Format : Reduction
SKU: SU.32040150
From delightful to lonesome to fiery, this three movement suite invites both performers and listeners to share the joy of being enveloped in richness of tone, creating poignant expressions of the heart. Marvelous recital and concert music. Vignette I: Delightful Dance Jaunty rhythms and clever surprises render a joyful opening section. Later, a warm, love filled melody is poured out by each instrumentalist, and climbs to a glorious tutti. Then it is back to the joyful dance, a few more surprises, and a delightfully happy ending. Vignette II: Lonesome Chaconne opens with two dark chords. Then the piano begins the chaconne with a mournful bass line and plaintive off beats. The viola enters and plays a lonesome melody, then is joined by the cello in a melancholy duet over the chaconne until it dies away. The cello's brief recitative emerges from the depths into an aching cry that is then echoed by the viola. Joining together, they pour out a fervent melody, moving higher and higher until they breakthrough to the light. Alas, the vision fades, and they return to only fragments as the chaconne disappears. Vignette III: Fiery Fugue opens with a feisty subject melody, first in the viola, followed by the cello, piano right hand, and left hand. It is similar in form to a Bach fugue, but uses modal tonality and syncopated rhythms. The statements and episodes build to a recall of the fervent melody from the second movement, leading to the final dynamic unison statement of the fugue subject. Just as it almost dies away, it recharges and boldly bounds ahead to the end. Difficulty Level: 5 (Advanced) Viola, Cello, Piano Duration: 13'30 Composed: 2016 Published by: Amy Mills Music, LLC See composer website for audio sample.
SKU: AP.46685S
UPC: 038081534152. English.
L'improviste Vignette is a bold and energetic work for young string orchestra by composer and educator Michael Kamuf. The interesting melodic and accompaniment passages will keep all players engaged. Using flowing melodies with strong harmonies and bold rhythmic figures, this piece works perfectly as an opening or closing selection for concerts and festival performances.
SKU: PR.114418110
ISBN 9781491111994. UPC: 680160640423.
The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fataleâ€), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette. String bass parts are provided both for standard orchestral tuning and for solo tuning.In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black filmâ€). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fataleâ€), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES for Double Bass and Piano consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron.-Stacy Garrop.
SKU: PR.114418630
ISBN 9781491114063. UPC: 680160642724. 9 x 12 inches.
The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fataleâ€), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black filmâ€). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fataleâ€), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron; and it also published for Double Bass and Piano (114-41811). The cello version is transcribed by the composer.-- Stacy Garrop.
SKU: CL.012-3311-00
A programmatic work based on historical events from three centuries of Southern history. These musical vignettes create three moods which vividly represent Charleston 1774, Atlanta 1864, Nashville 1937. Wonderful music that provides an excellent opportunity for collaboration in a multi-discipline teaching setting. VERY EFFECTIVE!
About Heritage of the March
Full-sized concert band editions of the greatest marches of all time. Each has been faithfully re-scored to accommodate modern instrumentation and incorporate performance practices of classic march style
SKU: CL.012-3311-01
SKU: SU.80101523
The title Ten Orphic Vignettes, which alludes to Orpheus, is a conceptual metaphor that represents the idea behind this set of pieces. Orpheus the legendary figure from Greek mythology was venerated for being endowed with superhuman musical skills. He was a poet and mystic whose poems set out many philosophical principles and dogmas of Ancient Greece. These pieces were written in 2021 and some of them are derived from compositional sketches from earlier years. The subject matter of these works are quite eclectic, encompassing Joy, death, aesthetic beauty, nostalgia, the mystical and the esoteric. They are designed to be played as solo pieces on their own or in groups chosen by the performer.Organ Duration: 32’ Composed: 2021 Published by: Zimbel Press.
SKU: FJ.FJH2326
ISBN 9781619282667. UPC: 241444405918. English.
Vignettes, Book 2, contains ten pieces in varying styles that introduce students to the sound, feel and artistry of artistic solos through the lens of a modern-day composer. These works are well-suited for young students as well as adults, and are good preparation for classical literature.
About FJH Composers in Focus
Composers in Focus is a series of original piano collections celebrating the creative artistry of contemporary composers. It is through the work of these composers that the piano teaching repertoire is enlarged and enhanced.
SKU: PR.RE10097
ISBN 9790013100972.
SKU: AY.FG45
ISBN 9790302121077.
In a Japanese Garden by Jose Manuel Lezcano is a short vignette evoking the harmony and textures of traditional Japanese music. Includes separate parts for both flute and guitar, in addition to a full score.
SKU: HL.49046045
ISBN 9790001165242. UPC: 841886031623. 9x12 inches.
In the summer of 1852, Vier Stücke ['Four Pieces'] for viola and piano by Robert Schumann were published under the title Märchenbilder ['Fairy-Tale Pictures'] by the Kassel publishing house Luckhardt, with a particularly expressive vignette on the titlepage. Unusual were both this title Märchenbilder, on the one hand, and the scoring with a solo viola, on the other. With the viola in a soloistic role in chamber music, Schumann's Märchenbilder, Op. 113, offers a rather unfamiliar, but all the more delightful sound.
SKU: KN.08868S
UPC: 822795088687.
We welcome Lorie Gruneisen to the Kendor family of writers with this dramatic original. Depicting danger and intrigue on a sailing vessel from three centuries ago, this imaginative vignette features a majestic captain's theme, a jig dance on deck by the crew, and even a skirmish with pirates. It's perfect for groups that are just starting shifting in 1st Violin parts. Duration 2:30. Available in SmartMusic.
SKU: AP.36-52703617
UPC: 735816385521. English.
This humorous little vignette for string quartet was composed in 1979 and was originally intended to be published by Piedmont Music, the ASCAP division of EB Marks Classical. For reasons unknown, however, it remained in manuscript form until 2021, when a copy of the composer's autograph parts was discovered in the archives of a completely different Alan Shulman piece. This newly engraved Latham Music edition therefore represents the first publication of Shulman's delightful work, as well as the first full score. As the title suggests, this is a medium-slow rag, or cakewalk in a loose AABA form. The bluesy and graceful main melody is introduced by the first violin in a call and response exchange with the rest of the ensemble. The restatement of the primary theme is led by the second violin, with the entire ensemble playing pizzicato, having the effect of playful mockery. In the B section, the first violin earnestly reasserts the stately grace from the opening however, the cello is clearly becoming restless and decides to take over the lead just before the final reprise. The lighthearted ending again has the first violin doing its best to bring the tune to a refined conclusion, but the rest of the group still has mischief in mind. After a couple moments of seeming confusion, the ensemble regroups at last and plays the final riff with resolute emphasis. If you're looking to add a light moment to a recital program, or looking for a short, medium level contest piece that players and audiences alike will enjoy, this little miniature is an ideal choice!
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: AP.36-M273691
UPC: 660355089602. English.
"Visions fugitives" is a cycle of 20 piano miniatures written between 1915 and 1917, many for friends of the composer. The miniatures are vignette-like, and the overall effect is Impressionist in style.
SKU: UM.17784
ISBN 9790224417784. A4 inches.
