A Spiritual Amen

Dieser Band enthält 20 energiegeladene Songs aus dem Bereich Spirituals und Gospels, die garantiert nicht verstaubt sind! Und mit der hochwertigen Begleit-CD, die alle Songs als Voll- und Playback-Versionen enthält, kommt garantiert Schwung in den Saal - ob beim Üben oder beim Konzert. Alle Stücke sind sehr leicht gesetzt, im bewährten übersichtlichen Layout, so dass sie sich bestens für den Unterricht eignen. Sie können alleine oder im Duett gespielt werden. Wahlweise auch mit CD erhätllich. U.a. enthalten: Amen, Down By The Riverside, Go Down, Moses, The Gospel Train, O Happy Day und viele mehr. / 1 Ou 2 Violoncelle(s)

Capturer l'enthousiasme infectieuse de Spirituals et Gospel chansons : vous y trouverez une collection de pièces plus populaires dans les arrangements faciles et efficaces dans le dernier volume de la série de ' Piano light '. L'expérience les joies et les lamentations de ce typiquement Afr / Piano

very easy arranged. In addition to the very successful series of Hans and Marianne Magolt, they now publish the first volume in the new series 'Die schönsten Spirituals & Gospels' ['The Most Beautiful Spirituals & Gospels']. All melodies are very easy arrangements for beginners and can be played at various occasions at home, at the music school, at primary school or in an ensemble. Optionally, the arrangements can be played with an additional second part. Contents: Down by the Riverside, Glory Hallelujah, Go down Moses, O happy day, Rock my soul, He’s got the whole world in his hands, Nobody knows the trouble I’ve seen, Swing low and many more./ Recueil / 1 ou 2 Clarinettes en Sib

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

In addition to the very successful series of Hans and Marianne Magolt, they now publish the first volume in the new series 'Die schönsten Spirituals and Gospels' ['The Most Beautiful Spirituals and Gospels']. All melodies are very easy arrangements for beginners and can be played at various occasions, at home or at school. Contents: Down by the Riverside, Glory Hallelujah, Go down Moses, O happy day, Rock my soul, He's got the whole world in his hands, Nobody knows the trouble I've seen, Swing low and many more. / Piano

In addition to the very successful series of Hans and Marianne Magolt, they now publish the first volume in the new series 'The Most Beautiful Spirituals and Gospels'. All melodies are very easy arrangements for beginners and can be played at various occasions at home, at the music school, at primary school or in an ensemble. Optionally, the arrangements can be played with an additional second part.Contents: Down by the Riverside, Glory Hallelujah, Go down Moses, O happy day, Rock my soul, He's got the whole world in his hands, Nobody knows the trouble I've seen, Swing low and many more. / 1 Ou 2 Flûtes

En plus de la série très réussie de Hans et Marianne Magolt, ils publient aujourd'hui le premier volume de la nouvelle série la plus belle Spirituals and Gospels '. Toutes les mélodies sont des arrangements très faciles pour les débutants et peut être joué à plusieurs reprises à la maison, à l'école de musique, à l'école primaire ou dans un ensemble. Eventuellement, les arrangements peuvent être joués avec une deuxième partie supplémentaire.Contenu: Down by the Riverside, Glory Hallelujah, Go down Moses, O jour heureux, Rock my soul, Il a le monde entier dans ses mains, personne ne sait la peine que j'ai vu, Swing low et beaucoup plus. / 1 Ou 2 Violon(s)

Spirituals for Young Voices is a collection of fifteen spirituals for solo voice and is suitable for both male and female young voices. The included accompaniment CD allows your young singers excellent opportunities torehearse on their own or use the piano accompaniments in performance situations if needed. All songs in this collection are appropriate for use as recital repertoire or solo festival and contest use. Songs include: All MyTrials; Amen!; Didn't My Lord Deliver Daniel?; Do Lord Remember Me; Ev'ry Time I Feel the Spirit; Go Tell It on the Mountain; He's Got the Whole World in His Hands; Joshua Fit the Battle of Jericho; My Lord What a Morning!;Rock-a My Soul; Sometimes I Feel Like a Motherless Child; Swing Low Sweet Chariot; There Is a Balm in Gilead; This Little Light of Mine; Wade in the Water. For Grades 6-12.

Diese Sammlung vereint rund 50 alte und neue Chorsätze unter dem Motto des Trierer Chorfestivals 2015 ?Gott liebt diese Welt'.Motetten, Volkslieder und Geistliche Lieder, Spirituals, Wechselgesänge sowie Kanons in verschiedenen Sprachen und Besetzungen sind vertreten und machen sie zur idealen Grundlage für das Singen in der Messe, im Gottesdienst und bei Chorbegegnungen. Die Sammlung ist insbesondere auch auf Kinder- und Jugendchöre zugeschnitten.Im Juli 2015 findet unter dem Dach des Bistums Trier das 7. Deutsche Chorfestival ?Pueri Cantores' statt. Grundsatz des Deutschen Chorverbandes ?Pueri Cantores' ist die Begegnung durch gemeinsames Singen. Dies wird auch mit den regelmäßig veranstalteten Chorfestivals auf diözesaner, nationaler und internationaler Ebene gepflegt.- Für Messe und Konzert- Geistliches und Weltliches- Verschiedene Besetzungen (SSA, SATB), teilweise mit TasteninstrumentAus dem Inhalt?Also hat Gott die Welt geliebt' (S. Strohbach)- ?God so loved the world' (B. Chilcott)- ?A Song of Thanksgiving' (M. Patterson)- ?Peace I leave with you' (J. Barnard)- ?Verleih uns Frieden' (C. Mawby)- ?Du bist das Brot, das den Hunger stillt' (T. Quast)- ?Die Gedanken sind frei' (M. Nagel)- ?Der Weg zur Oper' (O. Gies)- Chorimprovisationen von O. Sperling und M. Balzer u.a. / Choeur Mixte

Ron Kean's Kyrie and Agnus Dei have led the way for this Sanctus setting. Dr. Kean has cleverly intertwined a new Sanctus melody (that is beautifully lamenting) with the African American Spiritual Swing Low Sweet Chariot. Selected for the ACDA NY reading session this stirring rendering contains the well-crafted vocal lines for which Dr. Kean has become famous. Excellent for church or school.

Anne Boyd's The Quiet Place for Oboe (doubling antique cymbals) Clarinet (doubling rin) Viola and Harp.The Quiet Place was commissioned by the Warwick andLeamington Festival for performance by Okeanos on their New Music Day on 14th July 2002.'The Quiet Place' is a meditation site in the University of York dedicated by Dame Janet Baker 'In honour of thespirituality which is in all people'. It was a place I visited frequently in the months I spent as visiting Professor at the University in late 2001. So soon after the attack on the New York Trade Centre the worldfelt a very unstable place especially to be so far from my Australian home. It was difficult to make much sense of existence in a world of fanatical fundamentalism - both Islamic and Christian. Perhaps for comfort I foundmyself thinking back a thousand years to the vital earth based spirituality of Hildegard of Bingen and uncovered an Antiphon she had composed 'Nunc Aperuit'. This chant became the basis of the work I have written forOkeanos in response to an invitation from Jinny Shaw whom I met in York last year. In English translation the words of the chant translate as 'Now the closed door has opened for us / What the serpent hassuffocated in woman./ Therefore shines forth in thedawn/ the flower from the Virgin Mary. ' The music of 'The Quiet Place' is a simple meditation which explores the moods of this text often retreating into a silencewhich is both breath and transcendence. - Anne Boyd

A superb and comprehensive collection of gospels and spirituals for Gospel choirs, containing a selection of classic favourites and rarer treasures in this bright and soulful idiom. The Ultimate Gospel Book Volume 1 contains 30 lively, invigorating songs which are all in delightful settings for Mixed Choir SATB, arranged by Jeff Guillen. CONTENT: Amen, Balm In Gilead, Burden Down, By An By, Certainly, Come And Go, Deep River, Didn t My Lord Deliver Daniel, Down By the Riverside, Free At Last, Goin to Set Down, Good News, The Gospeltrain, He s Got the Whole World, Hold On, I Know the Lord, Joshua Fight the Battle of Jericho, Let Us Break Bread, Lord, Lord, Lord, Rocks on the Mountains, Roll Jordan, Somebody s Knocking, Sometimes I Feel, Steal Away, There s a Meeting, Trampin , Wade In the Water, Walk Together Children, Were You There, When the Stars Begin to Fall.

African-American And Jamaican Songs. Par KIMBERLING CLARK. Une collection unique pour la flûte : 46 solos pleine page, y compris les arrangements de spirituals, chansons folkloriques, airs de danse et de mélodies de compositeurs afro-américaine, plus cinq solos composé pour cette collection. Inclut des mélodies par Basile Barès, a. j. r. Conner, Henry Hart, j. w. Postlewaite. Fonctionnalités inédites précédemment solo de renom Philadpelphia musicien Francis Johnson, la composition la plus ancienne connue par un afro-américain, datant de 1815. Favoris incluent Amen, Banyan Tree, médecin Bird et Ev'ry temps, je me sens à l'esprit. Soutenu par des Notes historiques spécifiques mélodie accessible par Internet. --Quarante-six pleine page solos pour les flûte--Arrangements de mélodies de compositeurs plus connus de l'Amérique d'origine africaine, ainsi que des mélodies traditionnelles--Notes historiques spécifiques mélodie sur Internet / Niveau : Intermédiaire / World Music - Solos / Recueil / Flûte Traversière

The Rite of Christian Initiation of Adults was issued in 1972 and is in use more and more as a source of renewal in parishes. The rites which accompany the journey of adults towards their baptism have the capacity to breathe newlife into church communities. New rites need new music and the collection aims to provide for a growing need. The music is congregation-friendly with easy refrains that can be picked up almost instantly. The cantormelodies are supported by colourful harmonies in the accompaniments providing plenty of variety. The texts are spiritually based and present a rich vision of what it means to be baptised. Although written primarily for the Riteof Christian Initiation of Adults many of these pieces can also be used on other occasions as well for example Liturgies of the Word the Sacrament of Reconciliation weddings funerals and other rites of passage.TheFREE CD accompanying the book includes complete performance and backing tracks.