SKU: KN.KEN10357
UPC: 822795103571.
This exciting new collection contains 8 grade 3-4 pieces for instrumental solo with piano accompaniment. Free MP3 downloads of the piano accompaniment are available at kendormusic.com. Many of the titles have been published as single pieces and are listed on several state contest lists.Contents:Minuet And Trio; Blow Away The Morning Dew; Mozart Sonatina; For He That Is Mighty; Andante And March; The Mighty Seahawk Fight Song; Sonata Francaise; Thunder, Lightning And Whistling Wind.
SKU: FZ.5830
ISBN 9790230658300. 24.00 x 33.00 cm inches.
This facsimile of an original by Jean-Baptiste Quentin is part of our French classical music collection. Edition : Paris, l'Auteur, Boivin, Leclerc, c. 1742. Preface by the students of the CeFEdeM-Ile-de-France: biographical elements - hints about the score (terminology, time signatures, ornamentation, phrasing, continuo bass, distribution). Three separate instrumental parts sonata IV is a quartet (two instruments for the continuo bass). These remarkably well written chamber music pieces deserve to be brought to light. The quartet sonata for 2 violins, viola da gamba and continuo bass is a particularly fine work. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Berlin - Preuffischer Kulturbesitz Musikabteilung mit Mendelssohn-Archiv (Germany). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5937
ISBN 9790230659376. 24.00 x 33.00 cm inches.
This facsimile of an original by Francois Devienne is part of our French classical music collection. Edition : Paris, Le Duc, 1785. Preface by the students of the CeFEdeM-Ile-de-France: the ornamentation of the three sonatas. Two separate instrumental parts: fortepiano, flute. The preface examines the ornamentation of the three sonatas, typical of the turning point between the eighteenth and nineteenth centuries. Like the flute part, the piano part contains almost no phrase marks: some research into the subject is therefore necessary it should be based on Devienne's own flute tutor. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.1011
ISBN 9790230610117. 22.50 x 31.50 cm inches.
This facsimile of an original by Louis-Gabriel Guillemain is part of our French classical music collection. Guillemain - First book of sonatas for violin with continuo bass - Violin. Editeur : Paris, Louis, Nouvelle Edition ca 1739-1740. The facsimile reproduces the second edition, revised and corrected by the composer. Preface by: Philippe Lescat: catalogue of the works of L. G. Guillemain,Jean Saint-Arroman: tempo terminology. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France).
SKU: FZ.50527
ISBN 9790049505277. 22.00 x 30.00 cm inches.
This facsimile of an original by Simon Le Duc is part of our French classical music collection. Second livre de sonates pour le violon (avec basse continue) - Oeuvre IV. Edition : Paris, Le Duc, s. d. (=c. 1771). Presentation: Saskia Salembier - Departement de musique ancienne Conservatoire National Superieur de Musique et de Danse de Paris. This book contains some of the most beautiful sonatas for violin and continuo from the end of the XVIIIth century. All violinists should be familiar with them. In addition, they are excellent for the study of late XVIIIth century ornamentation. Quality engraving, very legible. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.50512
ISBN 9790049505123. 24.00 x 33.00 cm inches.
This facsimile of an original by Joseph Bodin de Boismortier is part of our French classical music collection. Sonates a deux flutes traversieres sans basse. Oeuvre huitieme. Edition : Paris, l'Auteur, Boivin, Le Clerc, 1725. Presentation: Composition - Phrasing - Ornamentation. These six sonatas, technically fairly easy, make a useful approach to that particular style, a mixture of Italian writing and French ornamentation, often known as Les Gouts Reunis. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.2664
ISBN 9790230626644. 22.50 x 31.50 cm inches.
This facsimile of an original by Charles-Antoine Branche is part of our French classical music collection. Edition : Paris, l'Auteur, Boivin, Leclerc, Castagnery, 1748. These sonatas are very interesting on account of their technical difficulties as well as their melodic quality and wealth of ornamentation. Preface by Philippe Lescat: biography of C. A. Branche - Branche's works - notation - accidentals - figures - phrasing - ornamentation - time signatures. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5257
ISBN 9790230652575. 24.00 x 33.00 cm inches.
This facsimile of an original by Joseph Bodin de Boismortier is part of our French classical music collection. Edition : Paris, 1725. Preface by: Philippe Lescat: biography of Bodin de Boismortier. Jean Saint-Arroman: ornamentation and forms. Three separate parts: Very legible and elegant engraving. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5818
ISBN 9790230658188. 24.00 x 33.00 cm inches.
This facsimile of an original by Louis-Gabriel Guillemain is part of our French classical music collection. The combination of flute, violin, viola da gamba and continuo bass is typically French. The viola da gamba may however be replaced by a viola. Preface by the students of the CeFEdeM-Ile-de-France: Guillemain's life - Guillemain at the Concert Spirituel summary catalogue of Guillemain's chamber music works - terminology - ornamentation. Four separate instrumental parts: flute, violin, viol, continuo. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5887
ISBN 9790230658874. 24.00 x 33.00 cm inches.
This facsimile of an original by Ignace Pleyel is part of our French classical music collection. Edition : Paris, Sieber, 1788. Preface by students of the CeFEdeM-Ile-de-France: Pleyel's biography the works of Ignace Pleyel - Pleyel the music publisher - Pleyel the piano builder - the Salle Pleyel in rue Rochechouart - hints about the score. Three separate instrumental parts: piano - flute or violin - cello. The composer, publisher, and piano maker, Ignace Pleyel, holds an important place at the cusp of the 18th and 19th centuries. The quality of the compositions produced by this student of Haydn makes their republishing worthwhile. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.2213
ISBN 9790230622134. 22.50 x 31.50 cm inches.
This facsimile of an original by Jean-Joseph Cassanea de Mondonville is part of our French classical music collection. Editeur : Paris, Lille, l'Auteur, Boivin, Leclerc, 1738. Sonatas for violin and basso continuo with the first use in France of harmonics. Preface by: Philippe Lescat: figures of the continuo bass,Jean Saint-Arroman: forms and ornamentation. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Gemeente Museum Library of The Hague (Netherlands). Anne Fuzeau Classique propose period copies of classical music scores.