Adagio ma non troppo 43b

Idéale pour les musiciens pratiquant Saxophone et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence MEND03039.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Adagio non troppo, extrait des Lieder ohne Worte de Mendelssohn-Bartholdy Felix. / Saxophone / niveau : Cycle 1 / Partition

Idéale pour les musiciens pratiquant Violon et ayant un niveau proche de Cycle 1, cette pièce se classe dans la catégorie Classique sous la référence MEND03026.Ce sont les éditions françaises Robert Martin qui ont eu le privilège d'éditer la partition Adagio non troppo, extrait des Lieder ohne Worte de Mendelssohn-Bartholdy Felix. / Violon / niveau : Cycle 1 / Partition

Concerto for Bassoon in B-flat Major, K.191
Allegro
Andante ma Adagio
Rondo. Tempo di Menuetto
Concerto for Flute and Harp in C Major, K.299
Allegro
Andantino
Rondo. Allegro
Concerto for Flute in G Major, K.313
Allegro maestoso
Adagio non troppo
Rondo. Tempo di Menuetto
Concerto for Flute in D Major, K.314
(probably an arrangement of an oboe concerto)
Allegro aperto
Andante ma non troppo
Allegro
Andante for Flute and Orchestra in C Major, K.315
(perhaps a simpler slow movement for K.313)
Concerto for Horn in D Major, K. 412 (left incomplete by Mozart)
(Allegro)
Allegro
Concerto for Horn in E-flat Major, K.417
Allegro maestoso
Andante
Rondo
Concerto for Horn in E-flat Major, K.447
Allegro
Romanze. Larghetto
Allegro
Concerto for Horn in E-flat Major, K.495
Allegro moderato
Romanza. Andante
Rondo. Allegro vivace
Concerto for Clarinet in A Major, K.622
Allegro
Adagio
Rondo. Allegro

Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Original Version (1854)
Allegro con moto
Scherzo: Allegro molto
Adagio non troppo
Finale: Allegro molto agitato
Trio No. 1 for Piano, Violin, and Cello in B Major, Op. 8, Revised Version (1891)
Allegro con brio
Scherzo: Allegro molto
Adagio
Allegro
Trio No. 2 for Piano, Violin, and Cello in C Major, Op. 87
Allegro
Andante con moto
Scherzo: Presto
Finale: Allegro giocoso
Trio No. 3 for Piano, Violin, and Cello in C Minor, Op. 101
Allegro energico
Presto non assai
Andante grazioso
Allegro molto
Trio for Piano, Violin, and Natural Horn [Waldhorn] (or Cello or Viola) in E-flat Major, Op. 40
Andante
Scherzo: Allegro
Adagio mesto
Finale: Allegro con brio
Trio for Piano, Clarinet (or Viola), and Cello in A Minor, Op. 114
Allegro
Adagio
Andante grazioso
Allegro

In a letter dating from 1777 Mozart reported to his father from Mannheim that Johann Baptist Wendling principal Flautist of the famous Mannheim Orchestra had been approached by a wealthy Dutch businessman by the name of De Jean who was prepared to pay 200 gulden for three easy flute concertos and four flute quartets for his own use. Mozart accepted the commission. By the day before the Dutchman left Mozart had delivered only three of the quartets andtwo concertos for which he had been paid 964 gulden. The composer who was himself being pressed by his father to continue his own journey to Paris with his mother was full of excuses writing back to Salzburg on 14 February 'It is not surprising I have been unable to finish them for I never have a single hour's quiet here...Moreover you know I become quite powerless when I am obliged to write for an instrument I can't stand.' There is more than a hint of disingenuousness in Mozart's words for this was the height of the period during which he was being distracted from his work by his new-found love for the Mannheim singer Aloysia Weber. (He ultimatelymarried her sister Constanze.) If Mozart's dislike of the Flute was as great as he claimed there are few signs in the Flute Concerto No.1 in G major particularly in the expressive central Adagio ma non troppo. The outermovements are an Allegro maestoso and a concluding Rondo: Tempo di Menuetto. The work is scored for two oboes (replaced by flutes in the Adagio) two horns and strings. This Great Performers' Edition is edited byJames Galway.

Treasury of piano music by great Norwegian composer, including the perennial favorites, Peer Gynt Suites Nos. 1 and 2 and the Holberg Suite, as well as a rich selection of other pieces: Vier Stucke, Op. 1, Humoresker, Op. 6, Sonata in E Minor, Op. 7, and many others. Content :
Four Pieces [Vier Stücke], Op. 1 (dedicated to E. F. Wenzel)
I. Allegro con leggerezza
II. Non Allegro e molto espressivo
III. Mazurka
IV. Allegretto con moto
Poetic Tone-Pictures [Poetiske tonebilleder], Op. 3 (dedicated to Benjamin Feddersen)
I. Allegro, ma non troppo
II. Allegro cantabile
III. Con moto
IV. Andante con sentimento
V. Allegro moderato
VI Allegro scherzando
Humoresques [Humoresker], Op. 6 (dedicated to Rikard Nordraak)
I. Tempo di Valse
II. Tempo di Menuetto ed energico
III. Allegretto con grazia
IV. Allegro alla burla
Sonata in E Minor, Op. 7 (dedicated to Niels W. Gade)
Allegro moderato
Andante molto
Alla Menuetto, ma pocco più lento
Finale
Concerto in A Minor, Op. 16, Arranged for Solo Piano (dedicated to Edmund Neupert)
Allegro molto moderato
Adagio
Allegro moderato e molto marcato
Four Album Leaves [Fire albumblade], Op. 28 (dedicated to Minna Petersen)
I. Allegro con moto
II. Allegretto espressivo
III. Vivace
IV. Andantino serioso
Two Elegiac Melodies [Zwei elegische Melodien], Op. 34 (dedicated to Heinrich von Herzogenberg. arrangement of a work for string orchestra based on the songs Op. 33, nos. 3 and 2)
I. Heart's Wounds [Herzwunden]
II. Last Spring [Letzter Frühling]
From Holberg's Time [Fra Holbergs tid. Holberg Suite], Op. 40 (dedicated to Erika Lie-Nissen)
I. Praeludium
II. Sarabande
III. Gavotte
IV. Air
V. Rigaudon
Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (I), Op. 41
I. Lullaby [Wiegenlied]
II. Little Haakon [Klein Haakon]
III. I Love Thee [Ich liebe dich]
IV. She Is So White [Wenn einst sie lag an meiner Brust/Sie ist so weiss]
V. The Princess [Die Prinzessin]
VI. To Springtime [An den Lenz]
Peer Gynt Suite No. 1, Op. 46 (arrangement of orchestral work)
I. Morning Mood [Morgenstimmung]
II. Åse's Death [Åses Tod]
III. Anitra's Dance [Anitras Tanz]
IV. In the Hall of the Mountain King [In der Halle des Bergkönigs]
Piano Pieces after His Own Songs [Klavierstücke nach eigenen Liedern] (II), Op. 52
I. A Mother's Grief [Mutterschmerz]
II. The First Meeting [Erstes Begegnen]
III. The Poet's Heart [Des Dichters Herz]
IV. Solvejg's Song [Solvejgs Lied]
V. Love [Liebe]
VI. The Old Mother [Die alte Mutter]
Two Melodies [Zwei Melodien], Op. 53 (dedicated to Franz Neruda. arrangement of a work for string orchestra based on the songs Op. 33, no. 12, and Op. 21, no
I. Norwegian [Norwegisch]
II. The First Meeting [Erstes Begegnen]
Peer Gynt Suite No.2, Op 55 (arrangement of orchestral work)
I. Ingrid's Lament [Ingrids Klage]
II. Arabian Dance [Arabischer Tanz]
III. Peer Gynt's Return Home [Peer Gynts Heimkehr]
IV. Solvejg's Song [Solvejgs Lied]
Moods [Stimmungen], Op. 73
I. Resignation
II. Scherzo-Impromptu
III. Night Ride [Natligtridt]
IV. Folksong [Folketone]
V. Study [Studie] (Hommage à Chopin)
VI. Students' Serenade [Studenternes serenade]
VII. The Mountaineer's Song [Lual?t]
Nordraak's Funeral March [Sörgemarsch over Rikard Nordraak], WoOp.
Three Piano Pieces [Drei Klavierstückel], WoOp.
I. White Clouds [Hvide skyer]
II. Gnomes' Tune [Tusselsl?t]
III. The Dance Goes On [Dansen går]

Par DANIEL-LESUR JEAN-YVES. Création dans le cadre du concours du Conservatoire National Supérieur de Musique de Paris en juin 1974. Version orchestrale établie simultanément (ACF020629) Adagio ma non troppo, Allegro quasi una cadenza, Lento, 5min15/ Répertoire / Hautbois et Piano

Brahms's Concerto for Violin and Orchestra Op.77 begins unusually with a gentle Allegro ma non troppo in 3/4 time which becomes more virtuosic as it progresses. This is followed by a whimsical Adagio which begins with wind solos. The final movement opens with the soloist playing a fast fanfare-like theme in thirds with minimal accompaniment. The orchestra burst in after eight bars to answer the violin and the movement becomes a joyful yet frantic Finale.Available here for Solo Violin and Piano accompaniment/orchestral reduction is a Great Performer's Edition of Brahms’ Violin Concerto in D Op.77 as edited by the great Yehudi Menuhin.

Content : Un poco sostenuto - Allegro - Andante sostenuto - Un poco Allegretto e grazioso - Adagio - Più Andante - Allegro non troppo, ma con brio

Par DANIEL-LESUR JEAN-YVES. Creation dans le cadre des Nocturnes de la Ferte-Alais, le 24 mai 1975, par l'Ensemble instrumental de France, Pierre Perlot (hautbois), direction Jean-Pierre Wallez. Transcription pour orchestre à cordes d'un accompagnement pour piano (cf ACF020629). Adagio ma non troppo, Allegro quasi una cadenza, Lento, 5min15/ Répertoire / Hautbois Solo et Orchestre à Cordes

Par BUFFARDIN PIERRE GABRIEL. This Concerto in F Minor by Pierre Gabriel Buffardin was discovered by Wim Brabants in 2015 at the Saxon State and University Library in Dresden, Germany (Sächsische Landesbibliothek Dresden). In three movements: Allegro assai, Adagio, and Allegro non troppo. This listing is for the score and parts of the Flute and Strings edition. / Date parution : 2022-11-29/ Répertoire / Flûte Traversière et Cordes