SKU: SU.50022580
Published by: Seesaw Music.
SKU: HL.48020919
ISBN 9781423496816. UPC: 884088518288. 9x12 inches.
Jack Beeson (1921-2010) was an American composer best known for his operas. This short fugue was inspired by Bach's Art of Fugue.
SKU: FZ.50168
ISBN 9790049501682. 21.00 x 29.70 cm inches.
This facsimile of an original by Georg Philipp Telemann is part of our Facsimusic collection. Short fugues and little games for solo harpsichord. Edition: Hambourg, l'Auteur, s. d. Excellent short harpsichord pieces by Telemann, published by the composer himself. These pieces are particularly suitable for pupils of conservatories and music schools. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HL.48185134
UPC: 888680908584. 9x12 inches.
Glinka King 4 Short Fugues Mfb306 Trumpet Trombone Horn Book.
SKU: HL.14034957
ISBN 9788774552475. 12.25x8.25x0.7 inches. English.
Includes works by Bach, Buxtehude, Couperin, Pachelbel. Exercises and short pieces for the improvement of overall technique.
SKU: CY.CC3053
ISBN 9790530110287. 8.5 x 11 in inches.
Prelude and Fugue in C BWV is taken from the Eight Short Preludes and Fugues, a collection of works for keyboard that were most likely used as teaching pieces for beginners. There has been back and forth about the attribution of these works, but most scholars agree that they are by Bach, just simplified for his students. Matthew McCrady has beautifully arranged this 4-5 minute work for Brass Quintet and included parts in C and B-flat for the Trumpets.
SKU: CY.CC2990
ISBN 9790530058091.
Fantasy and Fugue in D minor BWV 905 is one of Bach's least known works originally written for keyboard. The Fantasy is of moderate tempo and relatively short. The top two lines have many suspensions while the bottom line (optionally performed on Tuba) is scalelike. The Fugue is more lengthy with the top lines trading off short repeated passages while the bass line winds around alternating scales and octave jumps.Mr. Sauer's excellent arrangement is appropriate for advanced performers and is about 6 minutes in length. All parts are in bass clef.
SKU: CA.5027300
ISBN 9790007298456.
As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends. They are ideally suited for mass and organ lessons.This organ volume brings together twelve compositions Rheinberger wrote for different occasions and at various points during his career. Included in the collection are seven short pieces in different keys that date from the early 1860s. Rheinberger wrote these at the request of his teacher Herzog and others for several organ collections of “easy, performable†pieces – and they are rewarding pieces for liturgical use. The works without opus numbers (WoO 10, 37, 56, 70) can no longer be regarded as early works. The Fugue in F minor WoO 10 of 1867, with its tendency to translate counterpoint into expressive chordal writing, already displays many characteristics of the late Rheinberger, the Canzonetta WoO 77 is a late work from autumn 1899, whereas the Romanze WoO 70 is a second version of no. 1 of the Miscellaneen op. 174 in the easier to play key of C major.Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition.
SKU: AP.12-0571520847
ISBN 9780571520848. English.
This Sinfionetta contains the basic ingredients of a Symphony, viz. and Allegro, a Scherzo, a slow movement and a final Allegro. These elements are compressed into a one-movement form and the final Allegro is a recapitulation of the first, albeit with considerable variation. There is also a short fugue, for strings alone, between the opening Allegro and the Scherzo, which consolidates the musical ideas used throughout the piece. This work may be played by a chamber ensemble with a string nonet, for which it was originally written, or with a full orchestral string section.
