SKU: HL.14035530
SKU: HL.14035529
6.75x10.0x0.01 inches.
SKU: HL.14035527
A setting of the Evening Canticles for SSAATTBB Choir and Organ.
SKU: HL.14035526
SKU: HL.14002294
SKU: HL.14002295
For SATB Choir and Organ.
SKU: HL.49033329
ISBN 9783795757342. 9.25x12.0x0.275 inches. German - English.
In this volume, Hans-Gunter Heumann presents a selection of 18 easy popular classical sonatinas, a Kabalevsky sonatina and a jazz sonatina by Eduard Putz. The educational value of these excellent and sensitive sonatina movements lies in the training of melody and form as well as in a versatile technical training.The volume includes works by Andre, Attwood, Beethoven, Benda, Cimarosa, Clementi, Diabelli, Gurlitt, Haslinger, Haydn, Kabalevsky, Kohler, Kuhlau, Mozart, Pleyel, Putz, Scarlatti, Turk and Vanhal.
SKU: GH.SKG-10245
ISBN 9790070102452. 185 x 262 mm inches. Text: Biblical.
Symeons lovsang (Luk. 2:29-32) for blandad kor och orgel. Textbearbetning av Kjell Bengtsson och Anders Lundin.Kyndelsmassodagen, Afton.
SKU: M7.BRP-1811
SKU: HL.14035523
SKU: HH.HH566-SOL
ISBN 9790708185819.
Mozart’s final three symphonies were composed, according to Mozart’s autograph Verzeichnüß, in the space of a few weeks, from late June to early August 1788. During that year the 11-year-old Hummel was a resident pupil of Mozart and would have been a daily witness to the creation of these foundational works of the Western musical canon. There is an almost total lack of documentary evidence concerning the circumstances of these works, however, which has led to considerable speculation as to their origins, early performances and reception. There are three plausible scenarios for the genesis of these symphonies: that they were written for a series of subscription concerts scheduled for autumn 1788; that Mozart wrote them with the (unfulfilled) intention of publication as an opus; that they may have been prepared in advance of Mozart’s projected visit to London with his British friends the Storace family, Thomas Attwood and Michael Kelly (again unfulfilled). A contemporaray review in The Harmonicum (1823) of Hummel’s piano arrangements of these works notes, approvingly, that they show his perfect knowledge of the instrument and his nice [= fastidious] discrimination in selecting the most effective parts from the score in those places where the whole could not be taken.
SKU: FH.FLR01
ISBN 978-1-55440-289-2.
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, online audio, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study. This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.The Rakes o' Mallow Traditional Irish, arr. Akiko and Forrest Kinney Early One Morning Traditional English, arr. Akiko and Forrest KinneyRollerblading! Louise ChamberlainZalotny (Like a Kitten) Witold Lutos_awski, arr. Ian Denley Cavatina, from The Marriage of Figaro Wolfgang Amadeus Mozart, arr. Stephen ChatmanMinuet in G Major, BWV 114 Christian Petzold, arr. Akiko and Forrest KinneyRonde No. 6 Tylman Susato, arr. Kathleen WoodChanson de l'ile de Java Francois Veilhan Nouvelle agreable (noel) 18th-century French carol, arr. Akiko and Forrest KinneyShe's Like the Swallow Traditional Canadian (Newfoundland), arr. Akiko and Forrest KinneyAndante Thomas Attwood, arr. Kathleen WoodFolksong Bela Bartok, arr. Vilmos Bantai and eva B. Sipos Pierrot Paul HarrisVoyage en Micheline Thierry MassonPromenade sur la berge Thierry MassonWaltz Franz Schubert, arr. Theobald Boehm First Star I See Tonight Nancy Telfer.
About Overtones
Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.