SKU: LO.20-1070L
UPC: 000308031102.
SKU: HL.35029297
UPC: 884088951801. 5.0x5.0x0.19 inches.
Chamber Orchestration CD-ROM: Written in a traditional style and inspired by the celebrated lessons and carols format, Testimony of Life presents the life, death and resurrection of Jesus Christ. Comprised of choral anthems, Scripture and congregational songs, the work also divides easily into three sections, enabling directors to present the work progressively through Lent and Easter. Choirs of any size will enjoy the thoughtful part writing and the easily learned melodies. From joyful celebrations of Christ's early ministry to the deep sadness of His suffering and crucifixion, from the shadowed whispers of Gethsemane to the brilliant alleluias of Easter, Testimony of Life is a thoughtful mix of artistry and ministry. A full line of support products is available to enhance your performance. Songs include: Prologue * I Will Sing the Wondrous Story * The Story Begins * A Day of Rejoicing and Praise * Hosanna, Loud Hosanna * Banquet of Mercy * Into the Garden * When I Survey the Wondrous Cross * A Day Bright with Joy * I Know that My Redeemer Lives. Instrumentation: (1 Player per Part) Score and parts for flute, oboe clarinet, bassoon (sub. Bass clarinet), trumpet, percussion, harp, piano (play from vocal score), violin 1&2, viola, cello, double bass. Can work with woodwinds only or with strings only.
SKU: WD.080689590368
UPC: 080689590368.
Christ Is Risen, the new Very Simply Word musical for Easter, continues a tradition of easy-learn-easy-sing musicals (no solos!) that offer high-end, production-quality tracks and powerful ministry-driven content, with a musical and artistic integrity rarely experienced in a Unison/2-Part choral series.
SKU: HL.35029301
UPC: 884088951856. 5x5 inches.
10-Pack Listening CDs: Written in a traditional style and inspired by the celebrated “lessons and carols” format, Testimony of Life presents the life, death and resurrection of Jesus Christ. Comprised of choral anthems, Scripture and congregational songs, the work also divides easily into three sections, enabling directors to present the work progressively through Lent and Easter. Choirs of any size will enjoy the thoughtful part writing and the easily learned melodies. From joyful celebrations of Christ's early ministry to the deep sadness of His suffering and crucifixion, from the shadowed whispers of Gethsemane to the brilliant alleluias of Easter, Testimony of Life is a thoughtful mix of artistry and ministry. A full line of support products is available to enhance your performance. Songs include: Prologue • I Will Sing the Wondrous Story • The Story Begins • A Day of Rejoicing and Praise • Hosanna, Loud Hosanna • Banquet of Mercy • Into the Garden • When I Survey the Wondrous Cross • A Day Bright with Joy • I Know that My Redeemer Lives.
SKU: HL.194659
ISBN 9781495073892. UPC: 888680641757. 9.0x12.0x0.262 inches.
It's super easy! This series features accessible arrangements for piano, with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. This edition includes 60 hymns: All Creatures of Our God and King • Amazing Grace • Be Thou My Vision • Beautiful Savior • The Church's One Foundation • Crown Him with Many Crowns • For the Beauty of the Earth • I Love to Tell the Story • It Is Well with My Soul • Just As I Am • A Mighty Fortress Is Our God • Nearer, My God, to Thee • O Worship the King • Rock of Ages • 'Tis So Sweet to Trust in Jesus • We Gather Together • What a Friend We Have in Jesus • When I Survey the Wondrous Cross • and many more.
SKU: LO.10-5584MD
ISBN 9780787773939.
Elegant and refined, this arrangement of When I Survey the Wondrous Cross blends the timeless hymn with traditional and contemporary harmonies and instrumentation. This setting features artisically arranged, heartfelt choral writing while remaining true to the reverance of the hymn.
SKU: HL.8742511
ISBN 9780634019388. UPC: 073999872187. 9x12 inches. Solos with Ensemble Arrangements for Two or More Players arr. Stan Pethel.
Here's a new series useful to fill plenty of solo and ensemble needs. Whether it's a soloist using a book (accompanied by piano (#8742513) or the fully-orchestrated accompaniment track (#8742514)) or two, three, four players, or a full orchestra, Sounds of Celebration is a uniquely flexible new idea for church instrumentalists! Each book includes a solo line and an ensemble line. Mix and match lines with different instruments if used with an ensemble, or play the solo line when used as a solo book. Titles include As the Deer, He Is Exalted, Shout to the Lord and more.
SKU: UT.QC-4
ISBN 9788881094783. 6.5 x 9.5 inches.
Saggi di Jean-Pierre Bartoli, Alan Davison, Therese Ellsworth, Erik Entwistle, Jeremy Eskenazy, Michaela Freemanová, Stephan D. Lindeman, Rudolf Rasch, Renato Ricco, Jeanne Roudet, David Rowland, Massimiliano Sala, Laure Schnapper, Rohan H. Stewart-MacDonald, Marie Sumner LottThe career of Jan Ladislav Dussek (1760-1812) was notable for its peripateticism. Starting out in his native Bohemia Dussek spent periods of time in Germany and the Netherlands, settling in London for about ten years in the 1790s, progressing to Hamburg and ending his days in Paris. Although his activities centred on the piano, like so many musicians of his day Dussek branched out from performing and composing to encompass teaching, publishing and instrument retail, with varying success. A plethora of reviews and biographical accounts attest to Dussek’s renown throughout Europe as a pianist and composer, particularly when it came to sensitive and cantabile playing; and he interacted with some of the most eminent musicians, artists and political figures of his time. Dussek’s reputation declined sharply in the nineteenth century, however, and with the exception of isolated revivals of his work, for instance in London in the mid-nineteenth century, he has remained on the verge of obscurity in the minds of many musicians and music-lovers until the present day: even his well-known innovation of placing the piano sideways-on to the audience to display his striking profile is often mistakenly attributed to Franz Liszt. Although Dussek has provided the subject of a number of student dissertations over the years, in the published literature he has largely been restricted to cameo appearances or brief entries in historical surveys. The bicentennial anniversary of Dussek’s death provides a fitting occasion for bringing together scholars from all parts of the world to produce the first multi-author, multi-lingual study of the composer. Several chapters deal with aspects of Dussek’s biography and iconography that receive only sparse treatment elsewhere; others survey the different branches of his output, including the piano sonatas, the piano concertos, the chamber music with and without harp and the three String Quartets, Op. 60, which are currently enjoying a revival via recordings and a new edition. This book has two fundamental aims. One is to stimulate renewed interest in, and debate about, a less than celebrated – one might say unjustly neglected – figure. The other aim is to approach Dussek’s multi-facetted, geographically diverse career as an interface between ourselves and the music business at the beginning of the nineteenth century, whose complexity and vicissitudes emanated from the sociological dynamics and political events with which Dussek was, to an almost unique degree, inextricably associated. The highs and lows of Dussek’s career, the surviving contemporary accounts of Dussek the performer and composer, and the letters he exchanged with colleagues in several nations vividly portray the struggles of a worldly, ambitious, versatile and extremely perspicacious musician striving to carve out a place of eminence and material security for himself. This meant negotiating the complex progression, underway at this point in history, from the patronage system to the emergence of the artist as a socially and financially autonomous entity.
SKU: PR.110418160
ISBN 9781491114049. UPC: 680160640393. 9 x 12 inches.
Stacy Garrop began hiking in northern Colorado’s Rocky Mountain National Park in her early 20s. From the start, she was drawn to a jagged stretch of rock formations linking Longs Peak to Pagoda Mountain, at over 13,000 feet. These formations are called the “Keyboard of the Winds,†as their thin, spindly peaks suggest splintered keys of an old, broken piano. Inspired by one particular journey the composer took through the Keyboard of the Winds en route to Pagoda’s summit, this work is a tribute to the Keyboard of the Winds. Its fast, whirling gestures depict swirling clouds above, and the musical high points represent a hiker reaching the peak of Pagoda Mountain. These sections are set in contrast with quiet, introspective material embodying the hiker quietly surveying the grandeur and beauty of the valley below, as well as the soaring pinnacle of Longs Peak overhead.I began hiking in the Rocky Mountain National Park in northern Colorado when I was in my early twenties. RMNP is home to some of the most gorgeous mountains in North America, encompassing 265,000 acres of wilderness, flora, and fauna. Among the park’s numerous summits is Longs Peak, a mountain that is 14,259 feet high (the highest in the region). From my earliest days of hiking, I was drawn to Longs Peak, as well as to a jagged stretch of rock formations that link Longs Peak to Pagoda Mountain (which stands at 13,497 feet). These formations are called the Keyboard of the Winds, as their thin, spindly peaks loosely suggest the splintered keys of an old, broken piano.One summer, I made the ascent to Pagoda Mountain using a route that took me along the right side of the Keyboard of the Winds. My hiking partner and I started up the trail in the pre-dawn hours, and the weather was stormy. Dawn had broken by the time we reached the base of the Keyboard, but its peaks were still surrounded by clouds. As we climbed higher and higher, the Keyboard’s thin spires became visible, along with the top of Pagoda Mountain. We reached the summit of Pagoda, admired the view (what we could see through the clouds), and made our descent.My piece is a tribute to the Keyboard of the Winds. The fast, whirling gestures depict swirling clouds, and the musical high points represent a hiker reaching the peaks of the Keyboard. I have contrasted these sections with quiet, introspective material; these embody the hiker quietly surveying the grandeur and beauty of the valley below (on a cloudless day), as well as the soaring pinnacles of Longs Peak and Pagoda Mountain overhead.
SKU: LO.30-3671L
UPC: 000308152630.
Orchestral Score and Parts for 10/5300L From The Body of Christ (55/1197L), this extended anthem walks through Christ’s progression to the cross in a deeply moving way. It incorporates O Sacred Head, Now Wounded and When I Survey the Wondrous Cross and narration is interspersed throughout as images are painted of Jesus’ trial, crown of thorns, crucifixion, and death. Include the full congregation for the final soaring verse of When I Survey the Wondrous Cross..
SKU: LO.99-3989L
UPC: 000308152654.
Performance/accompaniment CD plus Split-track for 10/5300L From The Body of Christ (55/1197L), this extended anthem walks through Christ’s progression to the cross in a deeply moving way. It incorporates O Sacred Head, Now Wounded and When I Survey the Wondrous Cross and narration is interspersed throughout as images are painted of Jesus’ trial, crown of thorns, crucifixion, and death. Include the full congregation for the final soaring verse of When I Survey the Wondrous Cross..
SKU: BT.GOB-000983-130
Isaac Watts (1674-1748) wrote the lyrics of There is a land of pure delight and is known as the Father of English Hymnody. Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale. He wrote about 750 songs, and some of them survide the ravahes of time. (Joy To The World, When I survey the wondrous cross, I sing the Mighty Power of God) There is a Land of Pure Delight is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription'). Here is used a traditional English melody ('Mendip'). There is a land of pure delight Wheresaints immortal Reign. Infinite day excludes the night, And pleasures banish pain. Isaac Watts (1674-1748) schreef de tekst van ‘There is a land of pure delight’, en staat bekend als de 'Father of English Hymnody' (Vader van het gezang). Watts was voor het Engelse gezang wat Ambrosius was voor de middeleeuwseLatijnse hymne in de getijden en wat Maarten Luther was voor het Duitse koraal. Hij schreef ongeveer 750 liederen, waarvan een aantal de tand des tijds overleefden. (Joy to the World, When I survey the wondrous cross, I singthe mighty Power of God) 'There is a Land of Pure Delight' wordt in Engelstalige gebieden meestal op een melodie van Luther Orlando Emerson gezongen ('Ascription'). In Nederland is het lied opgenomen in het 'Liedboekder Kerken' (gez. 290). Hier wordt gebruik gemaakt van een Engelse traditionele melodie ('Mendip'). There is a land of pure delight Where saints immortal reign. Infinite day excludes the night, And pleasuresbanish pain.
SKU: LO.10-5300L
ISBN 9780787765675.
From The Body of Christ (55/1197L), this extended anthem walks through Christ’s progression to the cross in a deeply moving way. It incorporates O Sacred Head, Now Wounded and When I Survey the Wondrous Cross and narration is interspersed throughout as images are painted of Jesus’ trial, crown of thorns, crucifixion, and death. Include the full congregation for the final soaring verse of When I Survey the Wondrous Cross..
SKU: BT.GOB-000982-020
Isaac Watts (1674-1748) wrote the lyrics of There is a land of pure delight and is known as the Father of English Hymnody. Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale. He wrote about 750 songs, and some of them survide the ravahes of time. (Joy To The World, When I survey the wondrous cross, I sing the Mighty Power of God) There is a Land of Pure Delight is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription'). Here is used a traditional English melody ('Mendip'). There is a land of pure delight Wheresaints immortal Reign. Infinite day excludes the night, And pleasures banish pain . Isaac Watts (1674-1748) schreef de tekst van ‘There is a land of pure delight’, en staat bekend als de 'Father of English Hymnody' (Vader van het gezang). Watts was voor het Engelse gezang wat Ambrosius was voor de middeleeuwseLatijnse hymne in de getijden en wat Maarten Luther was voor het Duitse koraal. Hij schreef ongeveer 750 liederen, waarvan een aantal de tand des tijds overleefden. (Joy to the World, When I survey the wondrous cross, I singthe mighty Power of God) 'There is a Land of Pure Delight' wordt in Engelstalige gebieden meestal op een melodie van Luther Orlando Emerson gezongen ('Ascription'). In Nederland is het lied opgenomen in het 'Liedboekder Kerken' (gez. 290). Hier wordt gebruik gemaakt van een Engelse traditionele melodie ('Mendip'). There is a land of pure delight Where saints immortal reign. Infinite day excludes the night, And pleasuresbanish pain.
SKU: BT.GOB-000982-120
SKU: LO.30-3672L
UPC: 000308152647.
Orchestral Score and CD with Printable Parts for 10/5300L From The Body of Christ (55/1197L), this extended anthem walks through Christ’s progression to the cross in a deeply moving way. It incorporates O Sacred Head, Now Wounded and When I Survey the Wondrous Cross and narration is interspersed throughout as images are painted of Jesus’ trial, crown of thorns, crucifixion, and death. Include the full congregation for the final soaring verse of When I Survey the Wondrous Cross..
SKU: BT.GOB-000983-030
SKU: BT.GOB-000981-010
Isaac Watts (1674-1748) wrote the lyrics of There is a land of pure delight and is known as the Father of English Hymnody. Watts was for the English hymn as Ambrose was for the medieval Latin hymn and what Martin Luther was for the German chorale. He wrote about 750 songs, and some of them survide the ravahes of time. (Joy To The World, When I survey the wondrous cross, I sing the Mighty Power of God) There is a Land of Pure Delight is usually in English-speaking areas sung on Luther Orlando Emerson's melody ('Ascription'). Here is used a traditional English melody ('Mendip'). There is a land of pure delight Wheresaints immortal Reign. Infinite day excludes the night, And pleasures banish pain .. Isaac Watts (1674-1748) schreef de tekst van ‘There is a land of pure delight’, en staat bekend als de 'Father of English Hymnody' (Vader van het gezang). Watts was voor het Engelse gezang wat Ambrosius was voor de middeleeuwseLatijnse hymne in de getijden en wat Maarten Luther was voor het Duitse koraal. Hij schreef ongeveer 750 liederen, waarvan een aantal de tand des tijds overleefden. (Joy to the World, When I survey the wondrous cross, I singthe mighty Power of God) 'There is a Land of Pure Delight' wordt in Engelstalige gebieden meestal op een melodie van Luther Orlando Emerson gezongen ('Ascription'). In Nederland is het lied opgenomen in het 'Liedboekder Kerken' (gez. 290). Hier wordt gebruik gemaakt van een Engelse traditionele melodie ('Mendip'). There is a land of pure delight Where saints immortal reign. Infinite day excludes the night, And pleasuresbanish pain.
SKU: BT.GOB-000981-140
SKU: HP.C6140C
UPC: 763628961404. By Keith Getty & Stuart Townend.
Medley of songs including by Keith Getty & Stuart Townend This medley for Holy Week includes many of the significant hymns and songs that center on the cross: The Power of the Cross, Beneath the Cross, Beneath the Cross of Jesus, Near the Cross, and When I Survey the Wondrous Cross. This Holy Week Experience is an extended work (7:30 mins. ), with optional scripture narration and instruments, as well as an opportunity for the congregation to join in on at the end of When I Survey. Instrumental Parts: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Horn (or Alto Sax or Clarinet), Piano, Cello/Bassoon (or Bass Clarinet).
