Authentic software replica of the first programmable analogue rhythm machine from 1978- Precise reproduction of all details of the original instrument- Simplified programming with standard 16- or 24-step sequencer compared to the complex original operation- Offers all 34 factory presets including va...(+)
Authentic software replica of the first programmable analogue rhythm machine from 1978- Precise reproduction of all details of the original instrument- Simplified programming with standard 16- or 24-step sequencer compared to the complex original operation- Offers all 34 factory presets including variation/fill-in patterns of the original machine- Voice edit panel for sound editing from subtle to extreme- Flexible copy functions for patterns and instruments- Adjustable swing factor- Real-time step input via trigger button- Unlike the original, all sounds can be assigned independently in user pattern mode- Easy-to-use song mode with 99 patterns and 99 steps per song- External MIDI sound triggering with velocity sensitivity and user-assignable note mapping- Effects / mixer panel with overdrive, flanger, delay and gated reverb as well as master compressor and graphic six-band EQ- Mixer with adjustable level, panorama and solo / mute per instrument- Each instrument with individual output to the DAW- MIDI export to DAW via drag and drop- Full MIDI control and DAW automation- Over 280 presets- Scalable user interface with focus zoom-in function as well as standard interface zoom and resize by dragging
Cherry Audio Pro Soloist Synthesizer (ESD); virtual synthesizer; based upon a well known, preset-based monophonic analog synthesizer from 1972; every aspect precisely modeled in exacting detail incl. the the panel interface and the 30 presets; different user interfaces for Performance, Edit as well ...(+)
Cherry Audio Pro Soloist Synthesizer (ESD); virtual synthesizer; based upon a well known, preset-based monophonic analog synthesizer from 1972; every aspect precisely modeled in exacting detail incl. the the panel interface and the 30 presets; different user interfaces for Performance, Edit as well aa Arpeggio and Effect Mode; all Pro Soloist voicing parameters reproduced and exposed, including the five parallel 2-pole bandpass filters of the Resonator Bank, expanded with individual frequency curves; dual-layer voicing architecture with 16 polyphonic voices per layer to create split and stack combinations; Panel Control for selecting layer controls, including utility functions for duplicating and exchanging synthesis and effects parameters between layers and presets; Touch Sensor Effects controls to apply aftertouch to volume, brilliance (filter), and portamento, with adjustable touch sensitivity; monophonic and polyphonice voice modes with different trigger options; VCO with sawtooth and pulse waves, plus a Super Wave option for fatter tones; VCO modulation with ADSR PWM, AR PWM, LFO PWM, and LFO FM; four-pole filter with filter invert and many modulation options; resonant highpass filter with cutoff frequency from 20 Hz to 1300 Hz; Resonator Bank with five parallel bandpass filters with continuously variable and modulatable frequency and resonance controls; VCA with modulation by ADSR, AR, LFO, and velocity, and independent per-layer control over volume and panning for stereo tones; ADSR and AR envelope generators; Modulation Matrix with six slots, 22 sources and 58 destinations; Arpeggiator with four modes and MIDI tempo sync; internal effect section featuring distortion, phaser, flanger / chorus, echo and reverb with five algorithms; full MIDI control and DAW automation for all controls; more than 400 presets; scalable user interface with Focus zoom-in feature, as well as standard UI zoom and resize with drag
Cherry Audio PS-3300 (ESD); virtual synthesizer; authentic software recreation of a legendary and extemely rare 48-voice polyphonic hardware synthesizer from 1977; every aspect precisely modeled in exacting detail; semi-modular synthesizer with virtual jack and cable system; three independent signal...(+)
Cherry Audio PS-3300 (ESD); virtual synthesizer; authentic software recreation of a legendary and extemely rare 48-voice polyphonic hardware synthesizer from 1977; every aspect precisely modeled in exacting detail; semi-modular synthesizer with virtual jack and cable system; three independent signal generator panels, each with an oscillator, lowpass filter, three-peak resonators, a velocity sensitive envelope, amp section, two mod generator LFOs, and per-note tuning; each oscillator features the waveforms triangle, saw, rectangle (square), two preset pulse waves with different widths, and PWM (variable-width pulse); resonant lowpass filters wtih 12 dB / oct slope and the option to select between the original clean PS filter or the crunchier MS-style filter; three modulatable resonators featuring 12 dB/oct bandpass filters to produce vowel and phasing tones; ADSR-type envelope modulators with velocity control enable filter and amplitude modulation; two syncable Mod Generators (LFOs) with output jacks; LFO 1 delivers triangle, saw, ramp, rectangle, pink noise, and white noise, and LFO 2 triangle waveform; temperament section with individual tuning knobs for the 12 chromatic notes, and temperament presets for Equal Tempered, Mean Tone System, Hepatonal System, and Just Intonation; copy & paste settings from one signal generator panel to another; up to 24 voices of polyphony and three monophonic modes; master signal mixer panel with sample & hold, general envelope generator, and two control voltage processors; integrated effect section featuring chorus, echo with sync, and three types of reverb; full MIDI control and DAW automation for all controls; advanced one-click UI magnification; more than 360 presets
Cherry Audio Mercury-6 Synthesizer (ESD); virtual synthesizer; authentic software recreation of a legendary 6-voice polyphonic hardware synthesizer from 1983; every aspect precisely modeled in exacting detail; dual-layer voicing architecture with split and stacked modes and 16 polyphonic voices per ...(+)
Cherry Audio Mercury-6 Synthesizer (ESD); virtual synthesizer; authentic software recreation of a legendary 6-voice polyphonic hardware synthesizer from 1983; every aspect precisely modeled in exacting detail; dual-layer voicing architecture with split and stacked modes and 16 polyphonic voices per layer; two VCOs per voice with combined waveform capabilities for triangle, ramp sawtooth, noise, and square or variable pulse; accurate reproduction of the original's advanced VCO-2 to VCO-1 FM cross-modulation for searing tones; solo and polyphonic unison modes for fat, stacked sounds as well as portamento and glissando modes; meticulously recreated multimode filter with a 24 dB/oct lowpass, 24 dB/oct highpass, or 12 dB/oct bandpass modes; two tempo-syncable LFOs with extended retrigger functionality; exactingly replicated arpeggio section with MIDI tempo sync, the hidden Up/Down modes of the original, and the addition of a Random mode; integrated effect section featuring distortion, phaser, flanger / chorus, delay and reverb; drift control for increased analog realism; improved single-key chord memory mode; full MIDI control and DAW automation for all controls; advanced one-click UI magnification; more than 500 presets
Based on a legendary Italian hardware synthesizer of the early 1980s- Dual multitimbral sound generation for individual split and layer combinations of two patches- 16-Voice polyphonic- Panel control for selecting layers, with useful functions for exchanging settings between sound layers or between ...(+)
Based on a legendary Italian hardware synthesizer of the early 1980s- Dual multitimbral sound generation for individual split and layer combinations of two patches- 16-Voice polyphonic- Panel control for selecting layers, with useful functions for exchanging settings between sound layers or between presets- Two independently tunable DCOs with triangle, sawtooth, square and variable pulse waveforms- Different voice assignment modes for polyphonic and single voices as well as detunable unison- Both oscillators with PWM cross modulation and ring modulation as well as oscillator 2 with sync option- Noise generator with white and pink noise- Multimode filter oriented on the CEM3320 chip with 12 or 24 dB / oct lowpass, 6 or 12 dB / oct bandpass and 12 dB / oct highpass- Two tempo-synchronous LFOs with the waveforms triangle, sawtooth, ramp, bipolar and unipolar square as well as random waveform for LFO 1 and triangle for LFO 2- Two independent modulation sections with a fixed LFO 1 section and a performance-oriented LFO 2 section for use with pitch and modulation wheel- Velocity-controlled ADSR envelopes for filter and volume with multi-trigger in the monophonic modes- Chord memory function- Tempo sync buttons for LFOs, sequencer and arpeggiator tempo as well as echo to synchronise with the project tempo of the DAW- Step sequencer offers four individual monophonic sequences with up to 128 steps, selectable assignment to one of the two layers and storage together with the presets- Step sequencer functions for copying, swapping and moving sequencer data between tracks or presets- Glide (pitch envelope) and portamento (standard glide) functions can be activated individually per oscillator- Tempo-synchronised arpeggiator with independent assignment to both layers- Effects section with chorus, delay and reverb including algorithm from "Galactic Reverb- Full MIDI control and DAW automation- Over 500 presets- Scalable user interface with focus zoom-in function as well as standard interface zoom and resize by dragging
Innovative synthesis concept for creating complex and dynamically evolving polyphonic sounds via an intuitive user interface- Two sample-based oscillators and interpolated harmonic scanning technology with similarities to additive synthesis- Carefully selected sample library with 285 samples in 11 c...(+)
Innovative synthesis concept for creating complex and dynamically evolving polyphonic sounds via an intuitive user interface- Two sample-based oscillators and interpolated harmonic scanning technology with similarities to additive synthesis- Carefully selected sample library with 285 samples in 11 categories- Import your own samples- Dual audio path: most waveform samples are stereo for natural width and organic feel with multiple-stacked harmonics- Harmonic mode with six Harmonic Presets for sweeping through sample harmonics to create evolving tones or stacking multiple harmonics to create composite tones- Semitone mode with 23 harmonic presets for creating sequencer-like melodies or pulsating chords- Create and save your own or generate random harmonic presets- Monophonic and polyphonic modes with up to 16 voices- Four tempo-synchronised LFOs with ten waveforms, one-shot mode, retrigger function and monophonic and polyphonic modes- Multimode filter with selectable low-pass, band-pass or high-pass- Low-pass filter with selectable slope of 6 - 24 dB / oct- Eightfold modulation matrix with simple assignment and 19 sources and 80 destinations including the integrated effects- Click-and-drag Filter and Amp ADSR envelopes- Effects: distorion, modulation, echo and reverb- Full MIDI control and DAW automation for all controls- Over 350 presets in 16 categories- Scalable user interface with Focus zoom-in feature, as well as standard UI zoom and resize with drag
Cherry Audio Novachord + Solovox (ESD); virtual synthesizer bundle; authentic software recreation of two rare and historical hardware synthesizer from 1939 eg. 1940; Novachord: exact reproduction of the analogue circuit based on 163 tubes and over 1000 capacitors featuring an early subtractive synth...(+)
Cherry Audio Novachord + Solovox (ESD); virtual synthesizer bundle; authentic software recreation of two rare and historical hardware synthesizer from 1939 eg. 1940; Novachord: exact reproduction of the analogue circuit based on 163 tubes and over 1000 capacitors featuring an early subtractive synthesis with divide-down oscillator architecture and filters; 32 polyphonic voices wihtout samples; Tones routed in parallel to all of the filters, processed and then summed together to create a composite tone; three Resonators provide a resonant bandpass filter network operating consecutively at 400, 800 and 2000 Hz frequency ranges; Deep Tone setting with a 6dB / oct. lowpass filter with a fixed frequency of 160 Hz and Brilliant Tone setting featuring a 6 dB / oct. highpass filter with a fixed frequency of 2000 Hz; Full Tone setting controls the amplitude of the non-processed tone generator signal; Attack knob with seven Attack/Decay/Sustain envelope options, from Slow to Fast, with sustain-pedal controlled release; Vibrato with adjustable depth and two different character options; integrated reverb effect as well as speaker emulation to replicate the built-in amp and speakers in an acoustic space; 56 Presets; Solovox: faithful emulation of the monophonic piano attachment instrument based on oscillator and divider circuits with 18 vacuum tubes; combinable Bass / Tenor / Contralto / Soprano switches to set note range in octaves; First Voice and Second Voice two-pole bandpass filters with level controls and variable center frequencies of 400 Hz and 800 Hz, respectively; Deep Tone setting with a 6dB / oct. lowpass filter with a fixed frequency of 160 Hz and Brilliant Tone setting featuring a 6 dB / oct. highpass filter with a fixed frequency of 2000 Hz; Full Tone setting controls the amplitude of the non-processed tone generator signal; Mute control to filter harmonics from the oscillator voice; adjustable Glide and fixed-rate Vibrato; envelope with Attack and Release controls; full MIDI control and DAW automation for all controls; advanced one-click UI magnification
Based on a rare analogue synthesizer from 1976, which in turn copied and optimised a well-known synthesizer concept- Precise reproduction of all details of the original instrument- Mono- and duophonic as well as up to 16-voice polyphonic voice mode- Unison function in monophonic and duophonic mode- ...(+)
Based on a rare analogue synthesizer from 1976, which in turn copied and optimised a well-known synthesizer concept- Precise reproduction of all details of the original instrument- Mono- and duophonic as well as up to 16-voice polyphonic voice mode- Unison function in monophonic and duophonic mode- Two oscillators with different waveforms- Modulation, S+H and sub-octave settings- VCO1 with sawtooth, triangle and modulable pulse wave and VCO2 with square wave and sawtooth wave- Adjustable pitch-bend depth, octave shift with +/- 2 octaves, glide function and mixable noise generator- True-to-the-original four-pole filter, based on the original cascaded OTA filter SSM2040 with precise reproduction of the independent resonance behaviour- Two envelopes with ADSR and AR characteristics respectively- Tempo-synchronous LFO with start delay- Tempo-synchronous, quantisable classic two-row step sequencer with keyboard control and eight steps that can be independently assigned to the oscillator pitches, filter cut-off frequency and VCA amplitude- Internal effects section with distortion, phaser, flanger / chorus, echo and reverb with five reverb algorithms- Supports channel pressure as well as polyphonic aftertouch and MPE support- Full MIDI control and DAW automation- Over 300 presets- Switchable between original and later SRM versions- Scalable user interface with focus zoom-in function as well as standard interface zoom and resize by dragging