Solo Plus : Standard & Jazz Flute With Piano Acc.

Recorded on the Clayton-Hamilton Jazz Orchestra CD “Explosive! ” this dynamic and swingin' setting of the standard Since I Fell for You was designed to showcase master vibraphonist Milt Jackson (heard on thisexcerpt). Also featured is solo space for tenor sax and piano plus strategically positioned explosive support from the full ensemble. A piano (or other soloist) could be used in place of vibes if desired.

Par LEE RONNY. Une des approches plus simple et la plus pratiques pour guitare sur le marché aujourd'hui, cette méthode de jazz minutieusement couvre les bases pour une performance solo de guitare jazz, y compris : théorie, échelles, cordes, phrasé, tons de passant et beaucoup plus. Cela très acclamé étude des accords de jazz rythmique et leur application contienne une instruction approfondie sur l'accompagnement de la corde de jazz et de la substitution de corde. Le texte ' convivial ' utilise un ' format de style leçon ' qui le rend idéal pour les deux études individuelles et comme un texte en classe. Ecrit par le guitariste de jazz professionnel Ronny Lee, ce texte est fortement recommandé à toute personne qui désire un cours approfondi, étalée d'étude pour la guitare jazz. Ecrit en notation standard avec des diagrammes et des symboles de la corde. / Niveau : Tous Niveaux / Jazz - Methods / Méthode / Guitare

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

Par VIGNOLA FRANK. Contient des solos jazz écrites pour dix des progressions Standards jazz plus courantes. L'auteur suggère d'utiliser ces solos comme tremplin pour l'improvisation. / Niveau : Débutant à Intermédiaire / Jazz - Solos / Recueil / Guitare Basse

Here is a well-paced chart on this Miles Davis jazz standard that's packed with plenty of style and variety. With a full chorus sax soli plus solos for tenor and trombone this is a wonderful addition to any program for contest or casual concert.

Here is the Mile Davis jazz standard skillfully and uniquely arranged for 6 horns plus rhythm. On the head the saxes take the signature melody line answered by the brass. The open solo section features tasty background figures followed by a tuttiensemble section before returning to the head.

Transcriptions et analyses par Armand Reynaud et Jérémy Brun

Je suis honoré d'écrire quelques mots à propos d'un des plus grands pianistes, Kenny Barron. Il a été une figure importante de la scène New Yorkaise durant quarante ans et il fait partie de l'élite des pianistes de jazz dans le monde.
J'ai tout d'abord rencontré Mr Barron en 1977 dans un haut lieu du duo piano/basse, au Bradley's, dans Greenwich Village. Je l'ai entendu à Cincinnati (dans la ville où j'habitais) en 1974 avec le Quartette de Yusef Lateef et fus très impressionné. Au Bradley's, il était chaleureux et a été très encourageant avec moi, pianiste de 21 ans récemment arrivé à Big Apple (New York). Le moment venu, il me laissa m'asseoir avec son bassiste, le grand Buster Williams - ce fut un réel plaisir.
Lorsque j'ai commencé à réaliser des CD pour le bénéfice de Classical Action : Performing Arts Against AIDS, dans le début des années 90, je lui ai demandé de participer au second enregistrement Fred Hersch and Friends : The Duo Album en jouant un duo avec moi. Cette organisation collecte des fonds vraiment nécessaires pour les services de personnes atteintes du Sida et la prévention. Kenny, sans attendre, donna de son temps et joua magnifiquement. Il apparaît aussi sur le disque suivant, The Richard Rodgers Centennial Solo Jazz Piano Album .
Nous avons également joué à deux pianos à New York au Town Hall et deux fois au Jazz Standard, pour mon plus grand plaisir. C'est un partenaire merveilleux et compréhensif, disposé à tout essayer. Bien qu'il soit difficile de l'identifier, et je ne veux le mettre dans aucune sorte de boîtes, je perçois son style comme étant en grande partie influencé par McCoy Tyner (les lignes longues et claires) et Tommy Flanagan (le phrasé et l'utilisation de l'espace). Il a réussi à obtenir le statut rare de maître du jazz par la vertu de sa longévité, sa profondeur et sa musicalité. Nous partageons tous les deux une passion pour la musique de Monk, Strayhorn et de l'American Popular Songbook et nous sommes tous les deux de grands partisans de l'idée de rendre ce que nous avons absorbé en enseignant aux jeunes pianistes et en devenant leurs mentors.
En plus, il a une personnalité chaleureuse et engageante - il est d'un grand soutien, a un grand sens de l'humour et une attitude posée. Je suis très heureux que ce livre puisse apporter un éclairage sur le parcours du pianiste Kenny Barron - je suis sûr que cela sera d'une grande valeur musicale et historique pour tous ceux qui suivent l'évolution du piano jazz. / Jazz / Partition /

A Complete Approach To Playing Tunes - Christiansen Corey (Edited). Par CHRISTIANSEN COREY. Cette anthologie complète offre une feuille de plomb, arrangement solo de corde, etude comping et solo de single-note pour chacun des 22 standards de jazz. Ces arrangements et etudes par certains des meilleurs arrangeurs et éducateurs dans l'entreprise aux étudiants de la guitare jazz avec du matériel pour le développement dans tous les aspects de la musicalité de jazz. Tunes comprennent : Satin Doll, Just Friends, Moonlight dans le Vermont et plus encore. Ecrit en tablature et notation standard. / Niveau : Intermédiaire / Jazz - Solos / Tablatures / Guitare Tablatures

Grade 2One of the best-known swing standards ever here's a wonderful version for young players. With plenty of tutti ensemble playing in addition to solis for the saxes and trombones this is a chart that will sound greatwith limited rehearsal time. Also featured are solos for any sax and any trumpet plus a shout chorus with some nice dynamic nuances.

Compilations regroupant les plus grands titres d'un genre musical spécialement regravées en piano, voix et diagrammes d'accord guitare ou en piano solo en format A4 spiralé afin qu'il reste plat sur le support du piano. / Jazz / Partition / Wiro /

Par SNIDERO JIM. Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments. See and hear how a well known soloist phrases and articulates and play along with or without the soloist.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo ? works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude. / Jazz / Recueil / Trombone Basse

A bright swinger solo feature at 180 BPM, Patrick Williams' 'The Sun Will Shine Today' has standard instrumentation plus optional horn in F parts. It was originally scored for clarinet, but includes solo parts for trombones, B-flat instruments, and E-flat instruments. An ideal vehicle to feature your soloist and swing all the way home! (2:20) / Ensemble De Jazz

Par LAWRENCE JOHN E.. Ce livre présente des instructions étape par étape sur la façon de construire un solo de guitare improvisée en quatre étapes : mobile, le développement, Climax et geste de clôture. Le livre comprend aussi cinq types de solos : swing, funk, ballade, blues et le Latin. Ces cinq dernières solos sont sous forme de chansons pour donner des joueurs une idée plus réaliste du fonctionne de l'improvisation. Ecrit en notation standard et tablature avec grilles d'accords. / Niveau : Intermédiaire / Jazz - Solos / Tablatures / Guitare Tablatures Flatpick et Fingerpick