SKU: BT.EMBZ8507
English-German-Hungarian.
As far as we know Vivaldi wrote twenty trio sonatas. Several of these works are actually for two parts, as the continuo merely doubles one of the two solo instruments. In the titles of four of these trio sonatas ('Suonata da camera, a 2 violini anco senza basso se piace', meaning if desired the sonata can be played without the bass part) Vivaldi himself gave his approval to the omission of the third instrument. In the light of this, the present publication gives the four works in the form of violin duos.We recommend these three-movement sonatas, in a fast-slow-fast format, for violinists who are already advanced in their studies. 1. Sonata RV 702. Sonata RV 713. SonataRV 684. Sonata RV 77.
SKU: ST.C507
ISBN 9790570815074.
The Twelve Sonatas Opus 6 for Violin and Continuo known as Trattenimenti Armonici per Camera (An Entertainment of Harmony) was first published in 1712. This spacious new series is based faithfully on Michael Talbot’s scholarly 1979 European Archive edition and includes an illuminating Preface and Critical Commentary.Volume 1: Op. 6 nos. 1-4. Four Sonatas: C, G minor, B flat and D minor.The fourth movement from Sonata in D minor (Op. 6 No. 4) was selected by ABRSM for Violin Grade 5, 2012-2015.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C507Edited by Michael TalbotGrade 5Former Spartan Press Cat. No.: EMA106.
SKU: FT.FM880
ISBN 9790570487790. 21 x 30 cm inches.
Vivaldi's Op. 1 was a set of 12 Trio sonatas. At the time, a composer's Op. 1 was seen as proof of maturity as a composer, and also the most perfected and corrected of his lifetimes publications. In fact many a composers' first printed edition was often postponed until the composer felt he had reached the required standard. Trio Sonatas were generally composed for two violins and a continuo, although the soloists could be substituted at will. There were generally two categories: sonata da camera consisting of a group of dance like movements, and sonata da chiesa which were much more serious and alternated fast and slow movements.
SKU: HH.HH331-FSP
ISBN 9790708092902.
This Sonata in A major belonging to the ‘London’ group was published by John Walsh in January 1704 as the opening work in a series of violin sonatas by different composers delivered to subscribers in twelve monthly instalments. It is also preserved in the manuscript in the British library containing seven violin sonatas by Bitti. It is an extrovert work well suited to public performance — we know that the Cremonese violinist Gasparo Visconti played it at Drury Lane Theatre. The structure follows a pattern that recalls a sonata da camera by Corelli: a prelude like movement followed in turn by a corrente, a slow, triple time movement resembling a sarabanda, and a giga. .
SKU: FG.55011-416-6
ISBN 9790550114166.
The main ingredients of Lars Karlsson's musical expression are free-tonality, traditional forms and natural musicianship that builds on the two. According to the composer: there is no such thing as atonality -- as long as you work with fixed tone pitch. I would rather be inclined to think that tonality is inherent in the structure of tones, whether we want it or not. In other words, we are dealing with a law of nature. Sonata da camera for double bass and piano is composed for Pontus Grans in 2017. The work is divided in four movements: Lento, Presto, Andante Moderato, Allegro.
SKU: M7.DOHR-10189
ISBN 9790202021897.
Der vorliegende Band ist Teil der kritischen Gesamtausgabe, in welcher die originale historische Schlüsselung übernommen wird, und enthält Vorwort und kritischen Bericht. Für den praktischen Gebrauch erscheinen Einzelausgaben in moderner Schlüsselung.
SKU: FG.55011-753-2
ISBN 9790550117532.
Jyrki Linjama composed Sonata da chiesa I for piano as a commission from the Carinthischer Sommer festival in Austria and premiered by Juho Pohjonen at Ossiach Abbey in summer 2010. The title alludes to the sonata tradition of the Baroque at its weightiest and most solemn. The polyphonic church sonata with its strict adherence to form for a long time occupied an important role in the liturgy (as distinct from the sonata da camera). Linjama’s modern application of this tradition articulates features of the liturgy: breathing, bells, shades of darkness and light. The closed Miserere of the opening movement opens out in the middle movements to let in light, which the angelic song of the last movement once again encloses in translucent twilight. Each of the four movements uses a medieval melody as its material.Have a look inside by clicking “sample. Duration: c. 14’.
SKU: ST.C508
ISBN 9790570815081.
The Twelve Sonatas Opus 6 for Violin and Continuo known as Trattenimenti Armonici per Camera (An Entertainment of Harmony) was first published in 1712. This spacious new series is based faithfully on Michael Talbot’s scholarly 1979 European Archive edition and includes an illuminating Preface and Critical Commentary.Volume 2: Op. 6 nos. 5-8. Four Sonatas: F, A minor, D and E minor.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C508Edited by Michael TalbotGrades 5–6Former Spartan Press Cat. No.: EMA107.
SKU: ST.C509
ISBN 9790570815098.
The Twelve Sonatas Opus 6 for Violin and Continuo known as Trattenimenti Armonici per Camera (An Entertainment of Harmony) was first published in 1712. This spacious new series is based faithfully on Michael Talbot’s scholarly 1979 European Archive edition and includes an illuminating Preface and Critical Commentary.Volume 3: Op.6 nos. 9-12. Four Sonatas: G, C minor, A and B flat.The Optional Basso Continuo part is available to download free of charge, from: www.CliftonEdition.com/C509Edited by Michael TalbotGrades 5–6Former Spartan Press Cat. No.: EMA108.
SKU: PA.H07988
ISBN 9790260104471. 31 x 23.5 cm inches.
Piano Sonata No. 4 from the years 1962-1964 is dedicated to the memory of Fiser's friend, the pianist Antonin Jemelik, who died tragically. As a tribute to their friendship the composer incorporated into the introduction a quotation from their favourite work, Piano Sonata No. 10, Op. 70, by Alexander Scriabin. The tragedy of the death of the composer's friend pervades the emotionally intense passage of unison octaves which follows the three-bar quotation. From a compositional point of view this work is a masterpiece of the mid-Sixties. Written as one movement, the piece is divided into numerous mutually contrasting segments which themselves are clearly grouped into two sections, exposition and development. The individual themes are introduced in the first section and thematically expanded in the second section. The motif treatment lies almost exclusively in the fragmenting or curtailing of the theme, or in the use of a combination of several themes, for the most part brief and eloquent. This compositional method, together with a clear-cut manner of execution, mainly semitonal melody and sharply contrastive dynamics, lends force and transparency to the piece. Piano Sonata No. 4 was completed in 1964 together with Symphonic Fresco, Concerto da camera for piano and orchestra and Fifteen Prints after Durer's Apocalypse and has earned its rightful place alongside them as masterpieces of Fiser's oeuvre.The work was first performed by Pavel Stepan in Prague's Rudolfinum in 1965. The new setting for this piece is based on the single edition to date (Panton, 1969); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music).
SKU: KU.GM-379
Key: F major/a minor/d minor.
Parisian sonatas no. 1, 2, 4.
SKU: PR.114417610
ISBN 9781491107904. UPC: 680160636051. 9x12 inches.
SONATA CHO-CHO-SAN(Based on themes from Puccini’s Madama Butterfly)In the spirit of the great 19th-century opera fantasies for woodwinds, Michael Webster has created a concert trio on the many great arias from Puccini's Madama Butterfly. However, as its name implies, Sonata Cho-Cho-San is not the typical virtuosic operatic potpourri. Rather, it follows the plot, resembling a sonata mirroring Puccini's use of recurring and developing themes. Webster makes the most of the winds as versatile performers - equally suited to deliver Puccini's beautiful vocal writing, and to ornament and embroider the poignant themes in symphonic style. For advanced performers._______________________________________Text from the scanned back cover:Born in 1944, Michael Webster made his New York recital debutat Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice University’s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled “TeachingClarinet†in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively.
SKU: HL.49009119
ISBN 9790001091237. UPC: 884088073930. 9.0x12.0x0.074 inches.
For violin and piano.
SKU: NR.59148
SKU: BR.MR-1946B
ISBN 9790004485446. 9 x 12 inches.
SKU: BR.MR-1946A
ISBN 9790004485439. 9 x 12 inches.
SKU: M7.BP-999
ISBN 9790015099908.
SKU: M7.BP-998
ISBN 9790015099809.
