SKU: H2.MH3258
For piano solo, strykere og floyter.Komponist: W. A. MozartArrangor: Niolae BogdanDette er standardrepertoar for pianister. Med akkompagnerende strykere og floyter blir musikken loftet, og pianisten far provd seg som solist.Vanskelighetsgraden er middels.
SKU: AP.1-ADV7698
ISBN 9783892217589. UPC: 805095076981. English.
Mozart's Finale from Sonata No. 11, KV 331, also known as Rondo alla Turca, is one of his most recognized works. This tuneful, lively work was composed in the late 1770s, and since then has been transcribed for many ensembles. Two objectives were in mind while transcribing the Rondo alla Turca. One was to produce a relatively clean manuscript with a minimum of articulation and dynamic markings so as to allow interpretation by the performers. Such markings found here are provided only as suggestions. Secondly, rather than featuring just the solo soprano saxophone, the melodies were given to other parts as well.
SKU: AP.45411
UPC: 038081511511. English. Words by James Pierpont.
Mozart's Rondo alla Turca is the basis for this innovative twist on Jingle Bells! Your audience will love catching the rapid text as the familiar and sequential melody is volleyed through the choir. Pierpont's rarely-heard third verse is a hoot. Oh, what fun it is!
SKU: AP.45410
UPC: 038081511504. English. Words by James Pierpont.
SKU: AP.45412
UPC: 038081511528. English. Words by James Pierpont.
SKU: HL.49008678
ISBN 9790001088138. UPC: 840126938968. 9.25x12.0x0.05 inches.
SKU: SU.12800074
BachScholar Edition Vol. 74: MOZART: Rondo alla Turca (5 pages) presents Mozart’s most famous piece in a clear and easy-to-read performance edition. This popular landmark in piano literature, supplied with expression, fingerings, written-out ornaments, and suggested metronome speeds, is indispensable for all students and teachers.Piano Published by: BachScholar.
SKU: BT.WA-4027-401
English.
This Rondo is the 3rd movement of a piano sonata, indicated to be played in the Turkish style and shows Mozart in playful mood.
SKU: HL.49046797
UPC: 842819115670. 9.0x12.0x0.099 inches.
The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous pianopieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone. Fazil Say's arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars havebeen presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work's improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra. It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart's interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.
SKU: HL.49047113
ISBN 9781705189269. UPC: 842819117520. 0.096 inches.
The final movement of the Sonata in A major K. 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous pianopieces of all. Once reserved for all music connoisseurs, later played by every piano student, its opening melody, alienated like a sine tone, is now omnipresent even as a mobile phone ringtone. The arrangement by Fazil Say, created as an effective encore, builds on this popularity. Mounted on the still recognizable classic basic level, typical jazz elements such as syncopation of the top tones and embellishment with chromatic blue notes, embedded in sometimes frenzied chains of sixteenth notes, are found - after the first eight bars have been presented originally. In accordance with the improvisational character, Say himself likes to perform his Alla Turca Jazz in other combinations, for example with the accompaniment of jazz singers or with an orchestra. Perhaps it is surprising that Fazil Say, who was born in Turkey and lives there when not on tour, does not trace Mozart's adaptation of genuinely Turkish music closer to its origins, since many of his compositions such as Black Earth or the Violin Sonata are characterized by a subtle touch Combination of classic-romantic tradition, Turkish folk music and jazz elements. In another Mozart arrangement, the ballet music Patara, which premiered in Vienna in 2006, but now composed on the rococo-esque (and almost equally popular) theme from the first movement of the same A major sonata, Say still has the connection denied to the Alla Turca, albeit inthe opposite direction. In distinctive chamber music instrumentation, the piano stands for Western culture, the ney flute for that of the Orient, atmospherically conveyed by sparse percussion and vocalises by a soprano.
