Sonata for Solo Cello

This text presents beginning cello technique and basic music reading fundamentals. There is an emphasis on using melodies and classical pieces to instruct each new concept. The 28 lessons include basic technique and reading skills, scales in the keys of D, G, C and F and bowing techniques such as dynamic contrast, slurs, accents, and staccato bowing. There are 47 melodies presented including works by Bach, Beethoven, Brahms, Handel, Mozart and other classical composers. The book includes access to online audio containing all of the exercises and pieces recorded with solo cello and piano accompaniment. It is useful as a teaching and practice tool as well as a performance accompaniment track. / Pédagogie / Date parution : 2018-05-04/ Méthode / Violoncelle

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

Edited From The Sources And Realization Of The Figured Bass By Bernhard Moosbauer. Provided With Notes On Interpretation By Gerhardt Darmstadt.. Par VIVALDI ANTONIO. Les neuf sonates pour violoncelle et basse continue, par Antonio Vivaldi sont parmi les plus célèbres oeuvres violoncelles de l'époque Baroque. Grâce à leurs exigences techniques modérées, les pièces sont partie intégrante des leçons de musique ainsi que de fabrication de musique privée. Mais même pour la scène professionnel de la musique au début, ils forment un accent du répertoire violoncelle. La nouvelle édition de la Wiener Urtext édition répond aux besoins et exigences de tous les trois groupes cibles semblables, fournissant un texte musical fiable n'est plus fondé sur la première édition de Paris non autorisée par Le Clerc and Boivin, mais sur une copie de Naples révisé de Vivaldi lui-même ainsi que sur les deux autres manuscrits associés avec le compositeur de la Bibliothèque Nationale de Paris et de la bibliothèque de musique des comtes de Schönborn à Wiesentheid. Hormis la partie solo, l'édition comprend une note de piano (clavecin) avec réalisé basse continue, qui devrait être très bienvenue aux élèves et amateurs. Une partie de continuo latent basso a été ajouter.../ Répertoire / Violoncelle Solo, Clavecin ou Piano Violoncelle Co

Par . collection for cello and piano, with audio tracks online Solo Time for Cello is a two-volume series of concert pieces for the intermediate to advanced cellist. / Date parution : 2022-07-23/ Recueil / Violoncelle et Piano

for solo cello. Par LARCHER THOMAS. I do not compose my pieces for a certain voice range or orchestration, but for musicians, for people. It is almost impossible for me to produce a piece without having a particular person in mind or to hear him/her inwardly. No matter how standardized the interpretation of classical music is, and no matter how many coordinates have been fixed and defined, I do not want to have them seen (and therewith the notation) as determining and limiting signs, but rather as guideposts towards the creation of vital, organic music. In differentiated music, two participants are necessary in order for a piece to evolve-- the composer and the musician. Just as there is no one way for a composer to express himself or to notate music, etc., neither is there one way for a musician to read the notation, to interpret, or to live. We find ourselves, for this reason, in a network of meanings, gestures, and signs which have to be fathomed and expanded together. The tone, the breath, the gestures, the dedication, and the potentialities of a musician were also ultimately decisive for the form of this piece. It is music which pushes the expressive and technical possibilities of the instrument to its very limits. It is music in which the musician has to transport the contexts and expression over and above the notation. It was not necessary for me to find a new form for this piece; it is a work which can and should be performed in a ‘normal’ concert situation. I deliberately wanted to integrate the perhaps new and unusual content into a familiar form (thus the title ‘Sonata’) And I also wanted to embed the aforementioned extreme situations (in which the technical extremes are synonyms for tension, isolation, loss or tenderness) in an organic process in order for the listener to be able to empathize with and comprehend what is expressed in the piece. I would like to thank Natalie Clein, to whom the Sonata is dedicated, for inspiring this piece and for the path that led to the realization of the music. Thomas Larcher/ Répertoire / Violoncelle

Par BREVAL JEAN-BAPTISTE. Sonata No. 1 In C is a beautiful work for Cello with Piano Accompaniment, by French-born composer Jean-Baptiste Breval (1756-1825). The solo cello part is also included on a separate insert./ Répertoire / Violoncelle et Piano

Par RACHMANINOV SERGEI. The edition is part of the ABRSM syllabus (grade 8). Rachmaninov's Sonata In G Minor Op. 19 is a lyrically expressive and technically demanding piece for both the cellist and pianist alike. The contrasts in expression and character are outlined with beautiful melodies and supported by rich, sonorous harmonies, which, altogether, really make this piece stand out in the repertoire for solo cello. This piece serves as a wonderful enrichment to any cellist's repertoire. The piano score is also included on a separate insert. / Répertoire d'Examen / Répertoire / Violoncelle et Piano

The Essential Collection continues with a folio of the greatest works by Antonio Vivaldi. The pieces include his celebrated Violin Concertos and, of course, movements from the Four Seasons, all arranged as Piano solos for you to learn and enjoy. / Classique / Partition /

Par MARCELLO BENEDETTO. Two Sonatas In G and C is a beautiful collection of pieces for Cello with Piano Accompaniment, composed by Benedetto Marcello (1686-1739). The solo cello part is also included on a separate insert./ Répertoire / Violoncelle et Piano

Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano

Ce portefeuille comprend les plus célèbres chefs-d'oeuvre d'Antonio Vivaldi, dont ses célèbres Concertos pour violon et, bien sûr, les mouvements des Quatre Saisons. Contient à la fois les partitions et audio complet sur CD. Chaque pièce a été composée, ou spécialement aménagé, pour piano solo et est accompagné par des spectacles de démonstration de haute qualité sur un CD de musique spécialement commandée. Un ajout essentiel à votre bibliothèque de piano. / Piano

Compiled to accompany the 2005 album release, this collection of classical tear-jerkers celebrates the most poignant and bittersweet melodies of all time, arranged as superb Piano solos. Within this anthology you will find classical pieces that tug at the heartstrings, those special musical moments that have you drifting away in an ocean of memories and sweet melancholia. A superb resource for the Piano soloist that is brimming with works from across the ages, all of which possess the power to bring a lump to the throat of even the most staunch audience member, including themes from The Deerhunter , Life Is Beautiful and The English Patient . / Piano

Par SAMMARTINI. The Sonata In G For Cello And Piano was formerly attributed to Giovanni Battista Sammartini (c. 1698-1775), however scholars now attribute this piece to the French cellist and composer Martin Berteau (1709-71), one ofthe founders of the French cello tradition. The sonata for cello in G major seamlessly balances the higher register with the fundamental sonority of the cello, elegantly demonstrating the natural sonic potential of the thumbposition. The solo cello part is also included on a separate insert. / Répertoire d'Examen / Répertoire / Violoncelle et Piano

Basson solo avec accompagnement au piano, édité par William Waterhouse. Adapté pour les joueurs intermédiaires / Basson / 50 pages / niveau : Débutant/Intermédiaire / Partition