Format : Score and Parts
SKU: MH.1-59913-070-X
ISBN 9781599130705.
Program Notes: Stylistically diverse -- tranquil, spirited pastoral, sensitive, energetic -- exhibiting a remarkable palette, the five movements of SINFONIA IX form a unique symphonic statement. Movement I, Prelude, is about contrasts: A lazy, smooth, motive in brasses alternates with, and then joins, an active and detached motive in woodwinds. The spirited Movement II, Morley's Ghost, is an intricate canonic collage and homage to that venerable theoretician & composer, Thomas Morley. By contrast, movement III, Dialog, speaks in a relaxed, lyrical, and pastoral language as it develops its gently rising and falling motives. Movement IV, Waltz, innocently celebrates the joys of childhood with a lilting melody and rondo form. For the rousing Finale, Movement V begins with a martial call of repeated-notes, heralding a headstrong journey of power and excitement. Like a number of the composer's other works, SINFONIA IX is based on earlier material: A brass sextet, written in 1966 when the composer was nineteen years old, forms the raw material for the first, third and fifth movements, while a later work, Martin's Waltz (a children's piece for flutes and clarinets composed in 1975) is the basis of the fourth movement. The second movement, however, is a fanciful contrapuntal commentary on Thomas Morley's 16th-century canzonet, Fire and Lightning. SINFONIA IX is dedicated to John Raforth, a distinguished band director and music educator at West High School in Madison, Wisconsin. The work was commissioned by his friends and former students, and was completed in 1977. Its first publication some twenty years later is a result of the increasing attention paid by university band directors to the earlier Sinfonias, particularly Sinfonia III (Hymns and Dances); Sinfonia V (Sinfonia Sacra et Profana); and now, Sinfonia IX. Whereas the first two works are wind ensemble compositions that have been championed equally by the concert band, Sinfonia IX is the composer's first college-level Sinfonia written especially for concert band. Ensemble instrumentation: 1 Piccolo, 8 Flute 1-2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 3 Bb Bass Clarinet, 2 Bassoon, 4 Eb Alto Saxophone, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Trumpet 1, 3 Bb Trumpet 2, 3 Bb Trumpet 3, 2 F Horn 1-2, 2 F Horn 3-4, 3 Trombone 1, 3 Trombone 2, 3 Baritone B.C., 2 Baritone T.C., 4 Tuba, 3 String Bass, 2 Timpani, 5 Percussion.
SKU: MH.1-59913-071-8
ISBN 9781599130712.
SKU: HL.48185176
UPC: 888680788018. 8.25x11 inches.
Christmas Cantata (Sinfonia Sacra), the most famous piece of Daniel Pinkham, composed in 1957, is a church composition for chorus, double brass and organ. Written in Latin. Accessible to good high-school and college singers, the opening statement is sung by the whole SATB chorus, followed by the Allegro section, which is rhythmically quite complicated. The middle section is sung by sopranos and altos while the Rondo, which is part of the final part, is sung by the whole SATB, its verses being interpreted by the different groups. Daniel Pinkham (1923-2006) is an American composer, organist and harpsichordist. Most of his compositions were related to church music and his best known works are the Christmas, Advent and wedding cantatas.
SKU: HL.48182466
UPC: 888680831264. 7.25x10.75x0.164 inches.
Jacques Charpentier: Sinfonia sacra pour le Jour de Paques (Orchestra-Strings).
SKU: HL.48185175
UPC: 888680788001. 8.25x11.0x0.28 inches.
SKU: HL.48185177
UPC: 888680788537. 7.0x10.25x0.062 inches.
SKU: HL.48185146
UPC: 888680861520. 9.0x12.0x0.108 inches.
for organ, 2 trumpets, trombone (or horn) and trombone.
SKU: BA.BA01756
ISBN 9790006413881. 27 x 19 cm inches.
From the Symphonia sacra - Von der Schopfung op. 30a (1938).