SKU: BT.PWM12815
SKU: BR.EB-8029
ISBN 9790004174326. 9 x 12 inches.
This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extent, since it is more stimulating for children to change the teaching material frequently. There are four existing harpsichord books with a total of 226 compositions by Francois Couperin le Grand (1668 -1733). His works are as unknown to pianists as they are famous among harpsichord players. The grace and imaginativeness of his works lend themselves especially well to the sound of the harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the haipsichord and clavichord, and no one would dare question their intetpretation on the pianoforte. In order to introduce these lmpressionists of the Baroque Era to piano instruction, the editor has added to this series a folio of both Couperin's and Rameau's (EB 8033) music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. The Butterflies and the Windmills are both especially typical of masterful character pieces. The demands made on technique certainly correspond to a level of moderate difficulty. The simplifications made are restricted to the artistically realized twopart accompaniment (eg. p. 4 f. and p. 8 f.) with regard to finger stretch and to the profuse ornamentation of the original. The indications for phrasing and articulation are those of the editor. The first two pieces have been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series; what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the respective footnotes; these directions, however, are not obligatory. lndications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case be used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realization of trills (according to the table). Heinz Walter, Salzburg, Spring 1980.
SKU: AP.36-M407191
ISBN 9781638870609. UPC: 753625230610. English.
This unique collection of Indian character pieces reveals a genre that has been neglected for many years, with much of the music having been out of print since the 1920's. Musically, the pieces are appealing to play and are a fascinating reflection of social and political issues our nation was facing at the turn of the 20th century. Contains detailed historical notes on this nearly forgotten aspect of American classical music, along with supplementary fingerings and practice suggestions added throughout by editor Stephanie Bruning, professor at Morgan State University, who is both a celebrated piano performer and expert in piano pedagogy.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: FT.FM658
ISBN 9790570485574. English.
Bb soprano or tenor saxophone and piano. A selection of character pieces for the early grades.
SKU: FT.FM659
ISBN 9790570485581. English.
SKU: AP.36-50760008
ISBN 9781621563068. UPC: 654690491695. English. Traditional Traditional.
SKU: FT.FM660
ISBN 9790570485598. English.
SKU: BR.EB-6761
ISBN 9790004169629. 9 x 12 inches.
This series of easy piano pieces for teaching purposes presents pupils in the early and early-middle stages with a careful selection from well-known and less-known compositions by important masters. The individual volumes are deliberately kept small in extent, since it is more stimulating for children if the literature used for instruction is changed frequently. Of all Grieg's piano music, it is the Lyric Pieces (EB 8832) that enjoy the greatest popularity. These character pieces, which are very varied in their difficulty and their length, preoccupied the composer throughout his creative life. The easiest pieces from the first three books (op. 12, 38 and 43) have been chosen for the present volume. In the musical sense, however, they are by no means light-weight. Only someone who has made the art of playing expressively in the Romantic style his own with the help of Schumann's Scenes from childhood (EB 8436) will be able to interpret this poetry filled with the soul of nordic peoples appropriately. Interpretative indications have been partly added to; fingerings and the distribution of the music between the hands have, as far as possible, been adapted to smaller hands. Sensitive use of the pedal and a tempo rubato imbued with the sense of the music are prerequisites. Heinz Walter, Salzburg, Summer 1977.
SKU: SU.12900010
This is a colorful picture book of musical games and exercises and features first piano pieces at the earliest reading level for children ages 4-9. Each musical element is introduced in a clear, interactive way, providing opportunities for the child to bond with a parent and/or instructor. Quarter notes, half notes, eighth notes and quarter rests are taught experientially with Rhythm Games and some favorite tunes like My Dreidel and Jingle Bells can be learned quickly with awareness of skills of pitch differentiation, rhythm and fingering. The book starts with simpler character pieces, some with only two or three notes. The cheery and charming illustrations make this a fun musical ride. Staves are introduced in the following book of the same series. Illustrated by Lisa Kaiser Piano Composed: 2020 Published by: Hannah Reimann Innovations, LLC.
SKU: HL.14030351
ISBN 9780853605485. UPC: 884088434175. 8.5x11.75 inches.
Commissioned by Richard Deering with funds provided by the Arts Council of Great Britain and first performed by him in October 1982 in Amsterdam. The title is the same as the Schoenberg ones of 1911 and like those pieces my title is something of an understatement. They are not musically or technically undemanding as the title may perhaps suggest. In my case these pieces were in a sense sketches for my larger scale Piano Sonata of the following year. Each piece has its own essential character, but all of them are linked in the use of common pitch material. There is more than a hint of parody in the mood of the music.
