Vocalise - High

21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Low Voice volume. Art song contents for both High and Medium/Low Voice: Dirge in Woods ? Old Poel ? Pastorale ? Poet\'s Song ? Vocalise ? Four Early Songs; Night ? A Summer Vacation ? My Heart Is in the East ? Alone ? Twelve Poems of Emily Dickinson (complete; original keys retained for both High and Medium/Low). Arias in the High Voice edition: Laurie\'s Song (The Tender Land) ? Martin\'s Song (The Tender Land) ? The sun is coming up (The Tender Land) ? Queenie\'s Song (The Second Hurricane) ? Arias in the Medium/Low edition: Ma\'s Song (The Tender Land) ? Fat\'s Song (The Second Hurricane) ? Gyp\'s Song (The Second Hurricane).
A Summer Vacation
Alone
Dear March, come in!
Dirge in Woods
Going to Heaven!
Heart, we will forget him
I felt a funeral in my brain
I\'ve heard an organ talk sometimes
Laurie\'s Song from The Tender Land
Martin\'s Song from The Tender Land
My Heart Is in the East
Nature, the gentlest mother
Night
Old Poem
Pastorale
Poet\'s Song
Queenie\'s Song from The Second Hurricane
Sleep is supposed to be
The Chariot
The sun is coming up from The Tender Land
The world feels dusty
There came a wind like a bugle
Vocalise
When they come back
Why do they shut me out of Heaven?
/ Partitions classique / Vocale - chorale / Voix solo - piano / BOOSEY

La référence AL16781 de l'éditeur Leduc dont l'auteur célèbre est Pierne, qui a pour titre Vocalise Etude N039, a été écrite et composée pour Chant/Vocal/Choeur et plus particulièrement pour Voix Elevée(s). Cette partition musicale appartient à la catégorie Classique. / Voix Elevée(s) / Partition

Original key for high voice-Rachmaninoff composed his collection of 13 songs Op. 34 in 1912 but it was only three years later that he added a little closing piece without any text: the Vocalise which soonoutshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive melancholy piece has circulated in countless arrangements by others.Rachmaninoff himself made anarrangement for Orchestra and Voice as well as one for orchestra alone. Our Urtext edition contains the original version for High Voice and Piano and is based on the autograph sources in the Glinka Museum in Moscow. A particularhighlight is the separate vocal part that not only serves singers well but also all those instrumentalists who wish to play this wonderful piece using the original solo part.

The aim of these Vocalises is to render the voice sufficiently flexible and mellow to execute easily and elegantly the colorature and embellishments found in the works of our great composers.

Adiemus has become one of the most familiar and distinctive choral works with Jenkins' quasi-wordless approach to vocal composition. Vocalise features music not originally composed by Jenkins but arranged and re-worked through the Adiemus concept. These five pieces offer an unusual but highly accessible suite for a chorus of high voices with Piano.

Olivier Messiaen (1908-1992) is known for his unique composition style. Incorporating complex rhythms harmony melodies and his passion for ornithology his Vocalise-Étude for high Voice and Piano is no exception to the composer's popular distinctive style. Olivier Messiaen (1908-1992) was admitted to the Paris Conservatoire at the mere age of 11 where he won many prizes. As a passionate ornithologist as well as organist and composer many of Messiaen's works also depict bird song. Vocalise-Étude composed in 1935 does not have lyrics but addresses breathcontrol intervals phrasing range complex rhythms and chromaticism. Vocalise-Étude is essential to all advanced vocalists seeking to progress and improve their technique.

16 Vocalizzi Per Voce Acuta-Gathered in a unique volume all the vocalises previously published in two anthologies by Ricordi in the Thirties. - All the 16 vocalises of each volume (low voice medium voice high voice) have been composed by very important composers of theNineteenth century like Alfano Malipiero Respighi Casella Pizzetti. - With piano accompaniment for each vocalise.

Partition pour voix moyenne et élevée et piano Collection : Bonnardot Jacqueline Nombre de pages : 45 Cette édition s'adresse aux chanteurs mais également à tous les musiciens qui aiment le chant et veulent avoir facilement un large éventail de musique convenant à des voix peu exercées (formation musicale, par exemple). Tous les morceaux ont été choisis non seulement pour leurs qualités musicales, mais aussi pour leur efficacité pédagogique, favorisant ainsi le bon développement des jeunes voix. Les morceaux de chaque recueil sont choisis pour un niveau donné, et conviennent à des voix moyennes ou élevées, qui chanteront avec profit ces pièces ne sollicitant pas leur aigu, mais ne nécessitant jamais un grave ou un médium appuyé. Nous avons cherché à respecter scrupuleusement le texte original des morceaux choisis. Et c'est ce texte, fidèle, que nous avons parfois transposé, et pour lequel Irène Assayag et Bruno Gousset, selon leurs compétences respectives, ont réalisé les basses chiffrées. C'est ainsi que nous avons retranscrit les signes de mesure, et les ornements originaux, sans les adapter à l'usage du 19e siècle, laissant aux musiciens, la liberté de les interpréter avec goût. Il est possible, bien sûr, de faire travailler certaines pièces en vocalise, si la langue pose des problèmes, ou comme travail préliminaire pour installer le legato. Contenu : Beethoven: Dimmi ben mi - In questa tomba - Bellini: Ma rendi pur contento... - Britten: The Salley Gardens - Caccini: Amarilli - Cesti: Aria - Fauré: Le Secret - Gounod: O ma belle rebelle - Haydn: A Pastoral Song - Mozart: Dans un bois solitaire - Das Veilchen - Scarlatti: Le violette - Schubert: Florio - Schumann: Abschied von Frankreich - Weber: Meine Farben