Matériel : Vocal Score
Powerful! This is a sensational arrangement by Mark Hayes of a popular praise song. The richly supportive Keyboard accompaniment and stellar optional orchestration combine with solid choral writing to create a glorious affirmation of the Lamb who sits upon the throne. For Christ the King Eastertide Lent Palm/Passion Sunday and general occasions. Scripture suggestions: Psalm 78 Ephesians 4: 4-6 Philippians 2: 5-11 Hebrews 2: 5-9.
SKU: HL.48024900
ISBN 9781784545475. UPC: 840126930696. 7.25x10.5x0.108 inches.
These jazz arrangements of well-known hymns were written for Andrew Earis and choirs of St Martin-in-the-Fields, London for various services and BBC broadcasts from that church. The setting of “Come down, O Love divine†supplies some new harmonic moves to Vaughan Williams' lovely tune “Down Ampneyâ€, gradually adding vocal harmony through the verses, with a short descant section in the final verse. The compound-time arrangement of “God Is Love,†which can also be sung to the supplied words of Charles Wesley's hymn “Love Divine,†again adds more of Todd's iconic jazz harmonies and textures in the vocal parts with each successive verse. The setting of “Let all mortal flesh keep silence†is structured to gradually build layers over the moody piano chords and the pedal harmony. At the end the music builds to a large climax for the text “Lord most highâ€. The hymns can be performed using the supplied piano part or using the chord symbols above. Double bass may also be used in addition to piano, again following the supplied chord symbols, and parts for optional jazz ensemble are available. Performers of these hymns should feel free to include the congregation or audience in imaginative ways.
SKU: OU.9780193408746
ISBN 9780193408746. 10 x 7 inches.
For SATB and piano or organ This heart-warming setting of a familiar text includes all the hallmarks of a Bullard carol. Through subtle time-signature changes, a gentle modulation, elegant contrapuntal lines, and an uplifting finale, the composer evokes the perfect Christmas feeling.
SKU: JK.01182
Moses 4:2, Luke 22:41-44, 2 Nephi 10:24.
Simple, moving hymn arrangement for mixed chorus (SATB) with beautiful vocal sections for both a cappella and with piano accompaniment: When in the wondrous realms above our Savior had been called upon to save our world of sin by love, He said,'Thy will, O Lord be done.Composer: Alexander Schreiner Arranger: James C. Kasen Lyricist: Frank Kooyman Difficulty: Medium Performance time: 2:15Reference: Moses 4:2, Luke 22:41-44, 2 Nephi 10:24.
SKU: GI.G-7182
UPC: 785147718208. English. Text Source: Sei Lob und Ehr dem höchsten Gut; Translation: Frances Elizabeth Cox. Text by Johann Jacob Schutz.
A tune by Melchior Vulpius is the source for this arrangement by Sharon Elery Rogers. In this 3-verse hymn, the SATB writing is present throughout, with a canonic treatment of verse 2. In addition to the vocal and keyboard forces, a flute adds a special touch, especially on the third verse, where it quotes HYFRYDOL over the Vulpius tune.
SKU: HP.C5991C
UPC: 763628959913. Colossians 3:12, Colossians 3:13, Colossians 3:14.
Original composition With a text based on Colossians 3:12-14 and original music by Joel Raney, here is a compelling anthem calling for the church to bind together in compassion, kindness, forgiveness and, above all else, love. The beautiful piano accompaniment supports well-crafted vocal lines that soar with the text, making this a memorable selection for the singers and listeners alike.
SKU: GI.WJMS1142
UPC: 888680061821. English. Text by Edgar Allan Poe.
Rich chords and interesting vocal lines fill this lush setting of Edgar Allan Poe's A Dream Within a Dream. The composer has captured the mystery and wonder of the poem through his harmonic and textural choices. A good challenge for high school singers and above. Jo-Michael Scheibe Choral Series. Duration: Approx. 4:05 MP3 Recording Choir: Freedom High School Patriot Singers, Edward Rothmel, conductor.
SKU: OU.9780193512061
ISBN 9780193512061. 12 x 8 inches.
For SATB (with divisions) unaccompanied The text for this part-song is a deftly chosen selection of lines from Keats' Ode to a Nightingale. Jackson's setting features many of his stylistic hallmarks: glissandi, melismas, aleatoric patterns, and solo lines that float above the texture. Highly attractive and suitable for summer concerts.
About Oxford New Horizons
N ew Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
