pages / Partition

Easy piano arrangements of 24 well-known classical pieces. Complete with song background notes and playing hints and tips. Includes Prelude In E Minor (Chopin), Ave Verum Corpus (Mozart), Flower Duet from Lakmé (Delibes) plus many more. / Piano

Mélodies Essential est une délicieuse collection de pièces de répertoire de compositeurs célèbres. Ces pièces ont été habilement adapté pour le violon par un certain nombre d'arrangeurs excellente, avec l'accent mis sur la variété, la qualité musicale et l'intérêt mélodique. Diverses formes de danse sont présentés dans ce livre dont le rondeau, la valse et le tango. Avec une sélection de styles au choix, vous pouvez être sûr que des concerts et des performances scolaires sera un succès. Certaines des pièces peut être joué entièrement à la première position, d'autres impliquent une certaine position de change, mais aucune d'entre elles nécessite une technique virtuose. / Piano Accompagnement / 56 pages / niveau : Elémentaire - Moyen / Recueil (Accompagnement de piano)