Album Flamenco Guitar

With Online Audio-This is a superb collection of 8 original flamenco concert Guitar solos and two exciting Guitar quartets. The selections feature Juan Serrano's usual technical brilliance and capture the vitality fire and haunting Moorishmoods characteristic of flamenco music. All solos are in notation and tablature. Selections include: Ensueno (Petenera for Four Guitars); Flamenco Dance (Sevillanas for Four Guitars); Canto Minero (Taranto); Mantillas deFeria; Capricho de Huelva (Fandangos); Alma (Bulerias in A minor); Andalucian Dance (Tanguillo); Blazing Guitar (Rumba); Memory of Love (Bolero); Ana Maria (Tientos). All of the solos are on the audio but the quartets are not.Includes access to online audio.

Par MARTIN JUAN. Juan Martin's internationally-acclaimed series which reveals the art of playing the flamenco Guitar. A video series of six lessons is now presented on two DVDs with a total duration of three hours. Juan Martin explains and demonstrates the essential techniques and rhythmic forms of flamenco Guiar playing in six lessons, designed for all players from beginning to advanced. The lessons show you in detail many varieties of basic rhythms which form the foundation of flamenco Guitar styles. They also give a wealth of traditional and modern flamenco solos, accurately transcribed into music notation and easy-to-follow 'cifra' tablature, all presented in a video series of six lessons. In this way you learn not only how to play but also what to play, as the lessons build into a substantial repertoire of flamenco music. Juan Martin is a Guitarist in the great tradition of flamenco. From early beginnings immersed in the flamenco culture of Andalucia, he mastered the skills of accompanying flamenco singers and dancers before his emergence as an innovative soloist, who is now an internationally-celebrated concert and recording artist with many albums to his credit. / Niveau : Débutant à Intermédiaire / Date parution : 2008-10-27/ Méthode / Guitare Classique

Conteniendo estudios de acordes tremolos arpegios picados escalas del pulgar y horquilla rerlacionados con los toques flamencos.

This collection contains 15 beautiful flamenco Guitar solos written by experienced guitarist and composer Mel Agen. Perfect for teachers students and soloists the pieces in this book are all written in both notationand tab and would make excellent choices for performance or recital. Flamenco Music For Acoustic Guitar includes downloadable audio tracks featuring all of the pieces performed by Ben Bolt.

Par MARTIN JUAN. Four exciting concert solos for flamenco guitar from Juan Martín's best-selling album 'The Andalucian Suites'. This is the first of the four suites on the album. These suites are transcribed into standard notation and flamenco tablature (cifra), with introductory playing notes by Juan Martín. The four solos on the accompanying CD are performed by Juan. The complementary and contrasting variety of styles and rhythms of the four solos provide a brilliant display of Juan's artistry and the expressive capabilities of the flamenco guitar. Each solo is complete in itself. A powerfully evocative Zambra Mora is followed by the much-requested rumba 'La Feria', then a gently melancholic Milonga and finally a thrilling Bulerías, which combines modern elements with pure gypsy falsetas from Moron del la Frontera. These solos provide an exceptional opportunity to learn and enjoy the music of a master flamenco guitarist, whose two volumes of graded 'Solos Flamencos' are already Mel Bay best-sellers. / Niveau : Intermédiaire / Flamenco - Solos / Tablatures / Guitare Tablatures Classique

Guitar transcriptions to the album with 13 pieces: Barcelona Nights · Heart Still/Beating · Passing Storm · Santa Fe · Surrender 2 Love · 3 Women Walking · 2 The Night · Waiting 4 Stars 2 Fall · and more.

Albeniz's?Asturias?has become one of the most important works of the classical Guitar repertoire however it was originally written for for the solo Piano.Despite its misleading title which refers to the northern Spanish region of Asturias and was given to it posthumously by the German publisher Hofmeister this virtuoso piece is pure Andalusian flamenco. The main theme mimics the Guitar technique of alternating the thumb and fingers of the right hand while the ???marcato???/'staccato??? markings suggest the footwork of a flamenco dancer.Another flamenco style the malague?a is detectable inthe middle section.After a short return to the theme the piece concludes in a slow ???hymn-like???passage.Noted for the delicate intricate melody of its middle section and abrupt dynamic changes this challenging piece is a favourite welcome by musicians and audiences alike!

New and Well-Known Pieces - Erste Stücke. Par COLES PAUL. Vol. 1 of Paul Coles’ “Classical Guitar Album“ contains 43 original, preparatory pieces including some well-known melodies for the developing player. Our author used accessible keys for all pieces and many classical guitar techniques so that practicing – whether in class or at home – is easy and makes fun. He also introduces playing techniques from different styles such as Flamenco. All three volumes include helpful playing instructions, fingering suggestions for both hands as well as a glossary of technical terms. / Recueil / Guitare

Etude de Style-La vie et l''uvre de Sabicas sont un éclatant démenti du dogme selon lequel il faudrait être andalou pour prétendre jouer du flamenco «authentique» : l'un des plus extraordinaires guitaristes et compositeurs de l'histoire du flamenco est navarrais et a passé la plus grande partie de sa vie aux Etats-Unis. C'est d'ailleurs sans doute ce long «exil» qui explique que Sabicas ait été le premier tocaor à se consacrer essentiellement au concert soliste. Sa discographie en ce domaine malgré cellesde Paco de Lucía ou de Manolo Sanlúcar reste de loin la plus abondante. Afin de rendre compte au mieux de la versatilité et de l'art du compositeur il nous a semblé indispensable de lui consacrer deux volumes de notre collection. Le premier etprésent volume («Temas de concierto») porte sur des pièces inspirées du folklore ibérique ou de formes marginales du répertoire flamenco. Le second («Temas flamencos») est constitué de «palos» fondamentaux tels les Alegrías Bulerías Fandangos Siguiriyas Soleares Enfin le CD reprend tous les exemples présentés afin de faciliter votre compréhension et votre assimilation.

This book was written for the student who wants to learn to play flamenco Guitar correctly in the shortest time possible. A fanciful historical essay on the origins of the flamenco style begins this modest 32-page volume.Several of the most common techniques are used in the various introductory pieces including various forms of Rasgueados and the 4-note tremolo.Classical guitarists with 1-2 years of experience will enjoy these challengingexercises and pieces. All studies and solos are shown in notation and tablature and are included on the online audio download.

Estudio de Estilo-The life and work of Sabicas contradicts the widespread idea that you have to be Andalusian to play flamenco. Sabicas an exceptional guitarist and composer in the history of flamenco lived most of his life in America. This long 'exile' explains without doubt why Sabicas was the first flamenco guitarist essentially playing solo concerts. His large concert discography exceeds that of Paco de Luc a and Manolo Sanlúcar. This is one of two volumes that focus on Sabicas varied works. This volume (Temas Flamencos) covers the fundamentals of Buler as fandangos the Siguiriyas the Soleares etc. The first volume (Temas De Concierto) isfocused on Sabicas works inspired by the Iberian folklore or some marginal forms of flamenco repertoire.