O Thou Joy of All Who Sorrow

Par O BROTHER. Une sélection de chansons folk et de spirituals américains traditionnels, contenus dans le film des frères Cohen dans lequel trois détenus évadés reconstituent l'Odyssée d'Homère en errant dans le sud profond des Etats-Unis. Convient aux guitaristes de niveau intermédiaire. Chansons arrangées pour tablature de guitare avec la ligne melodique, les paroles et les symboles d'acccord. Inclus I Am A Man Of Constant Sorrow et Keep On The Sunny Side. / Niveau : Elémentaire / Rép International / Date parution : 2001-10-10/ Tablatures / Guitare Tablatures

A Service for Tenebrae. Par NIX BRAD / MARTIN JOSEPH M. . This brief choral cantata is well suited for use during Holy Week as a Tenebrae observance or as a time of reflection. A musical ?service of shadows,? Candles of Grace is filled with emotive texts and deeply expressive music portraying the events of the Passion. A thoughtful orchestration adorns this chamber cantata with refined beauty and grace, giving directors an instrumental or track option for their presentations. From the delicate opening phrases to the fragile whispered ending, this work is essential for remembering and experiencing the suffering of the Lord. Songs include: Prelude (The Shadow Falls); Bring Me to the Cross; The Garden Call; Man of Sorrows, What a Name; Jesus, Lover of My Soul; Keep Me Near the Cross; Scenes from a Solemn Cross; Epilogue. Score and Parts (pno, fl, vn 1-2, va, vc) available as a digital download. For the Accompaniment and Part Dominant Tracks: Audio is accessed online using the unique code generated upon purchase and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-02-17/ Répertoire / SATB

En savoir plus de 40 chansons de vos films préférés, couvrant les quatre dernières décennies. Chansons bien-aimés comprennent: Edelweiss- Nuit A Hard Day, je suis un Man of Constant Sorrow- Moon River- The Rainbow Connection- Thème de la Liste de Schindler- Somewhere Out There- Love Theme de feu Saint-Elme- Take My Breath Away, un temps pour nous (Love Theme)- Unchained Melody- You Must Love Me et beaucoup plus. Inclus les paroles et accords de guitare où applicable, plus superbes, des notes de performance plain-anglais. / Piano/Vocal/Guitare (PVG) / 208 pages / niveau : Facile / Partition

The Original First and Second Books Including Dowland’s Original Lute Tablature. THE FIRST BOOK OF SONGS I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing'd with hopes IV. If my complaints could passions move V. Can she excuse my wrongs? VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think'st thou then by thy feigning XI. Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XIVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXI. Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play...) THE SECOND BOOK OF SONGS I. I saw my Lady weep II. Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time's eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XI. If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand'ring eyes XIV. Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXI. Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak'st thou here (a Dialogue)

Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar

Banjo Play-Along Volume 9. The Banjo Play-Along Series will help you play your favorite songs quickly and easily. Just follow the banjo tab, listen to the audio to hear how the banjo should sound, and then play along using the separate backing tracks. The book includes access to audio tracks online for download or streaming featuring Playback+, a multi-functional audio player that allows you to slow down the audio without changing pitch, set loop points, change keys, and pan left or right./ Tablatures / Banjo Tablatures

Par NICHOLS RICHARD. Chris Anderson crafts a powerful lyric, full of thought-provoking imagery on the humanity of Christ's earthly life. His prose is matched with Richard Nichols' original tune which fluctuates between minor and major tonalities to reflect the mixed emotion of the text. / Date parution : 2022-07-28/ Répertoire / Chant et Piano

This flexible collection offers a wealth of excellent material for singing in rounds. All of the standard rounds are represented, including many by master composers as well as anonymous ones. The book is divided into three main sections: rounds with texts, rounds without texts and selected rounds in score format. In addition to a complete alphabetical index, there are separate listings of rounds with sacred texts, rounds with secular texts, rounds about animals, rounds about bells, Christmas rounds, rounds in foreign languages, lullabies, rounds about music, rounds about nature, rounds about singing and street cries. There's even an additional listing of rounds in two parts, three parts, four, five and six parts. This is one collection no music library should be without! From the Kodály Choral Concept. Includes index based on song content and teaching concepts. / Choeur Mixte

Par BATESON THOMAS. Thomas Bateson: Second Set of Madrigals in 3, 4, 5 & 6 parts (1618) Contents: Songs of three parts: Love is the fire My Mistress after service due One woman scarce of twenty If I seek to enjoy Pleasure is a wanton thing Sweet, those trammels of your hair Songs of four parts: Live not, poor bloom The nightingale in silent night O what is she? (the first part) See forth her eyes (the second part) When to the gloomy woods Of floods of tears Songs of five parts Have I found her? Down the hills Corinna trips Camilla fair tripped o'er the plain Sadness, sit down Life of my life I heard a noise With bittersighs Why do I, dying, live? In depth of grief All the day I waste (the first part) Why dost thou fly? (the second part) Come, Sorrow, help me to lament Songs of six parts: Cupid in a bed of roses (the first part) Cytherea smiling said (the second part) Her hair the net of golden wire Fond love is blind (the first part) Ah, Cupid, grant (the second part) She with a cruel frown/ Répertoire / Madrigaux

Nach Worten Der Heiligen Schrift. Par BRAHMS JOHANNES. Since its first complete performance in 1868 in the Cathedral of Bremen, Brahms's Ein deutsches Requiem is, without question, one of the key works in the history of the oratorio. The reputation of the work is based not only on its unusually concentrated musical structure, but also on the original conception of the text: Brahms assembled important passages from both the Old and New Testaments in Luther’s translation so that thoughts on sorrow and consolation would obviously refer to one another. In contrast to many other oratorios of the 19th century Brahms places the choir, the voice of the community, in the center of this interdenominational celebration of the dead. / Musique religieuse / Répertoire / Solistes SB, Choeur SATB, Piccolo, 2 Flûtes Traver

Hymn of Praise Instrumentation : soloists, mixed choir and orchestra Version : study score Contenu : Preface - Vorwort - Editorial Notes - Symphonie Nr. 2: - 1. Sinfonia - 2. Chor: Alles was Odem hat/All men, all things - Sopran-Solo und Frauenchor: Lobe den Herrn/Praise thou the Lord - 3. Tenor-Solo: Saget es...Er zählet unsre Thränen/Sing ye praise...He counteth all your sorrows - 4. Chor: Sagt, es, die ihr erlöset seid/All ye that cried unto the Lord - 5. Duett und Chor: Ich harrete des Herrn/I waited for the Lord - 6. Tenor-Solo: Stricke des Todes hatten uns umfangen/The sorrows of death had closed all around me - 7. Chor: Die Nacht ist vergangen/The night is departing - 8. Chor: Nun danket Alle Gott/Let all men praise the Lord - 9. Duett: Drum sing' ich mit meinem Liede/My song shall alway be thy mercy - 1. Chor: Ihr Völker! bringet her dem Herrn/Ye nations, offer to the Lord Nombre de pages : 248 Langue : German - English Collection : Eulenburg Miniature Scores Format : ETP large

Par MOZART WOLFGANG AMADEUS. Requiem K. 626 The Requiem, completed by Franz Xaver Sussmayr, in its traditional form. Mozart's final work, the Requiem K. 626, was left incomplete and it is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer's early death, truth and legend, fragments and attempts to complete the work. The completion of the fragmentary score by his assistant Franz Xaver Sussmayr, who helped him with The Magic Flute, has the character of a historical source with utmost closeness to Mozart's thoughts. - Urtext of the New Mozart Edition - Full score (BA4538-01), performance material (BA4538), vocal score (BA4538-90) and study score format 22. 5 x 16. 5cm (TP152) available for sale - Facsimile edition BVK2346/ Répertoire / Orchestre

Mozart’s Requiem Truth and Legend Mozart’s “Requiem” is fraught with questions and emotions: the expressive depth of its music, sorrow at the great composer’s early death, truth and legend, fragments and attempts to complete the work. The surviving manuscript reflects its dramatic history: Mozart’s handwriting often appears on the same page as inscriptions by Süssmayr and others. One corner of a page with Mozart’s final musical thoughts was later stolen, but an old photograph bears witness to it. This high-quality new facsimile presents each page individually trimmed to convey a vivid impression of the original. Besides a detailed description of the manuscript by Günter Brosche, the volume contains a Foreword by Christoph Wolff depicting the work’s genesis. BÄRENREITER FACSIMILE The seal is used exclusively for facsimile editions published by Bärenreiter which meet the highest demands in both scholarly and technical terms. The distinguishing features include: - a facsimile in high-quality colour printing - scholarly commentary - attractive cover design Edition no.: BVK 2346 ISBN: 9783761823460 Volume / Series: Bärenreiter Facsimile Editor: Brosche, Günter Language(s) of work: English, German Product format: Book, Facsimile Binding: Half-leather binding Pages / Format: 200, 35 S. - 24,4 x 33,0 cm