Format : Sheet music
SKU: GI.G-317081
UPC: 073999170818.
Anthony Cirone and Garwood Whaley have joined forces to compose a superb concert bass drum and cymbal book. The only complete source of information, exercises and interpretation on these most important percussion instruments. The concepts on performance, instrument selection and idiomatic techniques are ideal for conductors, composers, arrangers and students of the percussive arts.
SKU: M7.VOGG-674
ISBN 9783802406744. English.
This book shows the most important elements of modern drumming in an easy and clear way. A detailed description and assembly instruction of the drumset allow an easy start for the beginner. In the second part, the beginner learns about the fundamental rhythms and their variations and finally about the most important rhythm variations from different musical styles. In addition, the rudiments that should be included in each drummer's vocabulary are presented.Many easy-to-follow exercises and rhythms can be found on the included CD.
SKU: MB.93301M
ISBN 9780786692859. UPC: 786692855. 8.75 x 11.75 inches.
Take your creativity to another level with this book. Rock music is, or should be, a form of personal expression. This text was written to encourage and develop the drummers ability to create and develop his own ideas from a solid foundation. This is one in a series of books that deals with rhythmic improvisation, one of the most important aspects of rock drumming. Topics covered in this book are: The Rock Feeling, The Variations and Development of a Basic Figure, Rhythmic Improvisation, Solos, and Cymbal Variations with the Right Hand. Recording by Frank Briggs. Includes access to online audio.
SKU: HL.14027993
ISBN 9788759811832. English.
Premiered at the festival 'Magma Berlin 2002' by the Berlin Philharmonic Orchestra, conducted by David Robertson, 29th November 2002.3 Flutes, 1st and 2nd also Alto Flutes in G, 3rd also Piccolo3 Oboes, 3rd also Cor Anglais in F3 Clarinets in Bb, 3rd also Bass Clarinet in Bb3 Bassoons, 3rd also Contra Bassoon4 Horn in F3 Trumpets in Bb3 Trombones1 TubaTimpani4 Percussion, four playersPlayer 1 - Vibraphone, Glockenspiel, Water Chime, Bell Tree, Japanese Wood Blocks, Cymbal (Suspended), TamTam (Medium)Player 2 - Triangle, Tubular Bells, Crotales, Marimba, Chinese CymbalPlayer 3 - TamTam (Large), Java Gong(Large, very low), Bell Lyra (Handheld), Sizzle CymbalPlayer 4 - Bass Drum, Glockenspiel, Xylophone1 Harp1 Piano, also CelestaStrings - 16/14/12/10/8All transposing instruments are notated in their relevant transpositions.Any accidental apply only to the note that it immediately precedes, except tied notes.Naturals appear occasionally 'for safety'.'LISTENING EARTH' is a symphonic drama, a one- movement composition in four parts based on the work by two writers, Joseph Addison (1672-1719) and W.H.Auden (1907-1973). Joseph Addison is not particularly well known; he was English, a classical scholar, essayist, poet and politician, but one of his hymns was used by Benjamin Britten. in his setting of a Thomas Tallis canon.The hymn is singularly beautiful and being a composer always inspired by extramusical stimuli such as poems, nature, paintings, I was immediately convinced when I carne across the Addison hymn, that here was exactly what I wanted to use as my major source of inspiration for this piece, commissioned by and written for The Berlin Philharmonic. I don't refer to the hymn in its entirety, but have chosen the following 3 excerpts, all acting as mottos for the first three sections of the piece, thus turning the piece into a straightforward tonepoem in the classical.