SKU: BT.BVP1732
Dutch.
Again and again is een bundel met twaalf korte, eenvoudige composities voor piano solo. Je kunt ze spelen vanaf een paar jaar pianoles. Sommige stukjes zijn dromerig van karakter. Andere stukjes klinken juist weer energiek en ritmisch. De stukjes lenen zich uitstekend voor improvisatie: in het boek word je daartoe uitgenodigd.
SKU: WD.080689862120
UPC: 080689862120.
The life-changing story of Jesus' death and resurrection is told from the unique perspective of the Samaritan woman at the well as she is transformed by the sacrificial love of Christ in this passionate new work from Deborah Craig-Claar, Allan Douglas and Phillip Keveren. Two actresses portray the woman called Anna - an older woman who looks back at the Passion events from a post-resurrection perspective, and her younger counterpart who encounters Jesus at the well and joins His followers in Jerusalem during Passion Week. The extraordinary score includes songs written or made popular by today's most accomplished artists, including Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, and Natalie Grant. Phillip Keveren's breathtaking chamber ensemble instrumentation creates an intimate and compelling experience. At only 40 minutes in length and with only two female characters, one male character, and purely optional sets/lights/costumes, Never Thirst Again can be offered by churches of any size or production capability.Includ es songs written or made popular by Michael W. Smith, Keith Getty, Stuart Townend, Matt Maher, Natalie Grant, Tony Wood, Michael Farren, Audrey Assad, and Shelley Johnson. Chamber ensemble instrumentation creates an intimate and compelling experience. Accessible cast requirements: two female characters, one male character - costumes, props, and sets are purely optional. Reader's Theatre script available at www.wordmusic.com. Features early American classics There Is a Fountain and My Song in the Night. Thoughtful benediction, Peace Be with You, or an exuberant and congregational Finale.
SKU: WD.080689752728
UPC: 080689752728.
SKU: HL.49019568
ISBN 9790001193528. UPC: 884088945961. 9.0x12.0x0.14 inches.
Contents: Ah, Holy Jesus * O Sacred Head, Sore Wounded - At the Last Supper * O Man, Thy Grievous Sin Bemoan * O Sorrow Deep! * Good Christians All, Rejoice and Sing! * Christ the Lord is risen again! * Christ Jesus Lay in Death's Strong Bonds * Here Shining is the Splendid Day * Rejoice Now All Christians.
SKU: HL.250021
UPC: 888680713522. 5.0x5.0x0.15 inches.
With hints of soul, country and contemporary Christian, this midtempo ballad tells the story of starting over again following a tragedy. A positive message and a beautiful melody make this ballad a solid choice for any sort of concert.
SKU: HL.250018
UPC: 888680713492. 6.75x10.5 inches.
With hints of soul and country, this midtempo ballad tells the story of starting over again following a tragedy. A positive message and a beautiful melody make this ballad a solid choice for any sort of concert.
SKU: LO.15-1389H
UPC: 000308039931.
The touching poem, Sweet Peril, by Scottish poet George MacDonald has been masterfully integrated into the hauntingly beautiful southern folk tune, Prospect, reflecting the ebb and flow of love from weeping rainö into sunshine again.
SKU: HL.202266
UPC: 888680655860. 5.0x5.0x0.121 inches.
This well-crafted setting for younger and developing choirs extends a heartfelt wish to cherish the special times, offering a perfect way to close any holiday program. And we'll all join hands and remember this moment, 'til the season comes 'round again..
SKU: HL.202264
UPC: 888680655846. 6.75x10.5 inches.
This well-crafted setting for younger and developing choirs extends a heartfelt wish to cherish the special times, offering a perfect way to close any holiday program. “And we'll all join hands and remember this moment, 'til the season comes 'round again.&rdquo.
SKU: BT.DHP-1115119-010
9x12 inches. English-German-French-Dut ch.
It’s Raining Again was pop band Supertramp’s second largest hit, following closely behind The Logical Song. Thanks to Peter Kleine Schaars’ arrangement, you can now perform one of Supertramp’s most popular hits at your next concert. Your audience will be ecstatic! Naast The Logical Song is It’s Raining Again een van de grootste hits van de popgroep Supertramp. Met dit arrangement van Peter Kleine Schaars kunt u nu ook deze tweede grote hit van Supertramp toevoegen aan uw repertoire. Uw publiekis u vast en zeker dankbaar…!< I>It’s Raining Again ist neben The Logical Song einer der größten Hits der Gruppe Supertramp - und einer der größten, dauerhaftesten Hits der Popgeschichte überhaupt. Mit Peter Kleine Schaars’ Arrangements dieses Songs für Blasorchester können Sie nun auch den zweiten großen Supertramp-Hit in Ihr Repertoire aufnehmen. Das Publikum wird es Ihnen danken! It’s Raining Again est après The Logical Song, l’un des plus gros tubes du groupe de rock progressif britannique Supertramp, fondé en 1969. L’arrangement de Peter Kleine Schaars du deuxième plus grand standard de ce groupe subjuguera tous les amateurs de poprock de votre auditoire. It’s Raining Again è assieme a The Logical Song uno dei grandi successi dei Supertramp, leggendaria band americana. Un evergreen, ora disponibile in un eccellente arrangiamento per banda firmato Peter Kleine Schaars.
SKU: HL.49007768
ISBN 9790001083201. UPC: 073999486865. 9.0x12.0x0.093 inches.
High Spirits * As In a Dream * The Surprise * Like a Song * Cycling Around * Waltz * Reminiscence * Spite * Again and Again * Church Modes. Piano Workshop Series Book 2.
SKU: HL.1136474
ISBN 9781705183250. UPC: 196288113492. 9.0x12.0x0.237 inches.
This one-of-a-kind collection arranged by Fred Sokolow features accessible, must-know songs for anyone ready to start playing lap steel guitar, or any player wanting to expand their repertoire. Each song is presented in a combination of tab, standard notation, chords, and lyrics for the most popular songs lap steel players like to play. This collection features songs in several tunings, including open G, open E and C6, in these genres: country, Hawaiian, Western swing, rock/pop, folk, and blues. It also includes many transcriptions of solos by famous steel players. Songs include: Back in the Saddle Again â?¢ Blue Eyes Crying in the Rain â?¢ Can't Help Falling in Love â?¢ Crazy â?¢ Faded Love â?¢ Happy Trails â?¢ I'm So Lonesome I Could Cry â?¢ Mama Tried â?¢ (Ghost) Riders in the Sky (A Cowboy Legend) â?¢ Together Again â?¢ Waikiki â?¢ Walkin' After Midnight â?¢ Won't You Ride in My Little Red Wagon â?¢ Your Cheatin' Heart â?¢ and more.
About First 50
You've been taking lessons, you've got a few chords under your belt, and you're ready to buy a songbook. Now what? Hal Leonard has the answers in its First 50 series. The First 50 series steers new players in the right direction. These books contain easy to intermediate arrangements for must-know songs. Each arrangement is simple and streamlined, yet still captures the essence of the tune.
SKU: WD.080689027277
UPC: 080689027277.
Rober t Sterling's energetic arrangement of Again and Again features a worship leader or soloist and choir, proclaiming the message that our one true purpose is to bring praise to the name of the Lord.
SKU: CF.CM9583
ISBN 9781491154052. UPC: 680160912551. 6.875 x 10.5 inches. Key: Eb major. English. Thomas Moore (1779-1852).
Thomas Moore (17791852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Filld with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasures dream is gone, Its memory lives in Musics breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendships balmy words may feign, Loves are even more false than they; Oh! tis only musics strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.Thomas Moore (1779a1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music a Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fillad with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasureas dream is gone, Its memory lives in Musicas breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendshipas balmy words may feign, Loveas are even more false than they; Oh! atis only musicas strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.Thomas Moore (1779–1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song.We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life?On Music – Thomas MooreWhen through life unblest we rove,Losing all that made life dear,Should some notes we used to love,In days of boyhood, meet our ear,Oh! how welcome breathes the strain!Wakening thoughts that long have slept,Kindling former smiles againIn faded eyes that long have wept.Like the gale, that sighs alongBeds of oriental flowers,Is the grateful breath of song,That once was heard in happier hours.Fill’d with balm the gale sighs on,Though the flowers have sunk in death;So, when pleasure’s dream is gone,Its memory lives in Music’s breath.Music, oh, how faint, how weak,Language fades before thy spell!Why should Feeling ever speak,When thou canst breathe her soul so well?Friendship’s balmy words may feign,Love’s are even more false than they;Oh! ’tis only music’s strainCan sweetly soothe, and not betray.Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
SKU: HL.44012271
UPC: 888680057664. English-German-French-Dut ch.
Looking Up, Moving On was commissioned by the Tokyo Kosei Wind Orchestra and was part of a tour programme they gave in May 2012, a tour which included many areas that had been devastated by the 2011 earthquake and tsunami.The theme of the piece is the powerful ability of mankind to overcome such disasters and look forward to a positive future; it opens in an appropriately optimistic mood, featuring bright orchestral colours and extensive syncopation. A chorale-like fanfare is soon introduced on horns and euphonium, answered by chirpy woodwinds. The mood subsides until an alto saxophone introduces a brief quotation from the composer's The Sun Will RiseAgain, which was written to raise funds for victims of the 2011 disaster. The mood soon changes and the horns introduce a noble theme under woodwind flourishes. This leads to the main Vivo section of the piece which is characterised again by strong syncopations as part of a florid theme in the low woodwinds. This melody undergoes varied development by all sections of the band until the horn fanfare returns triumphally on the brass. This is extended and leads to a faster coda which brings together previous material in counterpoint to close the work in optimistic mood. Looking Up, Moving On is gecomponeerd in opdracht van het Tokyo Kosei Wind Orchestra. Het werk maakte deel uit van een programma uit mei 2012, dat werd uitgevoerd tijdens een tournee waarbij veel regio's werden bezocht die waren verwoest door de aardbeving en tsunami van 2011.Het thema van het werk is het buitengewone vermogen van de mens om dergelijke rampen te boven te komen en vooruit te kijken naar een positieve toekomst. De opening is dan ook optimistisch van karakter, met heldere orkestrale kleuren en een rijkelijke syncopering. Al snel wordt er een koraalachtige fanfare geintroduceerd door de hoorns en het euphonium, waarop een levendig antwoord volgt in dehoutblazerssectie. De sfeer wordt dan steeds kalmer totdat een altsaxofoon een kort citaat laat horen uit een eerder werk van de componist, The Sun Will Rise Again, dat werd geschreven om geld in te zamelen voor de slachtoffers van de ramp uit 2011. De stemming slaat vlug weer om: de hoorns introduceren een nobel thema, dat weerklinkt onder versieringen in het hout. Dit leidt naar het Vivo, het hoofdgedeelte, dat eveneens wordt gekenmerkt door sterke syncoperingen, als onderdeel van een sierlijk thema in het lage hout. De melodie ondergaat een gevarieerde ontwikkeling binnen alle secties van het orkest, totdat de hoornfanfare op triomfantelijke wijze terugkeert in het koper. De fanfare wordt vervolgens verder uitgewerkt en voert ons mee naar een snellere coda, die voorafgaand materiaal in contrapunt samenbrengt en de compositie in optimistische stemming afsluit. Looking Up, Moving Down wurde vom Tokyo Kosei Wind Orchestra in Auftrag gegeben und war Teil des Konzertprogramms einer Tour im Mai 2012, welche viele Gebiete einschloss, die vom Erdbeben und Tsunami im Jahr 2011 zerstort worden waren. Thema dieses Stuckes ist die gewaltige Fahigkeit der Menschheit, uber solche Katastrophen hinwegzukommen und voll Optimismus in die Zukunft zu blicken; es beginnt dementsprechend in einer positiven Stimmung mit strahlenden Orchesterfarben und einer ausgepragten Synkopierung. Schon bald wird eine choralartige Fanfare auf den Hornern und im Euphonium vorgestellt, die von munteren Holzblasern beantwortet wird. Die Stimmung flaut ab, bis einAltsaxophon ein kurzes Zitat aus The Sun Will Rise Again anspielt, das der Komponist zur Spendenbeschaffung fur die Opfer des Unglucks 2011 geschrieben hatte. Kurz darauf folgt ein Stimmungswechsel und die Horner prasentieren ein stattliches Thema, begleitet von Fanfaren in den Holzblasern. Dies fuhrt zum mit Vivo uberschriebenen Hauptteil des Stuckes, der wiederum von starken Synkopierungen gepragt ist, die Teil eines bluhenden Themas in den tiefen Holzblasern sind. Diese Melodie durchlauft eine vielgestaltige Entwicklung durch alle Instrumentengruppen des Blasorchesters, bis das Blech mit der Hornfanfare triumphal zuruckkehrt. Dies wird erweitert und fuhrt zu einer schnelleren Coda, in dem verschiedenes zuvor gehortes Material kontrapunktisch zusammenkommt, um das Werk in einer optimistischen Stimmung zu beenden. Looking Up, Moving On est une commande du Tokyo Kosei Wind Orchestra. Cette piece faisait partie du programme de la tournee effectuee par l'orchestre en mai 2012, qui s'est produit dans de nombreuses regions devastees par le tremblement de terre et le tsunami de 2011.La composition a pour theme l'immense capacite humaine a surmonter de telles catastrophes et envisager l'avenir de facon positive. Elle debute justement dans un climat optimiste comportant de vives couleurs orchestrales et des passages syncopes. Les cors et les euphonium introduisent bientot une fanfare en forme de choral a laquelle repondent des bois petillants. L'ambiance s'apaise jusqu'a ce qu'unsaxophone alto introduise un court extrait de The Sun Will Rise Again, du meme compositeur, une piece ecrite pour collecter des fonds en faveur des victimes du desastre de 2011. Le climat change hativement lorsque les cors introduisent un theme noble par-dessus des fioritures executees par les bois. Vient ensuite la principale section vivo de la piece, qui se caracterise, encore une fois, par des syncopes tres marquees dans le cadre d'un theme fleuri assure dans le registre grave des bois. Cette melodie fait l'objet de divers developpements par tous les pupitres de l'orchestre jusqu'au retour triomphant de la fanfare soutenue par les cuivres. Celle-ci se prolonge pour mener a une coda plus rapide qui rassemble les elements precedents en contrepoint pour clore la piece dans un climat optimiste.
SKU: GI.G-8848
UPC: 785147884804. English. Text by Marty Haugen. Scripture: Philippians 4:4–7, Galatians 5:22–23, Romans 15:13.
This vibrant anthem is a great way to start or end a festive occasion. Presented in a “concertato†structure with brass, timpani, and organ accompaniment, and also offered here as a traditional hymn, this strong melody will be a favorite with your SATB choir and congregation.
SKU: GI.G-8848INST
English. Text by Marty Haugen.
SKU: GI.G-8713
ISBN 9781622770717.
⠜I am not a doctor and cannot legally prescribe any kind of stress-reducing medication for dealing with parents, budgets, students, principals, coaches, dropouts, or whatever else you could add to this list. But I can confidently recommend laughter, often called the best medicine, and my number one recommendation in the laughter field for band directors is any of the five books of Trey Reely. “ —David Newell From the Foreword Nobody gets the life of a band director quite like Trey Reely. His columns in The Instrumentalist magazine have entertained an entire generation of band directors, capturing all the humor and poignant moments like no other writer. Here’s an example from “You Do the Math: Formulas for Disaster†in this volume:                          band director + parent + principal                  band director + parent + principal + superintendent          band director + parent + principal + superintendent + school board band director + parent + principal + superintendent + school board + local media Mr. Holland Rides Again is the newest installment of the Mr. Holland series by Reely, who has been described as “James Thurber, Woody Allen, Art Buchwald, and Dave Barry rolled into a single person.†Laugh along with a seasoned Arkansas band director as he explores “Mozart and Microbes,†“Things to Do with a Broken Music Stand,†“Headlines from the Podium,†and “Bach: The Selected Tweets,†among other enlightening topics. Reely’s unique, rambunctious style is full of wit and wisdom that will reduce any band director’s stress instantly. Mr. Holland Rides Again is chock full of laughter and wisdom that will have you smiling, nodding your head in agreement, and rushing to share with musical friends. Trey Reely is Director of Bands at Riverview High School in Seary AR. His other books include Mr. Holland on the Rebound, and Mr. Holland on the Edge: Even More Tales of Musical Mayhem.
SKU: BT.AMP-337-140
The composer writes:On March 11th 2011 a massive 9.0- magnitude earthquake occurred off the coast of north-eastern Japan.I'm writing these programme notes barely a week later and the death toll caused by the quake and resulting tsunami already exceeds 6000, with thousands of people still unaccounted for. I have many friends associated with many bands throughout Japan and one of these, Yutaka Nishida, suggested I write a piece to raise money to help those affected by the disaster. I was immediately attracted by the idea and have arranged Cantilena (a brass band piece recently commissioned by the Grenland International Brass Festival, Norway) for wind band, giving it a new title tohonour my friends in the Land of the Rising Sun.I will be donating royalties from this piece to the Japanese Red Cross Society Emergency Relief Fund and am delighted to say that my distributors, De Haske, who will generously also donate all net profits from sales of this piece, have pledged a substantial advance payment to the Red Cross so that what little help this project generates can be immediate.It is my sincere wish that this 'Band Aid' project will allow wind bands around the world support the people of Japan, where bands are a way of life for many, in this difficult time.Philip Sparke De componist schrijft:Op 11 maart 2011 vond er vlak bij de noordkust van Japan een enorme aardbeving - 9.0 op de schaal van Richter - plaats.Ik maak deze werkbeschrijving nauwelijks een week later en het aantal doden dat de aardbevingen de daaropvolgende tsunami hebben geëist, komt al uit boven de 6000, terwijl er nog steeds duizenden mensen worden vermist.Ik heb veel vrienden die met orkesten in heel Japan werken, en een van hen, Yutaka Nishida, steldevoor dat ik een stuk zou schrijven om geld bij elkaar te krijgen voor hulp aan de slachtoffers van de ramp. Ik vond het meteen een goed idee en ik heb vervolgens Cantilena ( een brassbandwerk dat ik recentelijk heb gecomponeerd voorhet Grenland International Brass festival in Noorwegen) gearrangeerd voor harmonieorkest en er een nieuwe titel aan gegeven, als eerbewijs aan mijn vrienden in het land van de rijzende zon.De royalty's die ik voor dit werk krijg,zal ik doneren aan het Japanse noodhulpfonds van het Rode Kruis, en ik ben heel blij dat mijn distributeur, De Haske, die eveneens alle nettowinst op dit werk zal doneren, bereid is alvast een grote vooruitbetaling te doen aanhet Rode Kruis, zodat de hulp die uit dit project voortkomt, hoe bescheiden wellicht ook, onmiddellijk in gang gezet kan worden.Ik hoop oprecht dat dit 'Band Aid-project' het blaasorkesten wereldwijd mogelijk maakt de mensen in Japante steunen - een land waar blaasmuziek voor velen een manier van leven is. Der Komponist schreibt über sein Stück:Am 11. März 2011 ereignete sich ein Erdbeben der Stärke 9,0 vor der nordöstlichen Küste Japans.Diese Werkbeschreibung schreibe ich nur eine Woche später. Die Zahl der Todesopfer des Erdbebens und des dadurch ausgelösten Tsunamis überschreitet bereits die 6000, wobei noch tausende Menschen als vermisst gelten.Ich habe zahlreiche Freunde in Japan, die mit vielen Blasorchestern im ganzen Land verbunden sind. Einer dieser Freunde, Yutaka Nishida, schlug mir vor, ein Stück zu schreiben, um mit dem Erlös den von der Katastrophe betroffenen Menschen zu helfen. Ich war gleich begeistert von dieser Idee und habe daraufhin Cantilena(ein Brass-Band-Stück, das ich jüngst für das Grenland International Brass Festival in Norwegen komponierte) für Blasorchester bearbeitet und ihm zu Ehren meiner Freunde im Land der aufgehenden Sonne einen neuen Titel gegeben.Ich werde meine Tantiemen für dieses Stück dem Hilfsfonds des Japanischen Roten Kreuzes spenden. Ich bin auch sehr froh, dass mein Verlag De Haske, der ebenfalls alle Erlöse aus diesem Stück spenden wird, dem Roten Kreuz bereits im Voraus eine bedeutende Summe geschickt hat, damit der kleine Beitrag, den dieses Projekt beitragen kann, sofort ankommt.Es ist mein inniger Wunsch, dass dieses Band Aid“-Projekt Blasorchestern auf der ganzen Welt ermöglichen wird, den Menschen in Japan zu helfen, wo Blasorchester in dieser schweren Zeit für viele ein Weg sind, das Leben aufrecht zu erhalten.“Philip Sparke & #65279;Le 11 mars 2011, un violent séisme de magnitude 9.0 s’est produit près de la côte nord-est du Japon. J⠙écris cette note de programme tout juste une semaine après la terrible catastrophe, et le nombre de morts causé par le tremblement de terre et le tsunami provoqué par ce dernier, s’élève déj plus de 6000 personnes, tout en sachant que des milliers d’autres sont toujours portées disparues. J ’ai beaucoup d’amis dans le milieu des Orchestres Vent au Japon et l’un d’entre eux, Yutaka Nishida, m’a suggéré d’écrire une œuvre destinée collecter des fonds pour venir en aide aux personnes affectées par ce cataclysme. Ayant étéimmédiatement séduit par sa proposition, j’ai écrit un arrangement pour Orchestre d’Harmonie de la pièce Cantilena (une œuvre pour Brass Band récemment commandée par le Grenland International Brass Festival, en Norvège), et lui ai donné un nouveau titre en hommage mes amis du Pays du Soleil Levant : The Sun Will Rise Again (Le soleil se lèvera nouveau). Je reverserai l’intégralità des droits d’auteur de ce morceau au fonds de secours de la Croix-Rouge japonaise. En outre, je suis ravi d’annoncer que mon distributeur De Haske, qui a généreusement décidé de donner tous les bénéfices nets sur les ventes de cette œuvre, s’est engagé effectuer immédiatement un versement substantiel la Croix-Rouge afin que le Japon puisse profiter sans délai de l’aide modeste générée par ce projet. Jâ ™espère très sincèrement que celui-ci permettra aux Orchestres Vent du monde entier de soutenir le peuple japonais, pour qui la musique joue un rôle important, en ces temps difficiles. Philip Sparke La recente tragedia del Giappone, messo in ginocchio dal terremoto, ha spinto Philip Sparke a comporre The Sun Will Rise Again (Il sole sorger nuovamente), un brano che vuole essere un messaggio di solidariet al popolo nipponico, ma anche un aiuto concreto: gli introiti saranno interamente devoluti, sia dal compositore sia dalla casa editrice De Haske, alla Croce Rossa giapponese.
SKU: OT.23131
ISBN 9789655050882. 8.27 x 11.69 inches.
Mike WitkerkOrange Republic, Feeling Young Againfor Bb Clarinet or Soprano Sax and pianoThe two pieces Orange Republic and Feeling Young Again for clarinet or soprano sax and piano are the first offering of OR-TAV's Nice and Easy to Play series.OR-TAV's NICE and easy to play series is designed for the musician's pleasure. If you are looking for music for a recital, or just to have fun, you will find interesting material here. Each accessibly priced album includes two new pieces.Mike Witkerk is a South African composer of Russian origin, now living in Israel. His performances include appearances with Michael Jackson, Chris deBurgh, Stevie Wonder and Cliff Richard. His compositions range from classical jazz to modern. He enjoys creating compositions that present new ideas and sounds.