SKU: HL.48181971
UPC: 888680954703. 5.75x8.25x0.115 inches.
As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator, was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan's experiences in mind, 380 Figured Bass Exercises is very well-informed. The sixth volume provides 30 exercises in which the student can study chord alterations in the context of figured bass. Challan's 380 Figured Bass Exercises is essential to all harmony studies, given that the realisation of figured bass remains an important part of music education..
SKU: HL.48181897
0.09 inches.
As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan''s experiences in mind, 380 Figured Bass Exercises is very well-informed. Part B of the second volume provides 39 exercises in which the student can study modulations and harmony in the context of figured bass. Challan''s 380 Figured Bass Exercises is essential to all harmony studies, given that the realisation of figured bass remains an important part of music education..
SKU: HL.48181973
UPC: 888680976361. 5.75x8.25x0.108 inches.
As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan's experiences in mind, 380 Figured Bass Exercises is very well-informed. Part B of the seventh volume provides 30 exercises in which the student can study the realisation retards and appoggiaturas in the context of figured bass. Challan's 380 Figured Bass Exercises is essential to all harmony studies, given that the realisation of figured bass remains an important part of music education..
SKU: HL.48181896
UPC: 888680789879. 6.0x8.25x0.07 inches.
“As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan''s experiences in mind, 380 Figured Bass Exercises is very well-informed. Part B of the first volume provides 90 exercises in which the student can practise the basics of the realisation of figured bass. Challan''s 380 Figured Bass Exercises is essential to all harmony studies, given that the realisation of figured bass remains an important part of music education.â€.
SKU: HL.48181975
UPC: 888680954543. 6.0x8.75x0.105 inches.
As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan's experiences in mind, 380 Figured Bass Exercises is very well-informed. Part B of the ninth volume provides 24 exercises in which the student can study the use of foreign notes within the context of figured bass. Challan's 380 Figured Bass Exercises is essential to all harmony studies, given that the realisation of figured bass remains an important part of music education..
SKU: HL.48182094
UPC: 888680849900. 5.75x8.75x0.211 inches.
As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan''s experiences in mind, 380 Figured Bass Exercises is very well-informed. Part C of the ninth volume provides 23 exercises in which the student will understand the realisation of figured bass using foreign notes. Challan''s 380 Figured Bass Exercises is essential to all harmony studies, given that the realisation of figured bass remains an important part of music education..
SKU: HL.48181972
UPC: 888680850210. 5.75x8.25x0.084 inches.
“As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan's experiences in mind, 380 Figured Bass Exercises is very well-informed. Part A of the seventh volume provides 30 exercises in which the student can study retards and appoggiaturas in the context of figured bass. Challan's 380 Figured Bass Exercises is essential to all harmony studies, given that the realisation of figured bass remains an important part of music education.â€.
SKU: HL.48181974
UPC: 888680954710. 6.0x8.25x0.082 inches.
As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan's experiences in mind, 380 Figured Bass Exercises is very well-informed. The ninth volume provides 24 exercises in which the student can study the use of foreign notes within the context of figured bass. Challan's 380 Figured Bass Exercises is essential to all harmony studies, given that the realisation of figured bass remains an important part of music education..
SKU: HL.48181895
UPC: 888680948535. 5.75x8.25x0.09 inches.
As one of the fundamentals in the study of harmony, particularly for Baroque music, Henri Challan (1910-1977) provides an imperative aid to the understanding of Figured Bass. Challan, a French composer and music educator was appointed Professor of Harmony at the Paris Conservatoire in 1936. He compiled 380 Figured Bass Exercises during 1960, after a considerable amount of time working in the field. With Challan's experiences in mind, 380 Figured Bass Exercises is very well-informed. The first volume provides 90 exercises in which the student can practice the basics of the realisation of figured bass. Challan's 380 Figured Bass Exercises is essential to all harmony studies, given that the realisation of figured bass remains an important part of music education..
SKU: HL.48189101
UPC: 888680885304. 9.0x12.0x0.315 inches.
Specialisin g in teaching music, Denis Le Touze currently researches the tonal system and notation of classical music. Therefore, his Writing Music in 30 Lessons is very well-informed. Le Touze's Writing Music in 30 Lessons is divided into two volumes. The first volume incorporates three types of exercises; technical exercises for the understanding of chords, figured bass, and composing melodies. Compiled in 1996, Writing Music in 30 Lessons is very up to date, ensuring that the exercises are relevant and clear. For all aspiring musicians seeking to improve their written notation of music, Le Touze's Writing Music in 30 Lessons will ensure successful progression..
SKU: AP.1-ADV11400
ISBN 9783892210610. UPC: 805095114003. English.
Contempora ry Harmony: Romanticism Through the Twelve-Tone Row is by Ludmila Ulehla. The understanding of the musical techniques of composition cannot be reduced to a handbook of simplified rules. Music is complex and ever changing. It is the purpose of this book to trace the path of musical growth from the late Romantic period to the serial techniques of the contemporary composer. Through the detailed analysis of the musical characteristics that dominate a specific style of writing, a graduated plan is organized and presented here in the form of explanations and exercises. A new analytical method substitutes for the diatonic figured bass and makes exercises and the analysis of non-diatonic literature more manageable. The explanations describing each technique are thorough. They are designed to help the teacher and the student see the many extenuating circumstances that affect a particular analytical decision. More important than a dogmatic decision on a particular key center or a root tone, for example, is the understanding of why such an underdeterminate condition may exist.
SKU: AP.12-MPT300306
English.
Theory of Music Made Easy, Grade 6 by Loh Phaik Kheung takes students through the topics required for the ABRSM Grade 6 exam by consolidating information covered in the preceding books and tackling new subjects in an organized and logical way. It introduces the topics of melodic decorations, writing for keyboard, harmonizing and writing melodies, and writing for orchestral instruments. Topics include: Melodic decorations * Figured bass * writing for keyboard * harmonizing a melody by adding a bass part and figuring it * melody writing * writing for orchestral instruments * melodic composition in more modern style * general exercises * definition of the terms used to describe a melody or a piece of music.
SKU: HL.50606645
ISBN 9781705199770. UPC: 196288153528.
This book is to some extent a continuation of Dr. Kiss's 2015 textbook A Practical Approach to Harmony: From the Birth of Polyphony to the Baroque Era. The aim of this book is to support conservatory students (aged 14-22) and their teachers with a collection of carefully selected material from which to learn the necessary musical concepts and practical knowledge of music theory, form, and harmony. The target era is the Viennese Classical period, which spans just under one hundred years between around 1730 and 1830. The focus ison the greatest representatives of their time: Haydn, Mozart, and Beethoven. The book concentrates on the practical aspects of studying music theory, form, and harmony. This means that all musical concepts become practical knowledge and are integrated into skills that a cultured musician needs (score reading, writing, singing or playing, composing, memorizing, transposing, arranging, analyzing, and so on). The book consists of ten units grouped into three levels of difficulty: Basic (units 1 to 5), Intermediate (units 6 to 8), and Advanced (units 9 and 10). The structure of each unit is identical: 1. Listening and Analysis Analysis of selected compositions based on the following considerations: the structure of melody, rhythm, harmony, tonality, instrumentation, and form. 2. Theory and Practice Learning theoretical concepts from masterpieces, and applying them to singing, playing, transposing, piano reduction writing, improvising, composing, and analyzing. 3. Keyboard Harmony Creative activities such as: writing and realizing figured basses; harmonizing melodies; and playing, composing, and transposing chord progressions. 4. Ear Training Harmonic singing exercises and notating chords and complex musical excerpts after listening to them. 5. Appendix The Appendix of each unit contains the solutions to the tasks in that unit.
SKU: FZ.5769
ISBN 9790230657693. 24.00 x 33.00 cm inches.
This facsimile of an original by Elisabeth Jacquet de la Guerre is part of our French classical music collection. Edition : Paris, l'Auteur, Foucault, Ribou, Ballard, 1707. Apart from their intrinsic musical value these pieces are doubly interesting. They provide an opportunity for violonists to practise discreetly doubling the right hand of the keyboard part. For harpsichordists they may be used as an exercise in unfigured continuo bass, leaving the right hand of the keyboard part entirely to the violin. Preface by: Catherine Cessac : the harpsicord pieces which can be played on the violin. Jean Saint-Arroman : notes on the ornamentation. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
