SKU: HL.14065393
SKU: CL.012-3692-75
Full of cinematic grandeur and epic style, Return of the Crusaders provides an exciting and effective vehicle for your next concert. Gorgeous melodies, rousing themes, and effective changes of mood and character portray the crusaders and their quest. The ample percussion parts provide sparkle, and power the bold themes of the piece, which are balanced by the beautiful lyrical melodies that are also present. An especially effective piece for contest, take your audience on a trip to the ancient world with Return of the Crusaders..
About Gems of the Concert Band
A series of transcriptions and other works in varying styles, representative of the programming of the Great American Classic Concert Band era of a century ago, as exemplified by John Phillip Sousa, Edwin Franko Goldman, Karl L. King, and Leonard B. Smith
SKU: AP.26701S
UPC: 038081290386. English. Silesian Folk Song.
James D. Ployhar has transformed this hymn-tune into the march that it was originally intended to be. According to legend, this hymn was sung by German crusaders on their way to Jerusalem. Credited as a Silesian folk song, March of the Crusaders is an impressive addition to beginning band literature. This title is available in MakeMusic Cloud.
SKU: CL.050-2431-00
SKU: GI.G-10777
ISBN 9781574635584.
The contributing authors of this publication are internationally recognized as percussion artists and pedagogues. They share their own thoughts and strategies to help the reader deliver more engaging rehearsals and performances that focus on the percussion ensemble. The authors’ inspiring stories will help each reader lead their own ensembles to higher degrees of understanding and musical accomplishment. The percussion ensemble is in many ways at the heart of my curriculum. —Michael Burritt   Eastman School of Music My hope is that the hours spent in rehearsal serve the whole person and all of their music making experiences, regardless of the marching or concert setting. —Julie Davila   Middle Tennessee State University The percussion experience is so unique in its combination of precision, expression, and uniformity. —Thom Hannum   University of Massachusetts Amherst   DCI Hall of Fame As I’ve gained more experience as an ensemble director, I realize I spend considerable time on the mental game of excellence. —Colin McNutt   Boston Crusaders Drum and Bugle Corps In addition to learning great music, Percussion Ensemble is an important laboratory for the essential musical skills of accountability, leadership, and teamwork. —Doug Perkins   University of Michigan I find any percussion ensemble to be a great vehicle to teach some fundamental concepts and principles of music. —Paul Rennick   University of North Texas   Santa Clara Vanguard, DCI Hall of Fame Rehearsals should be focused, efficient, and (most importantly) fun. —David Skidmore   Third Coast Percussion Utilizing the percussion ensemble to teach technique and musicianship is a great approach for any program—and the music is amazing! —Brian A. West   Texas Christian University Music is my conduit to develop the individual, and percussion ensemble allows me to develop musical and personal growth in a group setting. —Eric Willie   University of North Carolina Greensboro This book will provide valuable insights for musical directions, stylistic interpretations, rehearsal technique, color blending, programming, and much more! —She-e Wu   Northwestern University.
SKU: TM.05182SC
Prelude, Dance of Death (Scherzo), Serenade du Trubador, Crusaders (Finale).
SKU: HL.49001926
ISBN 9790001024921.
Henze composed these dances, which can be scored for various instruments, for the orchestra of the conservatory of Deutschlandsberg (Austria). These compositions are based on an anonymous Morissa (Spanish designation for a dance form probably introduced by crusaders) from the English Fitzwilliam Virginal Book.
SKU: TM.02439SET
Playable str only. Keys: For Beauty = Ab; Beauitul Saviour = F. P/C in set.
SKU: TM.05182SET