SKU: HL.48184922
UPC: 888680825898. 9.0x12.0x0.074 inches.
for 2 trumpets, trombone (or horn), trombone and trombone (or tuba).
SKU: CY.CC3002
ISBN 9790530058220.
Symphony No. 1 for Brass Quintetby C. P. E. Bach, arranged by Justin BlandC. P. E. Bach was an innovator as an early Classical era composer, helping to develop the sonata form that was refined by Haydn, Mozart and Beethoven. Like his father, Carl Phillip Emanuel was prolific and showed signs of true genius.Symphony No. 1, in three movements (fast-slow-fast), originally in D major, has been transposed down a step to C by arranger Justin Bland.This very fine arrangement (the entire work) of about 12 minutes in length is appropriate for advanced performers and can be the cornerstone of a recital program.Instrumentation: Trumpets (parts in C and B-flat), Horn in F, Trombone and Tuba.
SKU: CN.R10214
Adapted from the slow movement of Bourgeois' own Sonata for Brass Quintet, Northern Lament is a powerful work with a fiery climax in the middle and thematic material derived from a simple & memorable melody.This piece originated in the slow movement of Sonata for Brass Quintet, which I wrote in 1965 whilst still a pupil of Herbert Howells at the Royal College of Music, London. It had been commissioned by the Halle Brass Quintet, although they never performed the work. In 1997, Timothy Reynish suggested that I should arrange the work for wind orchestra. I decided to expand the movement into something more than double its original length, adding a fiery climax to its central section. The whole movement derives from the simple melody stated at the beginning. Because of Timothy Reynish's association with the Royal Northern College of Music in Manchester, England and because the original sonata was never played by the northern-based Halle Brass Quintet who invited me to write it, I decided to call the new piece Northern Lament..
SKU: CN.S11214
SKU: HL.14037632
ISBN 9788759818244. UPC: 884088562045. 10.25x13 inches.
Contents: CHAMBER MUSIC: Polka for Violin; Duet for Violins; Romance for Violin and Piano in G Major; Romance for Violin and Piano in D Major; Sonata for Violin and Piano; Fantasy for Clarinet and Piano; Trio for Violin, Cello and Piano; Quartet for Two Violins, Viola and Cello in D Minor; Movement for Two Violins, Viola and Cello in F Major (Add. 9); Movement for Two Violins, Viola and Cello in F Major (Add. 10); Movement for Two Violins, Viola and Cello in F Major (Add. 11); Movement for Two Violins, Viola and Cello in G Minor; Movement for Two Violins, Viola and Cello in F Sharp Minor; Movement for Two Violins, Viola and Cello in B Flat Major; Trauermarsch for Two Violins, Viola and Cello. PIANO PIECES: Two Character Pieces; Norwegian Folk Dance; Andante; Piano Piece; Peasant Dance; Allegretto; Add. 22; Minuet; Add. 24; Andantino; Add. 26; A Little Piano Piece. CANTATA: Cantata for The Commemoration Of P.S. Krøyer. ARRANGEMENTS: Prelude to 'Snefrid' for Piano; 'Snefrid' for Recitation and Piano Quintet; 'Elves' Dance' From 'Sir Oluf He Rides ''; 'Dance of the Handmaidens' from 'Hagbarth and Signe' for Piano; 'Canto Serioso' for Cello and Piano; Dances from 'Aladdin'for Piano; Excerpts from 'The Mother' for Piano; 'A Fair And Lovely Land' for Brass; Cantata for The Centenary of The Polytechnic College for Reciter, Male Choir, Strings and Piano; Counterpoint Exercises; Two Part Fugue (Add. 38); Two Part Fugue (Add. 39); Three-part Fugue (Add. 40); Three-part Fugue (Add. 41); Three-part Fugue (Add. 42); Three-part Fugue (Add. 43); Three-part Fugue (Add. 44). APPENDIX: Greeting; Gade; Denmark!; Welcome to 20 Della Grazia, Little Marie!; The Shepherd's Melody.