Format : Score
SKU: ST.H477
ISBN 9790220223532.
Written in the year of the Queen's Diamond Jubilee, Malcolm Archer reflects the mood of national celebration in his new march for organ The Royal Standard. The title alludes to the famous emblem of royalty that flies proudly over Buckingham Palace when the sovereign is in residence. Befitting its subject, this stirring music is in the high ceremonial style of Elgar and Walton, as colourful as the royal banner in blue, red and gold, but with a modern flavour too in its syncopated main theme. Director of Chapel Music at Winchester College, Malcolm Archer needs no introduction as a church musician, conductor, composer and recitalist. The piece is of intermediate standard, and is suitable for a variety of instruments with two manuals and pedals.
SKU: HL.49018182
ISBN 9790543505025. UPC: 841886032613. 12.0x8.75x0.32 inches. German - English - French - Dutch - Spanish - Portuguese - Italian.
Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher.In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises, and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist.
SKU: CF.SGB502
ISBN 9780825856907. UPC: 798408056902. 9 X 12 inches.
A noted church workshop and conference leader, Whitworth has published numerous keyboard collections for the church musician. Thine Is The Glory, one of Whitworth's most useful books, is back in print by popular demand. The updated folio brings the church organist 12 classic hymn settings that are appropriate for the various seasons in the church calendar. The book includes: Thine Is the Glory, We Would See Jesus, What Wondrous Love Is This?, Once in Royal David's City, I Heard the Voice of Jesus Say, O Love That Wilt Not Let Me Go, 'Tis So Sweet to Trust in Jesus, Come, Thou Almighty King, My Shepherd Will Supply My Need, Break Thou the Bread of Life, Come, Thou Fount of Every Blessing, and Abide With Me.
SKU: GI.G-R031
ISBN 9780854022755.
Herbert Sumsion was born in Gloucester in 1899, was a chorister in that city, and became an articled pupil of Sir Herbert Brewer, the Cathedral Organist. He later studied at the Royal College of Music before proceeding to organ and teaching posts in or near London. After a short period in America (1926–1928) as Professor of Harmony at the Curtis Institute of Music in Philadelphia, he accepted the appointment of Organist and Master of the Choristers at Gloucester Cathedral on the sudden death of Brewer. He was able to take up his duties just in time to conduct the 1928 Three Choirs Festival, immediately justifying the confidence placed in him by the high standard of his direction and musicianship. Sumsion was honoured with the Lambeth Doctorate of Music in 1947 and awarded the CBE in 1961. He retired from the post at Gloucester Cathedral in 1967 and continued to be active with teaching and composition until shortly before his death in 1995. He had a special sympathy for the works of the English composers stemming from Vaughan Williams and Elgar, and was responsible for bringing works of younger composers to the attention of the British public.Two great English choral works of this century - Herbert Howells’s Hymnus Paradisi and Gerald Finzi’s Intimations of Immortality - received their premieres at the 1950 Gloucester Festival. These two composers were particularly close friends of Sumsion. It would follow then that Sumsion’s own compositions are in this same mould, yet there is a very distinct style that endears his music to singers and listeners alike. Church music has benefitted tremendously from his work, for his compositions in this medium have been prolific and wide-ranging. Many of his choral works are published by The Royal School of Church Music.
SKU: MB.95266M
ISBN 9780786695546. 8.75 x 11.75 inches.
Presenting 45 melodies composed by the blind Irish bard and harpist Turlough OCarolan arranged by such guitar greats as Dave Evans, Davey Graham, El McMeen, Duck Baker and many others. As these melodies lend themselves particularly well to guitar settings, OCarolans compositions have captured the imagination of guitarists world-wide. This compilation divides the tunes into three categories: Airs and Dance Tunes, Tunes for Patronage, and Laments. Written in standard notation and tablature. Includes access to online audio.
SKU: ST.AC172
ISBN 9790220219726.
Threnody with Fanfares is dedicated to trumpeter Deborah Calland, who, with her husband Barry Millington, instigated the notion of this work. This piece, the longest of the set, combines two completely opposed motives: the lament or sigh and the royal fanfare.
SKU: PE.EP14445
ISBN 9790014135041. 297 x 420 mm inches. German.
ARKA stammt aus dem Sanskrit und bedeutet so viel wie Strahl, Blitz, Sonne, Licht, aber auch Lied, Feuer und Hymnus, und entwickelt in meiner Vorstellung sehr viele unterschiedliche Assoziationsfelder. In ARKA stecken auch die Worter arc (beten) und ka (Wasser), und es kann auch ubersetzt werden mit: ,,Das Wasser stromt aus dem heraus, der mehr weiss.
Mein neues Werk fur Pipa, Oboe, Pauke, Schlagzeug und Orchester entstand im Auftrag der Kammerakademie Neuss und auf Anregung des Oboisten Christian Wetzel. Es entstanden drei Rituale mit zum Teil szenischen Elementen fur die Solisten und das Orchester.
Inspirationsquelle in der Vorbeschaftigung waren zwei Quellen und Bucher. Das Daodejing von Laozi in der hervorragenden Neuubersetzung von Viktor Kalinke, eine der wichtigsten Quellen chinesischen Denkens und der Philosophie dieser grossen Kulturtradition und die chinesische Tradition der 5-Elementelehre und der Wandlungsphasen. Als zweites Buch hat mich ,,Die Glut von Roberto Calasso inspiriert, ein Buch uber die indischen Veden in Verbindung mit den Ursprungen des Buddhismus und den damit verbunden Ritualen.
In den letzten 20 Jahren habe ich mich intensiv mit ostasiatischer Musik, Kunst und Philosophie beschaftigt und habe das auch durch langere Studienreisen und kompositorische Projekte vertiefen konnen. U.a. wurde 2012 mein Chorwerk PRAN in Kolkata in Indien uraufgefuhrt (Goethe-Institut), ebenfalls 2012 ,,in between VI fur Sho und Sheng in Tokyo und 2013 ,,Mirror and Circle fur Pipa, Cello und chinesisches Orchester in Taipeh/Taiwan (Auftragswerk der taiwanesischen Regierung). Mit der chinesischen Pipa-Virtuosin Ya Dong arbeite ich seit 2000 zusammen und habe fur sie mehrfach komponiert (Urauffuhrungen u.a. in Hannover/EXPO 2000, Rottweil 2001, Taipeh 2013, Magdeburg 2016). Auch mit Christian Wetzel arbeite ich seit uber 20 Jahren zusammen und habe ebenfalls haufig fur ihn komponiert (UA u.a. in Bonn 1999, Hannover/EXPO 2000, Rottweil 2001, Darmstadt 2004 und etliche weitere Projekte).
Jedes dieser drei Rituale hat eine Lange von ca. 6-7 Minuten und stellt unterschiedliche Qualitaten und Besonderheiten der beiden Soloinstrumente heraus, immer in Verbindung mit der Interaktion zwischen Soli und Orchester. Die Besetzung war fur mich ausserst reizvoll, da beide Instrumente in dieser Kombination noch nie so erklungen sind. Die Pipa ist ein ungemein modernes und ungewohnliches Instrument, reich an Farben und vor allem an perkussiven Effekten. Das Tonmaterial wurde zum grossten Teil aus den Namen der beiden Solisten gewonnen und ergibt interessanter zwei gespiegelte Viertonmotive. In der asiatischen Kultur spielen der Spiegel und der Kreis eine wichtige Rolle, und so werden die Tone, Rhythmen und Formen eingewoben in diese drei Rituale, welche am Ende des dritten Satzes wieder kreisformig an den Anfang des ersten Rituals anknupfen. Ein von den Streichern und der Pauke erzeugtes Gerausch, verbunden mit dem Rhythmus der grossen Trommel, welcher einen Herzschlag symbolisieren soll. Die drei Untertitel der Rituale Himmel, Erde und (atmospharischer) Raum spielen im vedischen und chinesischen Denken eine grosse Rolle und war fur mich beim Komponieren ebenfalls eine sehr starke Inspirationsquelle. In vielen meiner Kompositionen gibt es Raumeffekte, Annaherungen an das Publikum, das Verschieben von Perspektiven, die Dekonstruktion und das Hinterfragen der ublichen Konzertsituation, so u.a in meinem Beuys-Zyklus oder in den Zyklen ,,CUT und ,,in between.
In ARKA geht es mir besonders um die Interaktion zwischen westlichem und ostlichem Denken, um das gegenseitige Durchdringen dieser auf den ersten Blick so unterschiedlichen Denk- und Lebensweisen, um eine Verschmelzung scheinbarer Gegensatze - um Annaherung!
Bernd Franke. Leipzig, 11.10.2019
for low voice and piano This beautiful collection of 14 songs for low voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for high voice and piano.
AGNI is the Hindu god of fire; the elemental and transformative force inherent in everything:
Every flame, every fire, every light, every warmth is AGNI.
AGNI is omnipresent, establishing everything and ending everything.
AGNI is often depicted with seven tongues which represent different aspects of his being.
These include: creating, sustaining, cleansing, purifying, priestly, martial, devastating, destructive, and consuming.
Derived from Franke's concerto of the same name, this solo work for bass clarinet compositionally traces the transformative processes initiated by the divine fire. The solo takes seven pieces from the concerto, presenting vivid character pieces exploring the creative possibilities and wide tonal range offered by the bass clarinet.
This version of AGNI for bass clarinet solo was premiered on 4 December 2020 in Leipzig by Volker Hemken, the principal bass clarinetist of the Gewandhausorchester Leipzig. EP14437a convinces with its excellent and clear notation, making the piece a new standard for bass clarinet.
Ikons, commissioned by the Vancouver Cultural Olympiad 2010, exists in two forms. This 14-minute acoustic version, premiered by the Turning Point Ensemble, calls for an octet of live musicians to execute complex rhythms and quarter-tone harmonies.
The interactive, electronic version, created with visual artist Eric Metcalfe and designed to be presented separately, incorporates samples from this acoustic version into a sculptural environment of seven pyramidal structures that respond sonically to the viewer.
Roxanna Panufnik's Sonnets without Words is a contemporary piece for Horn in F and piano. Written for horn player Ben Goldscheider, Panufnik has reimagined the lyrical vocal lines from three of her previous settings of Shakespeare's sonnets (Mine eye, Music to hear and Sweet Love Remember'd for voice and piano) into a purely instrumental work.
Score and horn part.
Stephen McNeff's Trig is a short 7-minute contemporary work for solo cello, written to celebrate the bicentennial of the Royal Academy of Music in 2022 and in memorium cellist Mike Edwards 1948-2010.
Trig was premiered by Henry Hargreaves on 19 March 2021, livestreamed from the Royal Academy of Music.
to an utterance - study was commissioned by Klangforum Wien for the premiere commercial audio recording on a portrait CD in 2020 and first performed by Joonas Ahonen at the Berlin Philharmonie on 4th September 2020 at the Musikfest Berlin.
Roxanna Panufnik's Spirit Moves, for brass quintet, was commissioned by the Fine Arts Brass Ensemble. This 15-minute piece is scored for two trumpets in Bb (one doubling piccolo trumpet and the other doubling flugel horn), horn in F, trombone and tuba. This brass quintet is so called because the outer movements are highly spirited and the central one is spiritual.
This product consists of score and parts.
A gently flowing 3-minute arrangement by Roderick Williams for SATB (with divisi) with piano accompaniment that captures the beauty of this famous traditional Hebridean love song. The song text uses both old dialect and English, each verse ending with the words, 'Sad am I without thee'.
for high voice and piano This beautiful collection of 14 songs for high voice offers Christmas settings by some of Oxford's best-loved composers. Suitable for solo singers and unison choirs alike, each song is presented with piano accompaniment, and high-quality, downloadable backing tracks are included on a companion website. With a wonderful selection of pieces, including favourites such as Bob Chilcott's 'The Shepherd's Carol' and John Rutter's 'Candlelight Carol', this is the perfect collection for use in carol services and Christmas concerts or for enjoying at home. Also available in a volume for low voice and piano.
for SATB and organ This energetic setting of words by St Ambrose of Milan is a real showstopper. With pop-influences and a sparkling organ part, Young effortlessly fuses modern and traditional sound worlds, while changes in key and metre build up to an invigorating finish. Perfect for accomplished choirs looking for something different.
for SA unaccompanied This simple, charming two-part motet features long melismatic phrases that reflect the text (1 Corinthians 2: 9), such as the rising melodic line over three bars on the word 'ascended' (ascendit).
for SAATB unaccompanied. This glorious musical depiction of the honour, strength, power and authority of the Holy Trinity by Thomas Tallis is the third issue in the CMS's series of great English Responds from the 16th century, edited by Sally Dunkley. Scored for SAATB, it can be performed either as a motet or as a full Responsory with plainsong alternating with polyphony.
Based on a traditional Scottish/Irish 'farewell' song, this short piece is one of six works written to express my love of Scotland. After living there for nearly half my life, and raising a family, I moved back to England in 2018, and remarried in 2019.
Of course, there were many different emotions attached to the move south: especially the joy and excitement of new beginnings, and reconnection with friends from my youth.
But this piece expresses the wrench I experienced after a last family meal in Glasgow, and the realisation of all I was about to leave behind.
I have taken the melody of the original song, and expanded it, exploring the detail of its patterns, so that it becomes a timeless meditation.
The six pieces in the 'farewell' series are for 6 violas, string quintet, string quartet, trio, violin and clarinet duo, and solo clarinet.
The Parting Glass was composed in 2020 during the coronavirus lockdown, which intensified the feeling of separation from my Scottish family, as well as from other musicians.
It was commissioned by Vittorio Ceccanti for the ContempoArtEnsemble.
Maple arose from a commission to write a work for solo cello, to be performed alongside readings from artist John Newling's collection of letters entitled 'Dear Nature'; a poetic manifestation of our relationship with the natural world.
The piece is in eight short sections, to be interspersed with readings of groups of the poems. It may also be performed as a single movement. It begins with a seed - the seed of a maple tree, as it hangs on the mature tree, ready to drop. The seeds are like propellers, sometimes travelling more than a mile before landing on the ground. Maple follows the growth of the tree to maturity - which in reality would take at least a hundred years. 'Roots, shoots' grows downwards and upwards from a pedal note, and the dance-like 'Flowers' is followed by the stately 'Tree', and then the warm, cascading 'Autumn'. Maple is very often the wood of choice for the back of a stringed instrument, and the last section uses open strings to explore the full resonance of the cello.
The piece starts with a 'seed' of only five notes, which grows into different configurations. It is intended to be played in an improvisatory style.
Maple was co-commissioned by Brighton Festival, Ars et Terra Festival with SACEM and Ditchling Arts and Crafts Museum, to be performed by Margarita Balanas as part of the Brighton Festival's 'Dear Nature' project.
First performed by Noriko Kawai for Huddersfield Contemporary Music Festival, in a broadcast from the Radio Theatre, BBC Broadcasting House, November 2020.
Full of beautifully crafted, delicate tintinnabulations - Richard Morrison, The Times
SKU: FP.FTJ06
ISBN 9780951479537.
Composing for the recorder can be intimidating for those with limited or no experience playing the instrument. John Turner's new book is the ideal primer, taking the would be recorder composer on a journey through the history of recorder composition, and onwards to explore player techniques and the musicality offered by this versatile instrument. Each section is extensively referenced to exisiting compositions, providing a fantastic platform for further research by the reader.About the Author:JOHN TURNER is one of the leading recorder players of today. Born in Stockport, he was Senior Scholar in Law at Fitzwilliam College Cambridge before pursuing a legal career, acting for many distinguished musicians and musical organisations alongside his many musical activities. These included numerous appearances and recordings with David Munrow's Early Music Consort of London, the Academy of Ancient Music, the English Chamber Orchestra, the Academy of St. Martin-in-the-Fields and the English Baroque Soloists. He now devotes his time to playing, writing, reviewing, publishing, composing and generally energising.He has played as recorder soloist with the Halle Orchestra, the Royal Liverpool Philharmonic Orchestra, the Manchester Camerata, the English Baroque Soloists, the English Chamber Orchestra, and many other leading orchestras and ensembles. Concertos and works with orchestra have been written for him by Gordon Crosse, Anthony Gilbert, Peter Hope, Kenneth Leighton, Elis Pehkonen, Alan Bullard, John Casken, and many other distinguished composers. His recordings include no less than five sets of the Brandenburg Concertos, as well as the F Major version of Brandenburg Concerto No. 4 with Menuhin and George Malcolm, but lately he has madenumerous acclaimed recordings of the recorder’s contemporary concerto and chamber music repertoire, including several concerto discs, all of which have received critical acclaim. In all, he has given the first performances of over 600 works for the recorder, with works by many non-British composers, including Leonard Bernstein, Ned Rorem, Peter Sculthorpe, Douglas Lilburn and Petr Eben.Many of the works he has premiered have now entered the instrument’s standard repertoire, and these and his own recorder compositions are regularly set for festivals and examinations. He edits series of recorder publications for both Forsyths and Peacock Press, and founded the periodical Manchester Sounds, in response to the perceived threat to music libraries in Great Britain. In addition he was responsible for the rediscovery of several works for his instrument, including the Rawsthorne Recorder Suite, Antony Hopkins' Pastiche Suite, Herbert Murrill’s Sarabande, the Handel F Major Trio Sonata and John Parry's Nightingale Rondo (the only substantial known British nineteenth century work for a fipple flute). He was awarded an Honorary Fellowship by the Royal Northern College of Music in 2002 for his services to British music, and is a Visiting Distinguished Scholar of Manchester University.
SKU: FH.VC8
ISBN 978-1-55440-544-2.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Preparatory Level:Etude in C Major - Schroeder, CarlStroll Along - Anonymous arr. Samuel ApplebaumEtude in C Major - Romberg, Bernhard HeinrichClimbing the Scale - Hewitt-Jones, AnitaEtude in C Major - Kummer, Friedrich AugustMy Pony - Slovenian folk song arr. Francis GrantLevel 1:The Willow Tree - Grant, FrancisEtude in C Major - Hohmann, Christian-HeinrichTravelling Along - Hewitt-Jones, AnitaThe Train - Legg, PatUp and Down Again - Dancla, Charles arr. Samuel ApplebaumEtude in G Major - Dotzauer, FriedrichEtude in C Major - Romberg, Bernhard HeinrichEtude in G Major, op. 101, no. 9 - Lee, SebastianLevel 2:Etude in D Major - Kummer, Friedrich AugustEtude in B flat Major, op. 70, no. 16 - Lee, SebastianPhrygian Frolic - Legg, PatMartele March - Hewitt-Jones, AnitaPachyderm Parade - Mooney, RickEtude in G Minor - Romberg, Bernhard HeinrichEtude in C Major - Werner, JosefLevel 3:Etude in A Major - Dotzauer, FriedrichSpiccato Race - Hewitt-Jones, AnitaEtude in G Major, op. 30, no. 6 - Brueckner, OskarEtude in C Major - Borschitzky, Johann FrancisEtude in B flat Major - Tabb, Richard ValentineEtude in G Major - Kummer, Friedrich AugustEtude in F Major - Matz, RudolfFire Stations - Legg, PatEtude in F Major - Feuillard, Louis R.Level 4:Etude in G Minor, op. 70, no. 24 - Lee, SebastianEtude in C Major - Tabb, Richard ValentineEtude in D Major - Matz, RudolfCalypso - Legg, PatI Was a Teenage Monster - Mooney, RickSuo-Gan (A Welsh Lullaby) - Welsh folk song Arr. Rick MooneyEtude in D Minor - Werner, JosephEtude in G Major, op. 31, no. 12 - Schroeder, CarlEtude in C Major - Feuillard, Louis R.Spinner's Waltz - Hewitt-Jones, Anita.
SKU: FH.VC0
ISBN 978-1-55440-536-7.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation for the richness and diversity of music written for cello.Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Legato Pieces on a Slower Tempo: Beautiful Dreamer - Foster, Stephen arr. Forrest Kinney Shenandoah - American folk song arr. Jason Gray Waltz of the Elephants - Konicek, Zdenek Cradle Song (Wiegenlied), op. 49, no. 4 - Brahms, Johannes arr. Forrest Kinney Amazing Grace - American hymn arr. Forrest Kinney Loch Lomond - Scottish folk song arr. Christine Donkin Nocturne - Mendelssohn, Felix arr. Jason Noble Early One Morning - English folk song arr. Akiko and Forrest Kinney Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Haydn, Franz Joseph arr. Jason Noble The Minstrel Boy - Irish folk song arr. Christine Donkin Energetic Pieces in a Faster Tempo: Smash the Windows - Irish jig arr. Jason Gray Grandfather's Clock - Work, Henry Clay arr. Christine Donkin Sonatina in C Major, op. 36, no. 1 - Clementi, Muzio arr. Mark Mrozinski - Third Movement: Rondo Mean Street Chase - Blackwell, David and Kathy Blackwell Forlane (from La reine de Peris, act 3) - Aubert, Jacques arr. Kathleen Wood Allegro, K 3 - Mozart, Wolfgang Amadeus arr. Jason Noble Parson's Farewell - English country dance arr. Jason Gray Contredanse, K 106 (588a), no. 1 - attr. Mozart, Wolfgang Amadeus arr. Kathleen Wood Melted Mouse and Roasted Rat in Choc'late Sauce - Lumsden, Caroline and Ben Atwood Theme and Variations - Beethoven, Ludwig van arr. Endre Lengyel and arpad Pejtsik.
SKU: FH.VC2
ISBN 978-1-55440-538-1.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Baroque and Classical Repertoire:Chaconne - Handel, George Frideric arr. Peter HeilbutUn ballo (A Ball) - Steibelt, Daniel arr. Eugen RappSchwedisch (Swedish) - Romberg, Bernhard arr. Percy SuchWhen I Am Laid in Earth (from Dido and Aeneas) - Purcell, HenryConcertino No. 4 in C Major, op. 22 - Breval, Jean-Baptiste arr. L.-R. FeuillardOmbra mai fu (Never Was a Shade) Handel, George Frideric arr. Gaston BorchTraditional and Romantic Repertoire:The Joker, op. 126b, no. 3 - Grechaninov, AlexandrAnitra's Dance - Grieg, Edvard arr. Ann LindsayShe's Like the Swallow - Canadian folk song arr. Forrest KinneyJoyeuse (Joyful) - Squire, William HenryAfter the Bass Is Over - Harris, Charles K. arr. Pat Legg and Alan GoutRepertoire Composed after ca 1930:Hen and Rooster - Konicek, ZdenekLatin Nights - Blackwell, David and Kathy BlackwellRunning of the Bulls - Cheney, Elliott W.Wrist Watch - Birston, HaroldSunday Drag - Perry, Anita D.Soft-Shoe Dance - Reubart, DaleFor a Blue Note - Allerme, Jean-Marc.
SKU: FH.VC5
ISBN 978-1-55440-541-1.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Concertos, Sonatas, and Suites:Concerto in D Major, op. 213 - Mendelssohn, Ludwig- First Movement: Allegro moderatoConcertino No. 1 in F Major - Breval, Jean-Baptiste arr. L.-R. Feuillard- First Movement: AllegroSuite in G Major - Matz, Rudolf- Fourth Movement- Fifth MovementSonata in G Major - Bach, Johann Christoph Friedrich arr. Hugo Ruf- First Movement: AllegrettoSonata in C Major - De Fesch, Willem arr. Jason Noble- First Movement: Largo- Second Movement: VivaceSonata - Marcello, Benedetto arr. Alfred Piatti- First Movement: Largo- Second Movement: AllegroSonata in F Major, RV 41 - Vivaldi, Antonio arr. Kathleen Wood- First Movement: Largo- Second Movement: AllegroConcert Repertoire:O Canto Do Cysne Negro - Villa-Lobos, HeitorFrogs Dancing on Water Lilies - Mustonen, OlliLangsam, op. 102, no. 2 - Schumann, RobertWhen Music Sounds - Coulthard, JeanWie einst in schoener'n Tagen, op. 64, no. 1 - Popper, DavidBourree, op. 24 - Squire, William HenryNotturno, op. 59, no. 1 - Goltermann, GeorgScherzo and Trio - Reger, MaxLamento - Faure, GabrielLied - Rachmaninoff, SergeiUnaccompanied Repertoire:Capriccio No. 5 - Matz, RudolfRicercar No. 3 - Gabrielli, DomenicoSuite in C Major - Matz, Rudolf- Fourth Movement: Sarabande- Seventh Movement: GigueSuite No. 1 in G Major - Bach, Johann Sebastian- Third Movement: Courante.
SKU: FH.VC1
ISBN 978-1-55440-537-4.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Baroque and Classical Repertoire:Menuet and Trio, W.O 10, no. 3 - Beethoven, Ludwig van arr. Watson ForbesRondeau (from The Fairy Queen) - Purcell, Henry arr. Watson ForbesSarabande - Handel, George Frideric arr. Jason NobleAndante grazioso - Mozart, Wolfgang Amadeus arr. Jason GrayHornpipe a l'Inglese - Galliard, John Ernest arr. Christine DonkinVittoria, mio core! - Carissimi, Giacomo arr. Christine DonkinTraditional and Romantic Repertoire:Tambourin - Rameau, Jean-Philippe arr. Christine DonkinAll the Pretty Little Horses - American lullaby arr. Jason GrayBarbara Allen - British folk song arr. Forrest KinneySimple Gifts - Brackett, Joseph Jr. arr. Forrest KinneyMarch (from The Nutcracker) - Tchaikovsky, Pyotr Il'yich arr. Jason NobleLondonderry Air - Irish folk song arr. Forrest KinneyRepertoire Composed After ca 1930:A Little Child's Dance - Konicek, Zdenek...I Say Ca-rib-'be-an - Birston, HaroldSonata da camera - Matz, Rudolf- First Movement: Adagio- Fourth Movement: Allegro vivaceGrab the Slippery Toad! - Lumsden, Caroline and Ben AttwoodHungarian Stomp - Wedgwood, PamBudapesto - Cheney, CareyWild West - Blackwell, David and Kathy BlackwellLivi's Blues - Cheney, Elliott W.
SKU: FH.VC6
ISBN 978-1-55440-542-8.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Concertos:Concerto No. 4 in G Major, op. 65 - Goltermann, Georg arr. Leo Schulz- First Movement: AllegroConcertino No. 1 in C Major, op. 7 - Klengel, Julius- First Movement: AllegroConcerto No. 1 in A Minor, RV 422 - Vivaldi, Antonio arr. Eberhard Wenzel- Second Movement: Largo cantabileSonatas and Suites:Sonata in D Minor, op. 8, no. 9 - De Fesch, Willem arr. Jason Noble- First Movement: Siciliano- Second Movement: AllemandeSonata in G Minor, RV 42 - Vivaldi, Antonio- First Movement: Preludio- Second Movement: AllemandaSinfonia in F Major - Pergolesi, Giovanni Battista arr. Joseph Schmid- Third Movement: Adagio- Fourth Movement: PrestoConcert Repertoire:Lied ohne Worte, op. 109 - Mendelssohn, FelixCantillation - Ethridge, JeanSupplication - Bloch, ErnestRomanze - Reger, MaxLa Provencale - Marais, Marin arr. May MukleGavotte, op. 67, no. 2 - Popper, DavidSerenade espagnole, op. 20, no. 2 - Glazunov, Aleksandr arr. M.P. BelaieffAndaluza (Playera) - Granados, Enrique arr. Manuel CalvoApparition - Rathburn, EldonSiciliana - Piazzolla, AstorUnaccompanied Repertoire:Suite No. 5 in C Minor, BWV 1011 - Bach, Johann Sebastian- Seventh Movement: GigueSuite No. 2 in D Minor, BWV 1008 - Bach, Johann Sebastian- Third Movement: CouranteSuite No. 1 in G Major, BWV 1007 - Bach, Johann Sebastian- First Movement: PreludeI Dropped My Ice Cream Cone - Laut, EdwardBallad - Laut, Edward.
SKU: FH.VC3
ISBN 978-1-55440-539-8.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Baroque and Classical Repertoire:Trio Sonata in D Minor (La Follia), RV 63 - Vivaldi, Antonio arr. arpad PejtsikSonata in F Major, TWV 41:F2 - Telemann, Georg Philipp arr. Kathleen Wood- First MovementSonata in D Major, HWV 371 - Handel, George Frideric- Third MovementSuite No. 3 - Caix d'Hervelois, Louis de arr. L.-R. Feuillard- Eleventh Movement: Musette (La Brantes)Ave Verum Corpus (Hail, True Body), K 618 - Mozart, Wolfgang Amadeus arr. Jason GrayConcertino No. 5 in D Major - Breval, Jean-Baptiste arr. Pierre Ruyssen- First MovementTraditional and Romantic Repertoire:Norweigian Dance, op. 35, no. 2 - Grieg, Edvard arr. Christine DonkinPrelude in B Minor, op. 28, no. 6 - Chopin, Frederic arr. Jason NobleEl cant dels ocells (Song of the Birds) - Catalan Christmas carol arr. Jason GrayOn Wings of Song, op. 34, no. 2 - Mendelssohn, FelixL'elephant (The Elephant) - Saint-Saens, CamilleStandchen (Serenade), D 957, no. 4 - Schubert, FranzRepertoire Composed After ca 1930My Blue 'Cello - Gout, AlanRondo - Matz, RudolfJust Passing By - Wedgwood, PamFuego Espanol! (Spanish Fire!) - Birston, HaroldMinuet, op. 19, no. 3 - Squire, William HenryLangsam (Slowly) - Hindemith, Paul.
SKU: FH.VC4
ISBN 978-1-55440-540-4.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Concertos, Sonatas, and Suites:Sonata in D Major - Caldara, Antonio arr. Gyoergy Orban- First Movement: Adagio- Second Movement: AllegroSonatina in D Minor, WoO 43a - Beethoven, Ludwig vanSonatina in G Minor - Matz, Rudolf- Second MovementSonata in F Major, op. 1, no. 1 - Marcello, Benedetto- Third Movement: Largo- Fourth Movement: AllegroConcertino No. 3 in A Major - Breval, Jean-Baptiste arr. L.-R. FeuillardConcert Repertoire:The Easy Winners - Joplin, Scott arr. Forrest KinneyOrientale, op. 50, no. 9 - Cui, CesarBonjour tristesse - Hart, PaulHip Hip Bourree - Jacobson, JulianElfentanz - Jenkinson, Ezra arr. Carey CheneyChanson de matin, op. 15, no. 2 - Elgar, EdwardCello Sonata in G Minor, op. 65 - Chopin, Frederic- Third Movement: LargoThe Swan Sees his Reflection - Forsyth, MalcolmSpanish Dance - Adorian, AndrewBaby Blackbird, Fly Now - Silverman, Adam B.Unaccompanied Repertoire:Suite for Violoncello (Lights and Shadows) - Matz, Rudolf- Second Movement: Cantabile- Eighth Movement: Finale giocosoRicercar No. 1 - Gabrielli, DomenicoSuite NO. 1 in G Major, BWV 1007 - Bach, Johann Sebastian- Seventh Movement: Gigue.
SKU: FH.VC7
ISBN 978-1-55440-543-5.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Level 7:Il barbiere di Siviglia: Overture - Rossini, GioachinoCarmen: Prelude to act 1 - Bizet, GeorgesCoriolan Overture, op. 62 - Beethoven, Ludwig vanSymphony No. 94 (Surprise), Hob. I:94: I,IV - Haydn, Franz JosephRuslan and Ludmilla: Overture - Glinka, MikhailPeer Gynt Suite No. 1, op. 46: I,III,IV - Grieg, EdvardLevel 8:Incidental Music to A Midsummer Night's Dream, op. 61: I - Mendelssohn, FelixSymphony No. 8, op. 88: I,IV - Dvorak, AntoninThe Nutcracker, op. 71: Russian Dance, Waltz of the Flowers, Pas de deux - Tchaikovsky, Pyotr Il'yichSymphony No. 8 (Unfinished), D 759: I,II - Schubert, FranzDie Zauberfloete, K 620: Overture - Mozart, Wolfgang AmadeusSymphony No. 40, K 550: I,IV - Mozart, Wolfgang AmadeusLevel 9:Symphony No. 9, op. 125: II,IV - Beethoven, Ludwig vanSymphony No. 8, op. 93: III - Beethoven, Ludwig vanSerenade for Strings, op. 22: III,IV,V - Dvorak, AntoninPiano Concerto No. 2, op. 83: III - Brahms, JohannesSerenade for Strings, op. 48: I,II,III,IV - Tchaikovsky, Pyotr Il'yichSymphony No. 4 (Italian), op. 90: I,IV - Mendelssohn, FelixSymphony No. 3, op. 90: III,IV - Brahms, JohannesSymphony No. 35 (Haffner), K 385: I,IV - Mozart, WolfgangLe nozze di Figaro, K 492: Overture - Mozart, Wolfgang AmadeusLevel 10:Group 1:Variations on an Original Theme (Enigma), op. 36: Variation 12 - Elgar, EdvardDichter und Bauer: Overture - Suppe, Franz vonMessa da Requiem: III - Verdi, GiuseppeGuillame Tell: Overture - Rossini, GioachinoGroup 2:Symphonie fantastique: II,III,V - Berlioz, HectorSymphony No. 4, op. 36: I,II,IV - Tchaikovsky, Pyotr Il'yichSymphony No. 5, op. 67: I,II,III - Beethoven, Ludwig vanSymphony No. 4, op. 98: I,II,III,IV - Brahms, JohannesSymphony No. 6 (Pathetique), op. 74: I,II - Tchaikovsky, Pyotr Il'yichSymphony No. 2, op. 73: I,II,IV - Brahms, JohannesAssociate:Group 1:Symphony No. 5, op. 100: I,II,III,IV - Prokofiev, SergeiLa mer: I,II - Debussy, ClaudeThe Bartered Bride: Overture - Smetana, Bed_ichSymphony No. 5, op. 47: I,II,III - Shostakovich, DmitriGroup 2:Matthaus-Passion, BWV: Komm, suesses Kreutz - Bach, Johann SebastianDon Juan, op. 20 - Strauss, RichardEin Heldenleben, op. 40 - Strauss, RichardVerklaerte Nach1, op. 4 - Schoenberg, Arnold.
SKU: FP.FTJ04
ISBN 9790570503902.
Three Salutes was written for the seventieth birthday of the composer Nicholas Marshall. The first performance in Great Britain was given on 29th September 2012, by the composer and the dedicatee, at the Temple Church, Budleigh Salterton, Devon, and the first overseas performance was given on 27th October 2012 at Kuwana City Hall, Mie Prefecture, Japan, by Hidehiro Nakamura and Yuka Sasaki.A Whirl received its first performance at Wakefield Cathedral on 15th February 1992 by the composer and Jonathan Bielby, in celebration of the marriage of Jonathan Bielby and Jayne Hall.John Turner was born in Stockport in 1943, and is one of the leading recorder players of today. He was Senior Scholar in Law at Fitzwilliam College, Cambridge, and as a practising solicitor acted for many leading musicians and musical organisations. He has premièred over 500 works for his instrument, including concertos written for him by Kenneth Leighton, Anthony Gilbert, Gordon Crosse, John Casken, Stephen Dodgson, Elis Pehkonen, John Gardner, Peter Hope and many others. His discoveries include recorder works by Handel, John Parry (The Nightingale Rondo, being the only known British nineteenth centuryconcert work for a fipple flute), Alan Rawsthorne and Antony Hopkins. His own recorder compositions, notably Four Diversions and Six Bagatelles (both in the Forsyth catalogue), are standard repertoire and examination pieces for the instrument worldwide. He was made a Fellow of the Royal Northern College of usic in 2002 for his services to British music and is a Distinguished Visiting Scholar of Manchester University.
SKU: FP.FTJ05
ISBN 9790570503919.
John Turner was born in Stockport in 1943, and is one of the leading recorder players of today. He was Senior Scholar in Law at Fitzwilliam College, Cambridge, and as a practising solicitor acted for many leading musicians and musical organisations. He has premièred over 500 works for his instrument, including concertos written for him by Kenneth Leighton, Anthony Gilbert, Gordon Crosse, John Casken, Stephen Dodgson, Elis Pehkonen, John Gardner, Peter Hope and many others. His discoveries include recorder works by Handel, John Parry (The Nightingale Rondo, being the only known British nineteenth century concert work for a fipple flute), Rawsthorne and Antony Hopkins. His own recorder compositions, notably Four Diversions and Six Bagatelles (both in the Forsyth catalogue), are standard repertoire and examination pieces for the instrument worldwide, and a companion work, Three Salutes, was published in 2013. He was made a Fellow of the Royal Northern College of Music in 2002 for his services to British music and is a Distinguished Visiting Scholar of. Manchester University.
