This Is My Commandment

The Tallis Psalter comprises a collection of Tallis's 9 tunes for Archbishop Parker's Psalter, preces and responses, the Magnificat and Nunc dimittis (Dorian Service) and a number of easily learnable anthems, all by Tallis. David Skinner is one of the leading scholars in editing music of this period, and this book will be attractive to choirs looking for easily performable and new versions of Tallis choral works. 'I was delighted to see this neat little book cataining the English church music, expressing the simplicity of the needs of the reformed church and the needs of current Anglican choirs.' - Clifford Bartlett, Early Music Review / Choeur Mixte (SATB)

This expressive anthem by Alan Bullard brings together excerpts from the gospels that express God's commandment to mankind to love one another. Underpinned by a flowing Piano or Organ accompaniment Love one another explores this profound topic with sensitive harmonies and effective modulations. Although suitable for performance throughout the church year this anthem would be particularly affecting in a Wedding or Maundy Thursday service.

This volume of 20 graded compositions for solo flute incorporates various jazz rock latin and modern classical stylistic influences. They can be used both as practice and performance pieces.

Contents include: I Am a C; Hallelujah! What a Savior!; We Three Kings; If You’re Happy and You Know It; Jesus in the Morning; This Is My Commandment; America the Beautiful; The Doxology; Fishers of Men.

Get to know the music of Bryan Kidd. He follows the resounding success of his recent release The Road to Chancellorsville and preceding that his exquisitely beautiful rendition of Be Thou My Vision with this commanding new original composition. Energetic and expansive Blue Ridge Summit makes full use of the additional excitement and compositional maturity that Grade 3 guidelines permit. If you have used one of Mr. Kidd’s previous CMP publications with your band you are sure to want to add this vigorous new composition to your library. If you are not already familiar with this outstanding composer now is your chance to try one of his works.

Get to know the music of Bryan Kidd. He follows the resounding success of his recent release The Road To Chancellorsville and preceding that his exquisitely beautiful rendition of Be Thou My Vision with this commanding new original composition. Energetic and expansive Blue Ridge Summit makes full use of the additional excitement and compositional maturity that Grade 3 guidelines permit. If you have used one of Mr. Kidd’s previous CMP publications with your band you are sure to want to add this vigorous new composition to your library. If you are not already familiar with this outstanding composer now is your chance to try one of his works.Superb!

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start playing. Hip Licks for Saxophone Volume 2 is an indispensable resource that shows you how a professional player would deal with many of the complex chord progressions found in popular standards and jazz compositions. Special Features of Hip Licks for Saxophone Volume 2 by Greg Fishman: • 120 Hip Licks – Each lick is unique and customized for each key, based on the best timbre, register and playability on the horn. • Idiomatic Construction – Alto and Tenor read the same written part, while the rhythm section is recorded in two different keys, ensuring that each lick lays perfectly on all saxophones. • Slow Tempo and Fast Tempo Play-Along CDs are included for both Alto and Tenor – 4 CDs included: 2 Alto CDs and 2 Tenor CDs, providing over four hours of play-along tracks. All licks at 208 BPM (and above) are recorded at both slow and fast tempos. • Hip Licks for Saxophone Volume 2 features great licks over the following chord progressions: • V7#11 chords [C7#11] x 12 keys • ii mi7 / V7 [C mi7 / F7 ] x 12 keys • ii mi7b5 / V7b9 [C mi7b5 / F7b9] x 12 keys • iv mi7 / bVII7 / I Maj7 ( 2 bar and 4 bar phrases) [F mi7 / Bb7 / C Maj7] x 12 keys • b vi mi7 / bII7 / I Maj7 [Ab mi7 / Db7 / C Maj7] x 12 keys • #iv mi7 / VII7 / I Maj7 [F#mi7 / B7 / CMaj7 x 12 keys • Turnaround Licks (4 beats per chord – 4 bar phrases [C Maj7 / A7b9 / Dmi7 / G7] x 12 keys • V7#9#5 / i mi [C7#9#5 / F mi ] x 12 keys • Turnaround Licks (2 beats per chord – 8 bar phrases] [C Maj7 Ami7 / Dmi7 G7 ] x 12 keys • Modular Design – The licks are self-contained, easily taken out of the book to be used in a wide variety of songs. • Interactive Call and Response Format, perfect for ear training and developing your musical memory. Each lick is played twice in a row on the Play-Along CDs, so you can hear the lick and then immediately play along. • Twelve Key Approach – Each CD track takes you through all twelve keys. • Rhythm-Section-Only Tracks let you experiment with your own variations on the licks and improvise over a wide variety of harmonic settings. These tracks are also excellent backgrounds for practicing all of your chords and scales. • Technique Builder – Use Hip Licks for Saxophone as part of your daily practice routine to dramatically increase your technical command of the saxophone. Hip Licks for Saxophone Volumes 1 & 2 were designed to work well together. The lick numbers in volume two start where volume one left off, beginning with lick number 169. This will help you easily keep track of your favorite licks, with no confusion from duplicate lick numbers. Using Volume 1 and 2 together will you have 288 hip licks, many of which can be mixed and matched, creating even more licks. 36 pages, 4 Play-Along CDs included

De cette, MacMillan deuxième quatuor a été commandée en 1998 par le Quatuor Maggini. Titre de le oeuvre est tiré le rite juif de commémoration dans la nuit du Seder, qui est qui, avant le début de Pessah (Pâque). Ici, la famille célèbre la fuite des enfants d'Israël d'Egypte. Le plus jeune demande ' pourquoi est ce soir différent de tous les autres nuits? ' avant que le père rapporte le conte de vol et de libération de l'esclavage. Le drame de l'histoire, la figure centralement importante de l'enfant dans le rituel, le degré de proximité entre exaltation et le désespoir et entre joie et de peur ensemble suggéré les archétypes qui se cachent derrière l'intérêt pour la musique de MacMillan. Ils ont fourni l'étincelle initiale d'inspiration pour cette pièce. Le travail est coulé dans une travée unique comprenant plusieurs sections contrastées. / Quatuor A Cordes

Both a dedicated carol singer and an authority on the history of English music Nicholas Temperley here offers a unique book of 37 carols dating from the fifteenth century to the present.For over fifty years he has sung edited and composed carols each Christmas and in Christmas is Coming the fruit of his enthusiasm is combined with his wealth of knowledge to produce an outstanding and original new collection. As John Rutter observes in his Foreword the book does not pointlessly duplicate what can be found in many other carol books but has a personality and purpose of its own.Twenty-two fresh and practical arrangements include carols from Austria France Germany Mexico Poland and the USA alongside music both rare and familiar from the rich heritage of the English carol tradition. As well as eight of his personal favourites from J. S. Bach to Charles Ives the author includes seven new compositions of his own settings of medieval and traditional texts that reveal his skill as a choral composer whose command of style ranges from the humorous to the profound.In addition to sample programmes and translations there are invaluable notes on the performance and history of individual items plus an historical summary of the genre as a whole: everything in fact to make Christmas is Coming an indispensable companion for singers who wish to enrich the seasonal repertoire for concerts churches and traditional Yuletide carolling.