SKU: HL.14002640
UPC: 884088854201. 8.25x11.75x0.207 inches.
The Seis Sonatas were Blasco De Nabra's first work, published when he was the cathedral orgainst in Seville.
SKU: HL.49031790
ISBN 9790001132381. 9.0x12.0x0.24 inches.
Kirchhoff was born in Muhlbeck (near Bitterfeld) in 1685 and died in Halle in 1746. He was (like Handel) a pupil of Zachov and in 1714 became Zachov's successor as organist and Director Musices at the Marienkirche in Halle. His violin sonatas, which were praised by Leopold Mozart, are very well suited for use in teaching the violin, as they are skilfully structured around the capabilities of the instrument. Especially recommended for friends of baroque violin music.
SKU: HL.49031789
ISBN 9790001132374. 9.0x12.0x0.253 inches.
SKU: CF.BF115
ISBN 9781491150993. UPC: 680160908493. 9x12 inches.
Johann Sebastian Bach’s (1685—1750) SixSonatas and Partitas have captivated violinistsfor centuries. Rachel Barton Pine—havingspent decades studying the music of Bach,his contemporaries, and his predecessors—now offers this unparalleled edition completewith detailed historical notes, performancesuggestions, and downloadable study materialsincluding a new Urtext edition and a speciallyprepared manuscript. Pine’s interpretationis informed by thorough historical study, which has been polished byyears of performance insight, but also encourages those studying Bach’srepertoire to craft their own unique interpretation of these timelessmasterpieces. This edition closely follows Pine’s critically acclaimed 2016recording “Testament: Complete Sonatas and Partitas for Solo Violin byJ.S. Bach†(Avie 2360) making it an invaluable resource for any student,teacher, or performer enthralled with J.S. Bach’s long standing legacy.Ms. Pine holds the distinction of being the only American and youngestperson to win the gold medal at the J.S. Bach International ViolinCompetition in Leipzig, Germany, 1992.here is no one right way to play Bach. More thanalmost any repertoire, each individual’s interpretation isas unique as their personality. Though I have spent decadesstudying Bach’s music as well as that of his contemporariesand predecessors, my final rationale for artisticdecisions is often taste and instinct. Every violinist whoundertakes a lifetime’s journey with this incredible repertoireis continually discovering new ideas. Thus, theopinions on the following pages may evolve over time.However, everything in the sheet music closely follows my2016 recording “Testament: Complete Sonatas and Partitasfor Solo Violin by J.S. Bach†(Avie 2360), which I trulyfeel represents the culmination of my exploration intothese extraordinary works.In choosing to present this edition, my hope is thatyou will find useful solutions to challenges of fingering,bowing, and polyphony, and helpful information aboutphrasing. I have also included additional dynamic suggestionswith the hope that trying these ideas will help inspireyou to discover your own. All of these markings aredesigned to work with a baroque violin and baroque bow,a modern violin and baroque bow, or a modern violinand modern bow. While the information in this editionis unusually dense, there is much that I did not include,such as lifts, breaths, articulations, whether to play on oroff the string, metronome markings, details of timing,and emphases other than hemiolas.I offer this book to you in the spirit of Bach: “SoliDeo Gloria.â€.
SKU: HL.49046266
ISBN 9781540062512. UPC: 842819103196. 0.23 inches.
A contribution to make the classical period accessible to the trumpet: Of medium difficulty, Kristin Thielemann's arrangements of performance pieces and sonatas by James Hook (1746-1827) are ideal for tuition as well as for auditions and competitions. Several songs of Hook were arranged as instrumental pieces and serve as a good start into this repertoire. More advanced players may try thesonatas. Apart from the frequently played Sonata Op. 99/3, even lesser known sonatas might be interesting for the trumpet because oftheir well-chosen keys.
SKU: HH.HH577-FSP
ISBN 9790708185932.
In these sonatas he betrays his Italian leanings and especially his debt to the Italian violinist Carbonelli, who was his friend and possibly also teacher. Mixed in with the Italian elements are ones taken from English song, where Holcombe excelled. The result is a fascinating stylistic synthesis and a valuable contribution to violin literature.
SKU: M7.BP-737
ISBN 9790015073700.