Adagio (5)

SKU: HL.48186079

UPC: 888680828592. 9.0x12.0x0.224 inches.

“Ital ian Baroque composer, Domenico Zipoli (1688-1726) is best remembered as the most accomplished musician among Jesuit missionaries. All his works were greatly influenced by his religion and his Adagio for Oboe, Cello, Organ or Harpsichord and String Orchestra is an exciting addition to the repertoire. Having received lessons from some of the best composers of his day, including Alessandro Scarlatti, Zipoli embarked upon a successful career as an organist and composer. Scored for Oboe, Cello, Organ and Strings, Adagio is a calm, yet stately piece, often played today at weddings and funerals. Zipoli's Adagio makes for a sublime performance work for Baroque ensembles.”.

SKU: HL.48185367

UPC: 888680948511. 0.067 inches.

Ghidoni Armando Adagio Flute & Piano Or Harp Book.

SKU: HL.14010764

11.75x8.25x0.425 inches.

Bridge's early works - those written before the first World War - were more late Romantic in style, warmly expansive, than his mature works. The Adagio is a four-Voice fugue of poetic expressiveness that makes full use of the instrument's tonal resources.British composer Frank Bridge was active in the early decades of the 20th century and was a highly respected conductor, violist and teacher - his sole composition student having been Benjamin Britten. Britten honoured his former teacher in his work Variations on a Theme of Frank Bridge, based on a theme from one of Bridge's pieces for String quartet.

SKU: BT.EMBZ14895

Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new edition.Adagio for violin and piano: Z. 14911 Adagio for viola and piano: Z. 14894 Adagio for violoncello and piano: Z. 14895 Adagio for double bass and piano: Z. 14896 (The former catalogue number was Z. 768.)

Zoltán Kodály (1882-1967) komponierte sein Adagio für Violine und Klavier im Jahre 1905 und widmete es dem hervorragenden Geigenvirtuosen Imre Waldbauer. 1910 schuf Kodály Fassungen für Viola sowie Violoncello: für Kontrabass wurde das Werk von Norbert Duka bearbeitet. 2014 wurden alle vier Fassungen des Adagios in einer neuen Edition in Einzelausgaben veröffentlicht.

SKU: HL.48016562

UPC: 073999656831. 8.5x11.0x0.234 inches.

Contents: Andante from Symphony No. 104 (Haydn) * Larghetto from Concerto Grosso No. 12 (Handel) * Adagio from Symphony No. 3 (Mendelssohn) * Andante from Symphony No. 5 (Schubert) * Largo from New World Symphony (Dvorak) * Songs My Mother Taught Me (Dvorak) * Andante from Symphony No. 4 (Schubert) * Largo from Symphony No. 88 (Haydn) * Silent Woods (Dvorak) * Melody from Violoncello Concerto (Dvorak) * Andante from Violin Concerto (Mendelssohn) * Adagio from Symphony No. 97 (Haydn) * Finale from Symphony No. 5 (Dvorak) * Andante Cantabile from Symphony No. 5 (Tchaikovsky).

SKU: HF.FH-3266

ISBN 9790203432661. 9 x 12 inches.

1. Adagio assai, WoO 33; 2. Adagio WoO 43a; 3. Adagio ma non troppo, WoO 43b.

SKU: BT.DHP-1023120-010

The Adagio is based on a manuscript that was discovered in the Dresden State Library after the Second World War by Remo Giazotto, a Milanese musicologist who was working on Albinoni’s biography at the time. Only the bass line and six bars of melody were found and they probably belonged to the slow movement of a Trio Sonata. In 1945 Giazotti reconstructed the now famous Adagio which has made Albinoni known to a worldwide audience.

Das Adagio, so wie es heute weithin bekannt ist, hat eine interessante Geschichte: Es wurde erst im 20. Jahrhundert von einem Musikwissenschaftler aus einem Manuskript Albinonis, welches lediglich Teile einer Melodie enthielt, rekonstruiert. Dennoch ist es gerade das Adagio, das Albinoni in der heutigen Musikwelt berühmt gemacht hat und dessen Wirkung sich auch in diesem gefühlvollen Arrangement von Jacob de Haan niemand entziehen kann.

Tomaso Albinoni (1671-1751) est né Venise. Il est le fils aîné d’un riche marchand. Dès son plus jeune ge, il développe un réel talent pour le chant et surtout pour le violon, et se met rapidement composer. Albinoni a vécu et travaillé toute sa vie durant Venise, mais a également séjourné Florence et Munich.Dans sa jeunesse, Albinoni compose de la musique sacrée mais sans grand succès. En 1694, il attire l’attention du public vénitien lors de la représentation de son premier opéra Zenobia, Regina de Palmireni (Zenobia, reine de Palmireni). Ses premières œuvres de musique instrumentale datent de la même année. Par la suite, Albinoni se consacre surtout lacomposition d’œuvres vocales (opéras et cantates) et instrumentales (sonates et concertos).C’est en travaillant sur la biographie d’Albinoni, au sortir de la Deuxième Guerre mondiale, que le musicologue milanais, Remo Giazotto, découvre la Bibliothèque Nationale de Dresde, un manuscrit inédit, sur lequel est basé le célèbre Adagio. Il semblerait que les six mesures de la mélodie et la ligne de basse retrouvées aient constitué un passage d’un mouvement lent d’une sonate trois. Vers 1945, en partant de ces éléments, Remo Giazotto reconstitue une œuvre, célèbre de nos jours, comme l’Adagio d’Albinoni, alors qu’Albinoni lui-même ne serait probablement plus en mesure de reconnaître sa pièce.

SKU: HL.50487749

ISBN 9790080140215. 9.0x12.0x0.075 inches. Johann Sebastian Bach; Bernhard Kistler-Liebendorfer.

After the successful transcription for piano of some movements of Bach's orchestral suites B. Kistler-Liebendorfer transcribed for piano Adagio movements of Bach's sonatas for violin and harpsichord in F minor (BWV 1018), C minor (BWV 1017) and E major (BWV 1016), expanding thus the pianist's Baroque repertory. The edition is recommended for students of conservatories and music academies.

SKU: BT.EMBZ14021

After the successful transcription for piano of some movements of Bach's orchestral suites B. Kistler-Liebendörfer transcribed for piano Adagio movements of Bach's sonatas for violin and harpsichord in F minor (BWV 1018), C minor (BWV 1017) and E major (BWV 1016), expanding thus the pianist's Baroque repertory. The edition is recommended for students of conservatories and music academies.