SKU: HL.14025397
ISBN 9783937041094. 9.0x12.0x0.098 inches.
Arrangement of themes from Peter And The Wolf for recorder ensemble. Can be used in conjunction with the Piano accompaniment in this series. German Edition.
SKU: HL.14006541
ISBN 9780711956100. 9.0x12.0x0.088 inches.
Twelve easy pieces for piano written and arranged by Carol Barratt. An entertaining selection all about animals: superbly arranged classics plus imaginative original pieces. Includes music from 'Peter And The Wolf', 'Carnival Of The Animals' and Carols Barratt's 'Giraffes'. Suitable for players of grade 1 to grade 2 standard. Contents: Aunty Lizzie's Old Pig * Giraffes * Sheep May Safely Graze * Swan Lake * The Bear * The Cat From Peter and the Wolf * The Cat in the Corner * The Crow * The Cuckoo (Muller) * The Duck (Peter and the Wolf) * The Elephant (Carnival of the Animals) * The Pony (Couppey).
SKU: HL.48011263
UPC: 073999780871. 8.25x11.75x0.175 inches.
Contents: Themes from Peter and the Wolf (Prokofiev) * In the Gymnasium (Kabalevsky) * The Rain and the Rainbow (Prokofiev) * March from Musique d'enfants (Prokofiev) * Sweet Dreams (Tchaikovsky) * The Drummer (Kabalevsky).
SKU: PE.EP11501
ISBN 9790014126018. English.
In 1721 a 20-year-old soprano employed at the princely court in Köthen married the court's Kapellmeister, set to become the greatest composer of the age. As his second wife she married into a young family with four children, and a busy household filled with music. The music book that Johann Sebastian Bach presented to his new wife Anna Magdalena in 1722, and replaced more lavishly in 1725, treats us to a tantalizing glimpse inside this unique family, allowing us to sit beside Bach as a composer, teacher, husband and father. Over the years, these notebooks became a place for the family to share instructional exercises, favourite pieces - by Bach and other composers - to play or sing, early composition efforts from the children, and first versions of some of Bach's more ambitious keyboard works.Drawn from Christoph Wolff's new and cutting-edge scholarly edition of the complete Anna Magdalena Notebooks, Edition Peters is proud to present a new volume of shorter and easier pieces from the notebooks, perfect for practical use by students of all ages and their teachers.Urtext edition by pre-eminent Bach scholar Christoph Wolff, Harvard Professor and former Director of the Leipzig Bach Archive Represents the very latest in Bach scholarship, reflecting up-to-the-minute research on texts, authorship and copyistsA selection of the most popular pieces from the two notebooks in a practical student edition Contains works for keyboard and vocal pieces, following the practice of musical education and performance in Bach's home.
SKU: BT.DHP-1185973-401
ISBN 9789043157513. International.
This short work is partly based on the well-known bassoon solo from Peter and the Wolf, the musical fairy tale by Sergei Prokofiev. However, the original melody is presented in â??inversionâ??: ascending intervals become descending ones, and vice versa. The middle cantabile section is mainly situated in the higher bassoon register, thus forming a lovely contrast with the other parts. The piano accompaniment is modest and transparent, so that the bassoon is not drowned out.Dit korte werkje is deels geënt op de bekende fagotsolo uit Peter en de Wolf, het muzikale sprookje van Sergei Prokofjev. De oorspronkelijke melodie wordt echter in â??omkeringâ?? gepresenteerd: stijgende toonafstanden worden dus dalende en vice versa. Het middendeel is zangeriger en ligt vooral in het hogere register van de fagot, wat een fraai contrast vormt met de hoekdelen. De pianobegeleiding is bescheiden en transparant, zodat de fagot niet overstemd wordt.Dieses kurze Werk basiert zum Teil auf dem bekannten Fagott-Solo aus Sergei Prokofjews musikalischem Märchen Peter und der Wolf. Die ursprüngliche Melodie wird jedoch als Umkehrungâ?? vorgestellt: aufsteigende Intervalle werden zu absteigenden und umgekehrt. Der Mittelteil ist kantabler und liegt hauptsächlich in der höheren Stimmlage des Fagotts, womit er einen schönen Kontrast zu den Eckteilen bildet. Die Klavierbegleitung ist zurückhaltend und transparent, sodass das Fagott nicht übertönt wird.Cette Å?uvre courte est basée en partie sur le célèbre solo pour basson de Pierre et le Loup, le conte musical de Sergue Prokofiev. Toutefois, la mélodie originale est présentée en « inversion » : les intervalles ascendants deviennent ainsi descendants, et vice-versa. La partie du milieu est plus cantabile et profite surtout du registre aigu du basson, ce qui crée un magnifique contraste avec les parties qui lâ??entourent. Lâ??accompagnement pour piano est modeste et simple : ainsi il ne couvre pas le basson.
SKU: HL.50607005
UPC: 196288217381.
P�TER WOLF (1947) studied classical piano and jazz piano at the B�la Bart�k Secondary School under Korn�l Zempl�ni, Ferenc Rados and J�nos Gonda. In 2015 he obtained his DLA degree from the Franz Liszt Academy of Music with his thesis on jazz arrangements. In 1969 he became the keyboard-player of the band Ex Antiquis. He composed many hits of the 1970s and 1980s as well as scores for popular films and musicals. His virtuosity as an orchestrator was shown in concerts and albums of the Franz Liszt Chamber Orchestra; he also orchestrated violin pieces for Isaac Stern's ''Kreisler'' CD. In 1995 he was awarded the F�nyes Szabolcs Prize, in 2005 the Erkel Prize, and in 2018 Artisjus's Life Prize. In recent years he has had numerous large-scale compositions premiered by excellent performers: his two piano concertos and his concertos for oboe, clarinet, and violin respectively. About Inventions for Young Pianists, piano teacher Rita Znamen�k writes: ''This volume expressly aims at extending the repertoire of 3rd- and 4th-grade primary music students (and, of course, that of the older ones, too). Each of the 23 inventions expands and revolves around a musical idea. The short pieces inspire the children's imagination already with their titles. Teachers and student scan freely choose among pieces which require crossing hands, arpeggios, clusters, polyphony, syncopated rhythm, chromaticism, and pedalling. There are melodies with accompaniment, playing with alternate hands, playing legato and staccato, notes with appoggiaturas and acciaccaturas, jazz accents, and glissandi, too. The composer wrote unusual sound effects into a few pieces for the brave. It's my most sincere wish for young pianists that they find joy in studying Peter Wolf's works, and I encourage my colleagues to include pieces from this volume into their material: maybe students will also become more open to contemporary music through them.''.
SKU: HL.50605472
ISBN 9781705189467. UPC: 196288125211.
In his Sonata, Peter Wolf puts his style well-known from the character pieces of his previous piano series (Wolf-temperiertes Klavier, Jazz preludes) in the service of a demanding form. We can recognize the style that can be traced back to jazz and Bartok, the characters that tap like a toccata or swirl like perpetual motion, the singing lyrical melodies or even such playful turns as the baroque musette-like episode of the slow movement. Like Wolf's previous piano works, this multi-faceted composition, which sets high standards in terms of instrumental technique, was inspired by the outstanding pianist Jozsef Balog and gives the impression of his individuality as a performer.
SKU: HL.50605345
ISBN 9781705180235. UPC: 196288106135.
Similarly to Bach's cycle The Well-Tempered Clavier or to Chopin's 24 Preludes, and similarly to his own collection published in 2019, the Wolf-temperiertes Klavier, Péter Wolf penned 24 piano pieces again. His Jazz Preludes set examples for improvisation and make use of the entire stylistic spectrum of jazz, ranging from the gospel (“Anthem, No. 7â€) to blues (“Windlass, No. 1â€), bebop (“Crime, No. 11â€), Latin jazz (“Tropical Night, No. 6â€), and, of course, the world of ballads (“Nostalgia, No. 4†and “Question Without Answer, No. 16â€). The individual movements are no mere style exercises or piano technique exercises but, like Debussy's preludes, they are expressive character pieces: musical images of a phenomenon, an emotion, a behavior pattern, a personal experience reflected by their titles.
SKU: HL.44005876
ISBN 9789043150194. UPC: 884088043469. 9.0x12.0x0.089 inches. English.
An exciting album of well known classical works, ranging from Bach to Prokofiev, arranged for one paino four hands. Inhoud: Love Theme from Romeo and Juliet (Tchaikovsky) * Sheep May Safely Graze, Aria from Cantata No. 208 (Bach) * Peter's Theme from Peter and the Wolf (Prokofiev) e.a.
SKU: HL.44005307
UPC: 073999790139.
SKU: PE.EP14722
ISBN 9790014140434.
Commissioned by Internationale Hugo-Wolf-Akademie'A grand piano. At its keys, a pianist. Under its body, a professional singer, lying down. Both performers hold their own spiral hose, winding from mouth to piano. The soundboard forms the membrane between the performers. Membran was written for a festival of lieder songs for voice and piano. They asked me if it was possible for me to write a lied, says Carola. She began experimenting, singing through a tube into the body of the piano. She found the resonance haunting. During the piece, the two performers sing a German children's folksong to each other. In the song, a brother repeatedly asks his sister when they will go home. Each time, the sister says they will go home in time. In the end, it becomes clear that both have died. Carola's music is all about communication. She is particularly interested in the intensive interaction of elements that don't normally belong together.Tim Munro'This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: HL.400318
ISBN 9781596152397. UPC: 884088188283. 9.0x12.25x0.27 inches.
A second volume chock-full of charming pieces drawn from traditional and classical repertoire for clarinet and piano. Suitable for first-year through third-year students, this album will make practicing a true joy! Includes a high-quality printed music score and a compact disc featuring stereo piano accompaniments to each piece. Accompaniment: Harriet Wingreen, piano.
