SKU: HL.265057
UPC: 888680731434. 5.0x5.0x0.15 inches. I Corinthians 3:11, I Peter 1:23, II Timothy 2:9, Isaiah 43:2-5.
This creative coupling of the beloved early-American hymn tunes FOUNDATION and BEACH SPRING is replete with refined harmonies and original choral textures. Respectful to the original spirit of the hymn, the writer's nuanced arranging reveals itself in the artful details of the score. Building on the foundations of our shared faith is a needed theme, particularly during church heritage moments or for Reformation events. Robust! Score and Parts (fl 1-2, ob, cl 1-2, bn, perc 1-3, hp, vn 1-2, va, vc, db) available as a digital download.
SKU: MN.56-0089
UPC: 688670220999. English.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 2:56.
SKU: MN.56-0095
UPC: 688670221057. English.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 3:32.
SKU: MN.56-0101
UPC: 688670221163. Latin. John 1:14.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 4:31
SKU: HL.14035774
SKU: LO.30-3711L
UPC: 000308153958.
Instrumental Ensemble Score and Parts for 10/5325L This sturdy anthem blends original material with the immortal “The Church’s One Foundation†and is a reminder of God’s faithfulness to the church through the centuries. The optional handbells, solo trumpet, and congregational participation make it a powerful consideration for Reformation Sunday, church anniversaries, and dedications.
SKU: AU.9781506486475
ISBN 9781506486475. 7 x 10.25 inches.
Tom Trenney creatively adapts the Isaac Watts text O God, Our Help in Ages Past and pairs it with exciting original music that incorporates fragments of the tune ST. ANNE. A soaring melodic refrain provides the foundation to the anthem that speaks of God's constancy in our lives. Written in honor of a church anniversary, this large-scale anthem for SATB choir is scored for both piano accompaniment and separately for oboe, flute, string quartet, and organ.
SKU: LO.30-2260L
UPC: 000308115475.
2 Flutes, Oboe, 2 Clarinets, Bassoon, 2 F Horns, 3 Trumpets, 2 Trombones, Tuba, Timpani, 2 Percussion, Piano, Harp, Violin 1 & 2, Viola, Cello, Bass.
SKU: KJ.8969
UPC: 8402700283.
Lena McLin calls this a sermon in song, based on Matthew 16: 15-18. Varied tempos, simple syncopations, a tenor solo (spiritual) and a creative setting of A Church's One Foundation are included. Grade 2-3. Organ or Piano accompaniment. Performance time is 13 minutes.
SKU: MN.56-0096
UPC: 688670221071. Latin.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 4:06.
SKU: MN.56-0102
UPC: 688670221170. English.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 5:15.
SKU: MN.56-0091
UPC: 688670220197. Latin.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 2:57.
SKU: MN.56-0099
UPC: 688670221125. Latin.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 5:54.
SKU: MN.56-0100
UPC: 688670221149. Latin. John 1:14.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 4:31.
SKU: MN.56-0094
UPC: 688670221033. Latin.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 5:09.
SKU: MN.56-0097
UPC: 688670221095. Latin.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 4:06
SKU: MN.56-0092
UPC: 688670221002. English.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 3:48.
SKU: MN.56-0087
UPC: 688670220968. English.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 5:35.
SKU: MN.56-0098
UPC: 688670221101. Latin.
Originally conceived for the ensemble Enchanted Voices, these carols for SSA voices and organ (or piano) represent the composer’s desire for the tunes and texts to be heard in a new and fresh way. Largely contemplative, sometimes set against a gently-undulating foundation, these work well for concert and church use. Sometimes ethereal, sometimes other-worldly, the pieces succeed in bringing together the ancient purity of the medieval past and the here and now. Duration 6:52.
SKU: GI.G-9915
ISBN 9781622774371.
In the world of music conducting there exist fundamental practices shared by all conductors regardless of the type of ensemble they conduct. Foundations of Conducting Technique is a comprehensive beginning conducting textââ¬âcomplete with pictures, online videos, and supplemental conducting etudesââ¬âto facilitate the development of a clear and expressive conducting technique. In this volume, author Frank Eychaner addresses three major areas for beginning conductors: gestural technique, score study, and leadership. For gestural technique, the text details a number of technical skills, including the appropriate use of the body, the roles of the right and left hand, basic conducting patterns and their derivatives, an application of Laban movement analysis, the importance of the conducting planes, and conducting with varied articulations (staccato, legato, and marcato), among others.àUsing direct language, Eychaner details clear cause and effect relationships between gesture and sound. In addressing score study, Eychaner states that all conducting gestures must beàguidedàby an accurate and artistic aural image of a musical work. Rather than advocating for one particular approach, this volume presents a number of possible score study methods for the student to explore. The author also includes a convenient and complete score study checklist. Finally, the text addresses how to be an effective and ethical leader from the podium. Eychaner presents the transformational leadership modelââ¬âa holistic and dynamic approach to leadershipââ¬âas a positive pathway for improving the conductorââ¬â¢s effectivenessàon and off the podium. Supplementing the text are music etudes to help students develop the technical skills of the conductor. The exercises are intentionally simple, consisting mostly of rhythmic materials and folk-like melodies, so that conductors can focus onàmastery of gestural skills. Foundations of Conducting Technique is a major contribution to conducting pedagogyàand an extraordinary resource that distills the essence of effective conducting gesture. An ideal text for undergraduate conducting courses, it is also a practical reference for anyone employed in the field, including music educators, church musicians, leaders of community ensembles, and professional conductors of all ensembles. Frank Eychaner, an international leader in conducting pedagogy, has been an educator and conductor for twenty-five years, working in public schools as well as with professional, collegiate, community, and church ensembles. He is currently Director of Choral and Vocal Studies at The University of Texas of the Permian Basin, where he teaches conducting, choral methods, and choral pedagogy, and conducts the Chamber Choir, Concert Choir, and Menââ¬â¢s and Womenââ¬â¢s Choirs. Figure 29.5. Duruflé Requiem. Figure 29.6. Handel's Messiah. Of the Father's Love Begotten Give Thanks Appendix A: Conducting Evaluation Form Extended Bibliography.
SKU: BT.CAZPN6BUL02
Patrick Nunn's Six Bulgarian Songs of Childhood for Children's Choir, Clarinet, Violin and Piano.
Six Bulgarian Songs of Childhood was written for the New London Children’s Choir andcommissioned with funds provided by the PRS Foundation. It received its first performed by the New London Children’s Choir, conducted by Ronald Corp, on the 12th March 2005 at St Michael’s Church, Highgate, London.
Score in C.
Duration: c. 15 minutes
English translation by Dessislava Stefanova.
