Siglo de oro

SKU: BR.KM-2515

World premiere: 's-Hertogenbosch, December 16, 2007

ISBN 9790004503355. 11 x 14 inches.

Libro de glosas is based on the Trattado de glosas by Diego Ortiz (1510 - ca. 1570). The intertextuality between different materials and musical techniques and processes of the 16th century was one of my main interests when I wrote this piece for the wonderful sound and quality of the Calefax ensemble.The intertextual relationships are as follows:Recercada I is based on the first chords of the chanson Doulce memoire by Pierre Sandrin. It is also used in Trattado de glosas.Recercada II is based on the incipit of the madrigal O felici occhi miei by Jacques Arcadelt. It is also used in Trattado de glosas.Recercada III is based on the ostinato Passamezzo antico. It is also used in Trattado de glosas.Recercada IV is freely based on the tenor La Spagna. It is also used in Trattado de glosas.Batalla (V) is a free composition in form of a battaglia and is based on some ostinati of Spanish origin as well as on an anonymous theme from the 16th century. There are also some bars of a batalla by Joseph Ximenez (18th century).Libro de glosas esta basada en el Trattado de glosas de Diego Ortiz (1510 - ca. 1570). La intertextualidad entre diferentes materiales y tecnicas y procesos de la musica del siglo XVI era uno de mis principales intereses cuando escribi esta pieza para el maravilloso sonido y calidad del Calefax ensemble.Las relaciones intertextuales son las siguientes:Recercada I esta basada libremente sobre los primeros acordes de la chanson Doulce memoire de Pierre Sandrin. Esta es utilizada como ejemplo en el Trattado de glosas.Recercada II esta basada libremente sobre el incipit del madrigal O felici occhi miei de Jacques Arcadelt. Esta pieza es utilizada tambien como ejemplo en el Trattado de glosas.Recercada III esta basada libremente sobre el ostinato Passamezzo antico. Tambien es presentada en el Trattado de glosas.Recercada IV esta construida libremente sobre el tenor La Spagna. Tambien es utilizado por Ortiz en el Trattado de glosas.Batalla (V) es una libre composicion en forma de battaglia sobre ostinati de origen espanol y sobre un tema anonimo (siglo XVI). Tambien aparecen brevemente varios compases de una batalla de Joseph Ximenez (siglo XVIII).(Jose M. Sanchez-Verdu).

SKU: HL.14047788

8.25x11.75 inches.

It Is Finished is a work for SSATBarB Choir and Soprano Saxophone, composed by John Harle . This is the Vocal Score. The piece was commissioned by Sam Corkin and Siglo de Oro, with the first performance taking place at The Victoria International Festival of Music, Malta on 11th July 2015. The biblical texts are from John 19/30 and Isaiah 53. A separate Saxophone part is available.

SKU: BO.MIDAC209

SKU: BO.B.3172

SKU: HL.49045845

UPC: 841886033801.

New music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works, composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles, which adds new sounds to the purely Baroque repertoire. With works by Jose Blasco de Nebra, Francisco Correa de Arauxo, Antonio de Cabezon, Pedro de Araujo, Antonio de Cabezon and new compositions by Guy Bovet, Michael Kapsner, Pavel Klimashevsky, Zsigmond Szathmary and Alfred Muller-Kranich. The new Spanish organ of the Hochschule fur Musik Mainz as an authentically rebuilt historical instrument from the workshop of the organ builder Joaquin Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason, the Hochschule fur Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'. Certain specifications had to be taken into account: e. g. a limited pitch range, half stops for treble and bass registers, the short octave as well as a mean-tone temperament. In addition, each composition is based on a work of the Iberian organ literature; sometimes, the work found its way into the new composition, sometimes, it only served as an inspiration. The pieces can also be played on a modern organ, although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles, the resulting collection adds new sounds to the purely Baroque repertoire.

SKU: GI.G-10520

English, Latin, Spanish. Text Source: Latin, 9th c. / Latín, siglo IX, Eng. tr. / Tr. al ing. Richard Proulx, 1937-2010, Span. tr. / Tr. al esp. Bernardo Velado Graña, 1922-2012; Translation: Richard Proulx.

This trilingual arrangement was envisioned for use during the Preparation of the Gifts at the Evening Mass of Holy Thursday. It would also be useful throughout the liturgical year whenever themes of love, charity, and service feature prominently in the Lectionary, as well as at wedding and anniversary liturgies.The choral parts underneath the verse and the optional parts for C instrument and cello help add color and variety. However, the hymn could be led by cantor and piano alone. When used during the Preparation of the Gifts, the optional coda allows flexibility to tailor the music to the length of the rite.

SKU: DZ.DZ-2423

ISBN 9782897373405.

SKU: BO.UDL10065

SKU: BT.MUSUMP46270

De la Coleccion de Vihuelistas espanoles del Siglo XVI.

SKU: BO.CCH0004

SKU: GI.G-10520G

English, Latin, Spanish. Text Source: Latin, 9th c. / Latín, siglo IX, Eng. tr. / Tr. al ing. Richard Proulx, 1937-2010, Span. tr. / Tr. al esp. Bernardo Velado Graña, 1922-2012; Translation: Richard Proulx.