Adagio (score)

Joseph Horovitz. Suite of five pieces for brass quintet: two trumpets, horn, trombone and tuba. Full Score. This work was composed in 1964 at the request of the well known American tuba player Roger Bobo. It was soon taken into the repertoire of the Philip Jones Brass Ensemble, who gave the first BBC broadcast. The first recording was on Pye records, by the Hallé Brass Ensemble. Since then it has become a regular repertoire piece and recorded as well as broadcast all over the world. The Suite consists of five movements, all illustrating aspects of the Burlesque Theatre, Music Hall, circus and cabaret, so popular at the end of the 19th century and into the 20th. The titles of the short movements are: Soubrette Song, Trick Cyclists, Adagio Team, Soft Shoe Shuffle and Les Girls. The five orchestral brass instruments (two trumpets, horn, trombone and tuba) are exploited in a chamber music manner, but the cumulative effect has a theatrical quality in keeping with the title. / Scores

Brahms wrote only two concerti in his lifetime each one an important staple of the concert repertoire. These masterpieces are featured here in full score in one convenient affordable volume. Pianists conductors music students and scholars will find this edition ideal for study and performance purposes.

Serenade in D Major for strings and winds, K.203/I89b
I: Andante maestoso-Allegro assai
II: (Andante)
III: Menuetto
IV: (Allegro)
V: Menuetto
VI: (Andante)
VII: Menuetto
VIII: Prestissimo
Notturno in D Major for four orchestras (strings and horns), K. 286/269a
I: Andante
II: Allegretto grazioso
III: Menuetto
Serenade in D Major for strings, winds, and timpani ( Posthorn ), K. 320
I: Adagio maestoso-Allegro con spirito
II: Menuetto
III: Concertante
IV: Rondo
V: Andantino
VI: Menuetto
VII: Finale
Serenade in B-flat Major for 13 winds, K. 361/37oa
I: Largo-Allegro molto
II: Menuetto
III: Adagio
IV: Menuetto
V: Romanze
VI: Thema mit Variationen
VII: Rondo
Serenade in E-flat Major for 8 winds, K.375
I: Allegro maestoso
II: Menuetto
III: Adagio
IV: Menuetto
V: Allegro
Eine klein Nachtmusik [A Little Notturno] for strings, K. 525
I: Allegro
II: Romanze
III: Menuetto
IV: Rondo

Concert Pieces from the Clarinet Method. Par BAERMANN CARL. The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents. The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes: Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762) Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinet Tune Book 1 and 2 (ED 21763, ED 21764): piano score of the method\'s performance pieces, with additional inserted clarinet part Daily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original method Due to trilingual nature of all editions (German, English, French), they can be used universally. About the revision: The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity. The tune books contain all performance pieces from the Clarinet Method Op. 63 by Carl Baermann for clarinet and piano. Thanks to the revised editions, they are now available as scores with inserted solo part for the first time. Thus, the popular performance pieces and studies can also be used separately from the textbook ? as an addition to the repertoire of music lessons or simply as a collection of attractive performance pieces for pupils and advanced clarinettists. As with the two volumes of the Clarinet Method, the musical text of the tune books is based on the first edition of the method, and only few differences concerning articulation as well as several misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. / Éducatif / Recueil / Clarinette en Bb et Piano

The Symphony No.1 in C Major (Op. 21) was first performed in 1800 and published in 1801. It is scored in four movements: Adagio molto Allegro con brio; Andante cantabile con moto; Menuetto: Allegro moltoe vivace; Adagio Allegro molto e vivace.Ludwig van Beethoven (1770 1827) was a German composer and pianist and arguably the most famous composer of all time. He was the last great figure of the Classicalera and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies 5 Piano Concertos 1 Violin Concerto 32 Piano Sonatas and 16 String Quartets.

Flexible instrumentation for brass woodwind or combined ensemble. Arranged by Haakon Esplo.InstrumentationScorePiano/Organ2 Flutes2 Oboes3 ClarinetsBassoon2 Horns2 Trumpets3 TrombonesTimpaniPercussion1st Violin2nd Violin3rd Violin - in lieu of Viola4th Violin - easyViolaCelloBassDuration: 8 minutes

Beethoven's Symphony #4, like #5, portrays the transition from darkness to light. Despite being scored for a small ensemble and its classical structure the work is brimming with originality and grace - 'a slender Greek maiden' as described by Robert Schumann. / Orchestre

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modernnotation) and guitar (capotasto). Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. Composing a total of seven lute concertos during his lifetime this Concerto in F Major No. 1 is the most popular. It is in three movements: Allegro Adagio and Tempo di Minuetto. In this edition Victor Van Puijenbroeck has created a piano reduction of the orchestral score and also has adapted the lute part to be played on guitar. Included are parts for both lute (the part has been adapted from lute tablature to modernnotation) and guitar (capotasto).

Based on the Critical Edition- Orchestra material on hire. Par MAHLER GUSTAV. Universal Edition continues its new study score standard. These completely redesigned scores offer an unparalleled insight into the music of the last hundred years. Great care has been taken to select the best available content for this journey through music history, and every score has been edited according to the latest quality standards./ Répertoire / Orchestre

String Quartet No.4 by Poul Ruders dating from 2012. Programme Note: It might be of interest for some to note that a gap of only six months separates the writing of my second and third quartets (1979) but a 33 year interval stands between the third and the present piece String Quartet No. 4.Which is in five movements and is about nothing but itself. The first movement 'Adagio - Presto alla breve - Adagio' is an overture of sorts lifting the lid as it were on the odd bit of what happens later on in the other movements.A portal into: The second movement 'Vivo scherzando' which is justthat: a short (2 minutes only) fast and jocular piece leading up to the next movement: 'Adagio sognante' a slow and hushed dream-world paving the way for the pièce de resistance of the entire quartet: 'Presto alla breve' a ferociously fast tour de force for the four players who with that one under their belts can lean back a little (but only a little) and put the whole thing gently to bed in the fifth and final movement: a simple 'Adagio'. Off the record: my first string quartet (1972) has been withdrawn and is no more a fact that renders the numbering of the subsequent quartets a matter of personal conviction. Poul Ruders November 2012

Adagio is a Samuel Barber piece arranged for Violin and Piano by Jerry Lanning. It contains both score and part. This is a solo work of Barber's popular Adagio for Strings.

Outre 4 concertos pour piano Sergei Rachmaninov (1873-1943) a également écrit quelques symphonies. Le solo de clarinette extrait de ladagio de sa deuxième symphonie opus 27 est sans doute lune des plus belles mélodies de cette période.