Format : Score and Parts
SKU: CL.032-2634-01
Teach your band both rock and swing style concepts with this terrific Andy Clark original that switches back and forth from retro rock to swing styles and features your keyboard player with a nice written solo. Also has an open section for ad lib solos by any instrument and the set includes written out solo suggestions.
SKU: M7.BARN-38265499
English.
Die CD enthält Hörversionen und Play-Along Versionen der zehn Stücke.
SKU: MB.31103M
ISBN 9781513468792. 8.75x11.75 inches.
Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book.
This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles.
There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book.
In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read.
The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes.
The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other.
Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection.
Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.
SKU: HL.14081462
SKU: HL.195828
UPC: 888680642686. 4.75x5.5x0.953 inches.
This major work is an affirmation of assurance that takes us on a musical and spiritual pilgrimage through the beloved 23rd Psalm. Singers and listeners will be carried from peaceful meadows to the shadowed valleys, and from the fragile hope of faith, to life everlasting. A work of scope and substance, Psalm 23 - A Journey with the Shepherd gives directors a wonderful opportunity to program outside the seasonal box. A glorious orchestration by Michael Lawrence decorates the expressive choral writing with color and a theatrical sweep. Songs include: We Are Not Alone; The Lord Is My Shepherd; Restore My Soul; Lead Me on the Paths of Righteousness; Though I Walk through the Valley; You Comfort Me; My Cup Overflows; We Are Not Alone (reprise); Surely Goodness and Mercy. Score and Parts (fl 1-2, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-2, tbn 3/tba, perc 1-2, timp, hp, pno, vn 1-2, va, vc, db) available as a Printed Edition and as a digital download.
SKU: BT.MUSMS0293
Spanish.
Nuestro método presenta 50 l neas de bajo Rock en el estilo de las mejores bandas de ayer y de hoy (AC/DC, The Police, The Who, Guns ‘n’ Roses, Weezer, Foo Fighters, The Rolling Stones, Red Hot Chili Peppers, Led Zeppelin, Soundgarden, Aerosmith...). Además del placer que Vd experimentará al tocarlos, esos grooves y l neas de bajo le permitirán descubrir y trabajar todas las técnicas propias del bajo Rock: el toque linear a la corchea, los glissandos (largos o en apoyatura), los ligados ascendentes y descendientes, el uso de las cuerdas al aire, los saltos de cuerdas, los bends, la precisión r tmica, la energ a... El DVD v deo permite o r y visualizar las 50 l neasde bajo detalladamente, a velocidad normal y luego lenta, brindándole as la oportunidad de elegir los buenos ademanes, las digitaciones adecuadas y de tocar a compás. El CD mp3 presenta el mismo número de playbacks que de l neas de bajo. O sea 50 playbacks tocados en dos aires diferentes: el aire deseado (velocidad real) y el aire de estudio (lento). En el playback de velocidad real, el bajo está presente en el primer turnaround y luego desaparece para dejarle todo el protagonismo. Dichos playbacks son de larga duración (3 a 4 minutos cada uno) o sea ¡más de 7 horas de música en total!, para que pueda, tomándose su tiempo, trabajar en las mejores condiciones posibles.
