Violoncello Variations

SKU: BT.EMBZ14727

Volume 11 of this popular series contains seven trios for cellos, from various periods of music history: two 18th-century Hungarian dances, D. Gabrielli's Balleto and Sarabande, a set of variations by Joseph Haydn, two famous minuets by L. van Beethoven, an Andante by Dotzauer and one of Schubert's Ländler. Most of the works are playable by music school pupils, but the effective pieces by outstanding composers will be of interest to more experienced musicians as well.

Inhoud:
1. Chorea Hungarica from the Lcse tablature
2. Saltus Hungaricus (Mártonfi manuscript, Cs ksomlyó, 1813)
3. Gabrielli, Domenico: Balletto alla Francese
4. Haydn, Joseph: Adagio con variazioni
5. Beethoven, Ludwig van: 2 Menuette
6. Dotzauer, Justus Johann Friedrich: Andante
7. Schubert, Franz: Ländler

Der elfte Band der populären Serie beinhaltet sieben Trios, ausgewählt aus der Musik dreier Jahrhunderte. Das in den 1660er Jahren in L cse aufgezeichnete Chorea Hungarica und das Saltus Hungaricus aus dem Mártonfi-Manuskript (Cs ksomlyó, 1813) verkörpern die alte ungarische Musik, ebenso wie das Balletto und Sarabande von Domenico Gabrielli, die 1684 herausgegeben wurden, das Barock. Haydns Werk in Variationsform, die zwei bekannten Menuettos von Beethoven und das Andante von Dotzauer repräsentieren die Wiener Klassik, Schuberts Ländler in diesem Band steht für die Romantik. Die Mehrheit der Werke lässt sich auch schon im Musikschulalter spielen, die frappanten Stücke derherausragenden Komponisten können aber auch mit dem Interesse versierterer Musiker rechnen.

Sommaire:
1. Chorea Hungarica from the Lcse tablature
2. Saltus Hungaricus (Mártonfi manuscript, Cs ksomlyó, 1813)
3. Gabrielli, Domenico: Balletto alla Francese
4. Haydn, Joseph: Adagio con variazioni
5. Beethoven, Ludwig van: 2 Menuette
6. Dotzauer, Justus Johann Friedrich: Andante
7. Schubert, Franz: Ländler

Contents:
1. Chorea Hungarica from the Lcse tablature
2. Saltus Hungaricus (Mártonfi manuscript, Cs ksomlyó, 1813)
3. Gabrielli, Domenico: Balletto alla Francese
4. Haydn, Joseph: Adagio con variazioni
5. Beethoven, Ludwig van: 2 Menuette
6. Dotzauer, Justus Johann Friedrich: Andante
7. Schubert, Franz: Ländler

SKU: BR.EOS-1900-23

ISBN 9790004789407. 9 x 12 inches.

The triumphal concert hall success of Tchaikovsky's most popular and musically most valuable concert pieces for solo instrument and orchestra was preceded by severe teething troubles. His Piano Concerto No. 1 Op. 23 of 1874/75 was slated by Tchaikovsky's mentor and potential performer at the premiere, the pianist, conductor and director of the Moscow Conservatory, Nikolai Rubinstein. So Hans von Bulow premiered it gratefully and enthusiastically (in Boston, USA, on 25 October 1875). Leopold Auer, violin virtuoso and professor at the Petersburg Conservatory, to whom Tchaikovsky wanted to dedicate his Violin Concerto Op. 35 of 1878, refused to premiere it - he regarded the solo part as unrewarding and unplayable. On 4 December 1881, Adolf Brodsky premiered the Violin Concerto in Vienna, with Hans Richter conducting, but Eduard Hanslick wrote a crushing and unpleasant review. The Variations on a Rococo Theme for Cello and Orchestra Op. 33 were finally published by their dedicatee, the German cellist and professor at the Moscow Conservatory, Wilhelm Fitzenhagen, after he had almost completely rewritten and then premiered it on 18 December 1877 in Moscow, while Tchaikovsky, who had asked him to publish the work, was abroad. The original version, which can be found in this edition, was not published until the 1950s.

SKU: SU.50029730

Published by: Seesaw Music.

SKU: HL.49013114

ISBN 9790001138871. UPC: 073999371864. 9.0x12.0x0.244 inches.

Bass clarinet (or violoncello) and piano.