SKU: CF.PPS50F
ISBN 9781491152621. UPC: 680160910120.
Amber moons are beautiful and rare full moons, created when the sun is high in the sky and directly opposite the moon. Amber Moon begins with an opening fanfare, then moves into the first theme based on this fanfare. A second statement of the theme is repeated softly, followed by a lyrical secondary theme in the woodwinds. Variations follow this statement, and cyclically, like the comings and goings of the Moon and Sun, the piece concludes with a return to the initial theme.Amber moons are very beautiful and rare full moons, created when the sun is high in the sky and directly opposite the moon. They appear unusually large and low on the horizon with a deep, rich honey color and are believed to be signs of blessing and good luck. Amber Moon begins with an opening fanfare, then moves into a first theme based on this fanfare. A second statement of the theme is repeated softly, followed by lyrical second theme in the woodwinds. Variations follow this statement and a return to theme one concludes the piece.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.Peter Terry, 2018.
SKU: CF.PPS50
ISBN 9781491151945. UPC: 680160909445.
Amber moons are beautiful and rare full moons, created when the sun is high in the sky and directly opposite the moon. Amber Moon begins with an opening fanfare, then moves into the first theme based on this fanfare. A second statement of the theme is repeated softly, followed by a lyrical secondary theme in the woodwinds. Variations follow this statement, and cyclically, like the comings and goings of the Moon and Sun, the piece concludes with a return to the initial theme.Amber moons are very beautiful and rare full moons, created when the sun is high in the sky and directly opposite the moon. They appear unusually large and low on the horizon with a deep, rich honey color and are believed to be signs of blessing and good luck.  Amber Moon begins with an opening fanfare, then moves into a first theme based on this fanfare. A second statement of the theme is repeated softly, followed by lyrical second theme in the woodwinds. Variations follow this statement and a return to theme one concludes the piece.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.Peter Terry, 2018.
SKU: FJ.FJH2311
ISBN 9781619282223. UPC: 241444387412. English.
Book 2 packs a punch with nine original solos that are fun to practice, play and perform! Students will want to play every piece in this interesting and varied collection.
SKU: HL.14047789
8.25x11.75 inches.
This is the study score for Simon Holt 's An Icicle Of Moon , a work for Orchestra. The piece was commissioned by Bamberger Symphoniker and its first performance was on 31st October 2014 at the Joseph-Keilberth-Saal, Bamberg. A full performance of the work lasts around 6 1/2 minutes. The title of this work is taken from a phrase from a poem by Federico Garcia Lorca.
SKU: HL.14033503
ISBN 9788759877609. Danish.
This Night Of No Moon for Ensemble was composed by Bent Sorensen in 1998-99. Programme Note: The title THIS NIGHT OF NO MOON is taken from the haiku poem by the female Japanese writer Ono No Komachi (834-880), about the emptiness without one's beloved - the night without a moon - the night without hope. In this piece songs and melodies are hidden - songs and melodies for this title and for other Haiku poems by the same poet. The piece is in four movements and is commissioned Michio Nakajima Mirrk Art Forum for BIT-20. (Bent Sorensen).
SKU: SU.80101454
Set includes 2 performance scoresMoon Marked (2016) was written for trumpeter Chris Gekker. A figure (acciaccatura-like) is heard at the very start of the work. It forms the basis of the piece's musical material. The loose poetic image behind the music is one of internal transformation after passing through a shared experience. Some astronauts have commented on how they are forever changed by their interstellar voyages and that their life back on earth is not quite the same. After the largely energetic opening section, two slower inner sections explore different landscapes; in the second of these sections, the two instruments are uncoordinated metrically (freely floating in their own space). The opening music returns, but with differences this time. Instrumentation: Clarinet and Trumpet Duration: 6' Composed: 2016 Published by: Zimbel Press.
SKU: PR.11140240S
UPC: 680160671489. 9 x 13.5 inches. Text: Haim Gouri; Shlomo Ibn Gvirol; Almog Behar; Albert Giroux; Samuel Menashe; Yehuda Halevi; Shmu'el Hanagid. Various.
Ran was asked for a new work for Mimi Stillman's Dolce Suono Ensemble and their Mahler/Schoenberg 2012 concert series. Creating a piece that would be at once an homage and a companion piece to Schoenberg's Pierrot Lunaire was an intriguing challenge. Ran ultimately chose poems and excerpts that reference the moon in a riveting performance setting for flute (doubling piccolo), piano, cello, and soprano/narrator/actress. With English and Hebrew texts, Moon Songs consists of four acts with two entr-actes. Extensive program notes and performance notes are included. Ran advises, Demanding as her sung part is, the singer...needs to be as much an actress as a singer.
SKU: PR.111402400
ISBN 9781598064865. UPC: 680160613137. 9 x 13.5 / 9 x 12 inches. Text: Almog Behar; Yehuda Halevi; Shlomo Ibn Gvirol; Haim Gouri; Samuel Menashe; Albert Giroux; Shmu'el Hanagid. Various.
SKU: SU.80119900
A Crucible for the Moon (1986) for high soprano, alto saxophone, and percussion ensemble (7 players) is a cantata set to an original text by the composer. This work has been recorded by Anne Tedards, soprano; David Matthew, saxophone; The University of Oregon Percussion Ensemble; Charles Dowd, conductor, on Soundspells Productions CD129: Moon Music 2000. Published by: Soundspells Productions.
SKU: OU.9780193530126
ISBN 9780193530126. 12 x 8 inches.
The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble, broadening its reach to smaller ensembles.
SKU: OU.9780193530133
ISBN 9780193530133. 12 x 8 inches.
The Moon is Flashing was originally scored for tenor solo and full orchestra, but has here been rescored for chamber ensemble.This set of parts contains parts for clarinet, violin, cello, and piano. The tenor soloist should use the full score available separately.
SKU: PR.114422610
ISBN 9781491134351. UPC: 680160684724. 9 x 12 inches.
Combining his graceful charm with occasional surprises, Gary Schocker has added 12 more Christmas favorites to flute players’ repertoire for Christmas concerts and church services. Two duet scores are provided in the publication.The 12 DUETS OF CHRISTMAS contents are:1. Il est né, le divin enfant2. Tu scendi dalle stelle (O Bambino)3. See, Amid the Winter’s Snow4. We Three Kings5. Wexford Carol6. ‘Twas in the Moon of Wintertime7. O Come, O Come, Emmanuel8. Baloo, Lammy9. In the Bleak Midwinter10. Cand Iisus sa nascut11. Entre le bœuf et l’âne gris12. Angelus ad Virginem.
SKU: HL.48011418
UPC: 073999837377. 9.0x12.0x0.135 inches.
Contents: The Tadpole's Tale * Alastair Arbuthnot Has No Hat * Trot Along * Tweedledum and Tweedledee * Pizzicato Pie * If All the World Were Paper * G String March * Over the Moon * Polka * Mad as a Hatter * On the Ice * Li'l Liza Jane * Dance to your Daddy * The First Waltz * Chicken-Feed * Octopiece * Flag Dance * Promenade * Hungarian Folk Song * Drink to Me Only * Square Dance * Cossack Lullaby * Whirlpool Waltz * Rigadoon * Minuet and Trio * Landler * Christ Church Bells.
SKU: HL.14021805
ISBN 9788759878378. Danish.
Per Norgard's Moon Shadow (Majmanemusik) - for Violin solo, or Violin and Piano Duo, or Violin, Cello and Piano Trio. Dedicated Maj Kullberg.
SKU: CF.FPS114F
ISBN 9780825896200. UPC: 798408096205. 9 x 12 inches.
Moon Song and Tribal Dance is a two part composition for the developing band that is written to depict sounds of Native American music. It starts out lush, mysterious, and choral-like, then leads into a tribal dance. The percussion gets a chance to shine in this piece. Perfect for the end of the year concerts or at festivals.
SKU: HL.278679
10.5x14.5 inches.
Always Look At The Bright Side Of The Moon (2017) for Flute, Saxophone, Percussion & Guitar. Dedicated to ensemble NJYD. Spiral-bound score. Parts available: WH33011A.
SKU: HL.48011419
UPC: 073999173598. 9.0x12.0x0.07 inches.
SKU: PR.14440687S
UPC: 680160639434. 9 x 12 inches. Text: Paula Gunn Allen. Paula Allen. Text by Paula Gunn Allen.
A dynamic and heartfelt setting of text by Native American poet Paula Gunn Allen, What the Moon Said is a multifaceted affair, reflecting its source. Scored for baritone with string quartet, a piano reduction is also available.
SKU: HL.49046418
ISBN 9781540090560. UPC: 842819110736.
In the center of this work is the melody of the middle section Moon reflected on the Erquan Spring (Erquan Yingyue) composed 1949 bythe blind Erhu player Hua Yanjun. The melody rapidly spread throughout China and became a cultural symbol throughout the world. Asian conductor Seiji Ozawa heard it in 1978 saying that one can appreciate it only on bended knees.
SKU: HL.278678
9.5x14.5 inches.
Set of parts for Always Look At The Bright Side Of The Moon (2017) for Flute, Saxophone, Percussion & Guitar. Dedicated to ensemble NJYD. Score available: WH33011.
SKU: PR.141400940
UPC: 680160639571. 9 x 12 inches. Text: Paula Gunn Allen. Paula Allen.
A dynamic and heartfelt setting of text by Native American poet Paula Gunn Allen, What the Moon Said is a multifaceted affair, reflecting its source. Piano reduction; Baritone with string quartet is also available.This 9-minute work is a setting of the beautiful and evocative poem of the same name by NativeAmerican poet Paula Gunn Allen. Lauren Bernofsky was drawn to its strong, yet changing, moods.The resulting piece moves through several characters: lonely and austere; angry; warm and content;reflective. In between each mood the music returns to an echo of the opening austere music, tyingthe piece together into an enchanting whole. The composer herself is a violinist, and so the stringwriting is idiomatic and highly effective.
