| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440265S Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 25 minutes.
Merion Music #144-40265S.
Published by Merion Music
(PR.14440265S). UPC:
680160027910. The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. An
annunicatory 'leaping
motive' (derived from a
motto generated by my
name) opens Quartet No. 2
and inhabits the course
of the piece as a
cyclical binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
'grammar' spoken tends to
recall the jazz world of
my youth. To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms. The
first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The second
movement is a set of
strophic variants and an
epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
'call-and-response.' It
is dedicated to the
memory of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto. All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For example,
the climax of movement
III's Rondo throws the
first movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. The Second and
Third Quartets were
conceived at the same
time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.Â
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and gentler.An
annunicatory
‘leaping
motive’ (derived
from a motto generated by
my name) opens Quartet
No. 2 and inhabits the
course of the piece as a
cyclical
binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
‘grammar’
spoken tends to recall
the jazz world of my
youth.To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms.Â
The first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The
second movement is a set
of strophic variants and
an epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
‘call-and-response.
’ It is
dedicated to the memory
of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto.All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For
example, the climax of
movement III’s
Rondo throws the first
movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My heart is inditing. Coronation Anthem IV Carus Verlag
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526109 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526109
Composed by George
Frideric Handel. Edited
by Alon Schab. Set of
Orchestra Parts. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526109. Published by
Carus Verlag
(CA.5526109). ISBN
9790007310981.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $33.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| O Come, Emmanuel Shawnee Press
Choral (Studiotrax CD) SKU: HL.35027258 From The Voices of Christmas(+)
Choral (Studiotrax CD)
SKU: HL.35027258
From The Voices of
Christmas. Composed
by Joseph M. Martin.
Harold Flammer Christmas.
Advent, Christmas Sacred.
CD only. Published by
Shawnee Press
(HL.35027258). UPC:
884088492953. 5x5 inches.
Words and Music by Joseph
M.
Martin. Uses:
Advent
Scriptur
e: Isaiah 42:10;
Psalm 96
The
sorrowful journey of a
people in search of hope,
there is a deep longing
in the character of the
theme and through it we
are reminded of our own
need for a Savior. There
is an opportunity for a
solo to add an intimate
ambience to the opening
and enhance the
expressiveness of the
presentation. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Lake Flûte, Basson et Piano - Avancé Forton Music
Composed by Nicole Buetti. Score and Parts. Published by Forton Music (FT.FM654)...(+)
Composed by Nicole
Buetti. Score and Parts.
Published by Forton Music
(FT.FM654).
$12.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| My heart is inditing. Coronation Anthem IV Carus Verlag
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526103 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526103
Composed by George
Frideric Handel. Edited
by Alon Schab. Vocal
score. Composed 1727. HWV
261. Duration 12 minutes.
Carus Verlag #5526103.
Published by Carus Verlag
(CA.5526103). ISBN
9790007252106.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $12.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525911 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525911 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525911.
Published by Carus Verlag
(CA.5525911). ISBN
9790007311070.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Haunted Tree Piano seul Willis Music
Early Intermediate Level. By William L. Gillock. Arranged by William L. Gillock....(+)
Early Intermediate Level.
By William L. Gillock.
Arranged by William L.
Gillock. Willis. Size
9x12 inches. 4 pages.
Published by Willis
Music.
$2.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Zadok the priest. Coronation Anthem I Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525813 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp SKU:
CA.5525813 Composed
by George Frideric
Handel. Edited by Alon
Schab. Single Part,
violin 3. Composed 1727.
HWV 258. Duration 6
minutes. Carus Verlag
#5525813. Published by
Carus Verlag
(CA.5525813). ISBN
9790007311018.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| What Wondrous Love Is This CD Chorale Brookfield Press
Choral (ChoirTrax CD) SKU: HL.130745 Composed by American Folk Hymn. Arra...(+)
Choral (ChoirTrax CD)
SKU: HL.130745
Composed by American Folk
Hymn. Arranged by John
Leavitt. Brookfield
Choral Series. All Saints
Day, Anthem, Communion,
Easter, General Worship,
Good Friday, Holy Week,
Lent, Maundy Thursday,
Sacred. CD. Duration 205
seconds. Published by
Brookfield Press
(HL.130745). UPC:
888680022631.
5.0x5.0x0.185
inches. Uses: Lent,
Holy Week, Maundy
Thursday, Good Friday,
Communion, All Saints
Scripture: John 3:16;
John 15:13 A true
American hymn classic is
given special attention
in this sensitive
treatment. Unfolding
gradually with expansive
phrases and thoughtful
harmonies, the organic
qualities of the text and
melody are gracefully
presented in the choral
writing. The optional
chamber orchestration is
a truly inspiring
addition to the spiritual
and musical ambience of
the piece. Moving! Score
and Parts (fl 1-2, ob, cl
1-2, bn, perc 1-2, hp, vn
1-2, va, vc, db)
available as a digital
download. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Steal Away Chorale SATB SATB A Cappella Hal Leonard
Arranged by John Leavitt. Sacred Choral. A Cappella, Sacred. Octavo. 8 pages. ...(+)
Arranged by John Leavitt.
Sacred Choral. A
Cappella,
Sacred. Octavo. 8 pages.
Published by Hal Leonard
$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525900 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525900 Composed
by George Frideric
Handel. Edited by Alon
Schab. Carus digital:
Extra digital products.
Full Score. Composed
1727. HWV 259. Duration 8
minutes. Carus Verlag
#5525900. Published by
Carus Verlag
(CA.5525900). ISBN
9790007252014.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$26.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Longest Night Shawnee Press
StudioTrax CD (accompaniment only) Choral (Studiotrax CD) SKU: HL.35031585(+)
StudioTrax CD
(accompaniment only)
Choral (Studiotrax CD)
SKU: HL.35031585
A Winter Service of
Hope and Healing.
Composed by Joseph M.
Martin. Shawnee Sacred.
Advent, Cantata,
Christmas,
Christmas/Advent Sacred,
General Worship, Sacred,
Winter. CD. Duration 2100
seconds. Published by
Shawnee Press
(HL.35031585). ISBN
9781495091841. UPC:
888680675370. 5.0x5.0x0.2
inches. The Longest
Night is a unique winter
service of devotion that
has a very special
ministry focus. This
introspective smaller
work is intended to be a
worship experience that
encourages those going
through times of sorrow
and grief during the
holidays. Inspired by the
solstice, winter's
longest night, this
service of music,
scripture and prayer
brings light into the
darkness and offers hope
to those in deepest need.
A small consort
orchestration adds a
fragile intimacy and
brings a healing ambience
to this singular service
of song. Songs include:
Prelude (In the Bleak
Midwinter); Be Still and
Know; The Winter Weeps in
Snowfall; He Shall Feed
His Flock; The Healing
Place; I Thank My God for
You; In the Bleak
Midwinter. Score and
Parts (fl, ob/eng hn, fr
hn, vibes, pno, vn, vc)
available as a Printed
Edition and as a digital
download. $59.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Wilderness of Wandering Chorale SATB Shawnee Press
Choral (SATB) SKU: HL.1108733 Composed by Victor C Johnson. Shawnee Sacre...(+)
Choral (SATB) SKU:
HL.1108733 Composed
by Victor C Johnson.
Shawnee Sacred. Easter,
Lent. Octavo. Duration
255 seconds. Published by
Shawnee Press
(HL.1108733). ISBN
9781705178119. UPC:
196288103585.
6.75x10.5x0.029 inches.
Deuteronomy 2:7, Matthew
4:1-25, Psalm
107:4. This
reflection is an
excellent choice for the
beginning of Lent as we
contemplate our spiritual
journey. Set in minor,
the theme rises and falls
like a gentle prayer,
simply at first, then
enriched by full chords.
The delicate piano
writing adds a sonic
ambience to the work. $2.20 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The King shall rejoice. Coronation Anthem III Carus Verlag
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526011 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526011
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, violins 1 and 2.
Composed 1727. HWV 260.
Duration 11 minutes.
Carus Verlag #5526011.
Published by Carus Verlag
(CA.5526011). ISBN
9790007310936.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Ambience Ensemble de Percussions [Conducteur et Parties séparées] - Débutant Drop6 Media
| | |
| It Was on a Silent Night Chorale 3 parties SAB Shawnee Press
Composed by Rebecca Gruber Hogan and Richard A. Nichols. Shawnee Sacred. Chris...(+)
Composed by Rebecca
Gruber
Hogan and Richard A.
Nichols.
Shawnee Sacred.
Christmas,
Sacred. Octavo. 12 pages.
Published by Shawnee
Press
$2.10 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Love's Way Shawnee Press
Choral (Studiotrax CD) SKU: HL.35031202 Composed by Joseph M. Martin. Sha...(+)
Choral (Studiotrax CD)
SKU: HL.35031202
Composed by Joseph M.
Martin. Shawnee Sacred.
Anthem, General Worship,
Love, Sacred, Wedding.
CD. Duration 275 seconds.
Published by Shawnee
Press (HL.35031202).
UPC: 888680640736.
5.0x5.0x0.155
inches. Uses:
General, Wedding
Scripture: Luke 6:31;
Romans 12:9; I
Corinthians 13:4-8 The
Word becomes song in this
scripture-based anthem
for choirs seeking an
expressive vehicle for
worship. A melodically
pleasing gesture with
wide intervals opens
simply before taking on a
rich and effective
harmonization. A
significant developmental
B section explores the
color of the choir and
builds to a passionate
restatement of the main
theme. The lush
orchestration adds
greatly to the overall
sonic ambience, making
this a stellar choice for
concert presentations.
Score and Parts (fl 1-2,
ob, cl 1-2, bn, hn 1-2,
tpt 1-3, tbn 1-2,
btbn/tba, timp, perc 1-2,
hp, pno, vn 1-2, va, vc,
db) available as a
digital download. $26.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Squid Sarabande Ensemble de Flûtes [Conducteur et Parties séparées] - Intermédiaire/avancé BRS Music
By Mark Ballora. For flute choir. Grade 4. Score and parts. Duration 5 minutes 1...(+)
By Mark Ballora. For
flute choir. Grade 4.
Score and parts. Duration
5 minutes 11 seconds.
Published by BRS Music
$25.00 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| My heart is inditing. Coronation Anthem IV Carus Verlag
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526119 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526119
Composed by George
Frideric Handel. Edited
by Alon Schab. Set of
Orchestra Parts. Composed
1727. HWV 261. Duration
12 minutes. Carus Verlag
#5526119. Published by
Carus Verlag
(CA.5526119). ISBN
9790007311124.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $137.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The King shall rejoice. Coronation Anthem III Carus Verlag
Coro SAATBB, 3 (2) Vl, Va, Bc, 2 Ob, 3 Tr, Timp SKU: CA.5526019 Composed ...(+)
Coro SAATBB, 3 (2) Vl,
Va, Bc, 2 Ob, 3 Tr, Timp
SKU: CA.5526019
Composed by George
Frideric Handel. Edited
by Alon Schab. Set of
Orchestra Parts. Composed
1727. HWV 260. Duration
11 minutes. Carus Verlag
#5526019. Published by
Carus Verlag
(CA.5526019). ISBN
9790007310974.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. The
King shall rejoice was
probably played during
the crowning of the king
in London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $145.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Labyrinth Theodore Presser Co.
Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon,...(+)
Band Bass Clarinet, Bass
Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Euphonium, Flute,
Horn, Keyboard, Oboe,
Percussion, Piccolo,
Timpani, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone, soprano
Saxophone, tenor
Saxophone and more.
SKU: PR.11540425S
Composed by Carter Pann.
Study Score. 92 pages.
Duration 26 minutes.
Theodore Presser Company
#115-40425S. Published by
Theodore Presser Company
(PR.11540425S). UPC:
680160688142. MyÂ
work Labyrinth for
Ithaca College could have
easily been titled as my
Third Symphony. The work
is larger in scope than
every other work of mine
for winds, save perhaps
my first symphony. The
piece is cast in two main
parts, each consisting of
two movements. As it
happened I wrote the
movements backwards
(fitting for something
called Labyrinth). The
size of the band is on
par with that of Karel
Husa’s Music for
Prague 1968 with one
exception, there is an
electric keyboard part
which lends certain
moments in the piece an
other-worldly ambience...
sounds that are
altogether different from
anything possible from
acoustic instruments. At
the risk of sounding
obvious or mundane, I had
two words floating around
my brain during the
composing of this work
— HUGE and
melodic. My
predisposition to create
inherently melodic music
is inescapable at this
point in my composing
career. This is the kind
of music I have
gravitated towards since
beginning at the piano so
long ago. I don’t
write ambient or spectral
music, nor do I write
music replete with
extended techniques. The
crafting of melodies with
gravitas has always made
my process of composing
the most satisfying. The
very last movement of
Labyrinth is a gargantuan
crescendo the likes of
the last movement of
Respighi’s The
Pines of Rome or
Ravel’s Bolero and
should leave the audience
and players sonically
drenched by the end.
I’m so honored to
have this opportunity to
compose for Ithaca
College’s 50th
Anniversary of that
seminal work of Karel
Husa’s. I have
known Music for Prague
1968 as long as
I’ve known serious
music for winds. It is my
aim that every moment of
Labyrinth offers the
players as much to bite
their teeth on as it
leaves the audience in
its throng from start to
finish. -CP. $46.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Let thy hand be strengthened. Coronation Anthem II Carus Verlag
Coro SAATB, 2 Vl, Va, Bc, 2 Ob SKU: CA.5525912 Composed by George Frideri...(+)
Coro SAATB, 2 Vl, Va, Bc,
2 Ob SKU:
CA.5525912 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
259. Duration 8 minutes.
Carus Verlag #5525912.
Published by Carus Verlag
(CA.5525912). ISBN
9790007311087.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Let
thy hand be strengthened
was probably performed at
the beginning of the
coronation ceremony in
London's Westminster
Abbey.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report.
p>
$5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Zadok the priest. Coronation Anthem I Carus Verlag
Coro SSAATBB, 3 Vl, Va, Bc, 2 Ob, 2 Fg, 3 Tr, Timp SKU: CA.5525811 Compos...(+)
Coro SSAATBB, 3 Vl, Va,
Bc, 2 Ob, 2 Fg, 3 Tr,
Timp SKU:
CA.5525811 Composed
by George Frideric
Handel. Edited by Alon
Schab. Composed 1727. HWV
258. Duration 6 minutes.
Carus Verlag #5525811.
Published by Carus Verlag
(CA.5525811). ISBN
9790007310998.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. Zadok
the priest was performed
for the anointing of the
new King and more
recently for the
coronation of Charles III
in 2023.For the
Carus edition, available
either individually or as
a set, musicologist,
composer and flutist Alon
Schab has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| My heart is inditing. Coronation Anthem IV Carus Verlag
Coro SAATB, 2 Ob, 3 Tr, Timp, 3 (2) Vl, Va, Bc SKU: CA.5526112 Composed b...(+)
Coro SAATB, 2 Ob, 3 Tr,
Timp, 3 (2) Vl, Va, Bc
SKU: CA.5526112
Composed by George
Frideric Handel. Edited
by Alon Schab. Single
Part, Violin 2 and 3.
Composed 1727. HWV 261.
Duration 12 minutes.
Carus Verlag #5526112.
Published by Carus Verlag
(CA.5526112). ISBN
9790007311148.
English. Music for
the ages: the coronation
anthems Zadok the priest,
Let thy hand be
strengthened, The King
shall rejoice and My
heart is inditing, which
Handel composed for the
coronation of George II
in 1727, are true
masterpieces of the
choral literature. My
heart is inditing was
probably played at the
end of the coronation
ceremony in London's
Westminster Abbey.
For the Carus
edition, available either
individually or as a set,
musicologist, composer
and flutist Alon Schab
has returned to the
original manuscripts,
paying special attention
to the specific
circumstances that played
a role in the creation of
the anthems. Befitting
such a festive occasion,
Handel’s choir in
1727 was a large ensemble
composed of singers from
two institutions. This
six- or seven-voice
ensemble had to be
carefully balanced to
perform the passages for
four or five voices.
Handel’s
autograph score shows how
he adapted his
composition, originally
conceived for a four- or
five-voice choir, to the
particular circumstances
of the premiere: The
manuscript is peppered
with surprising vocal
doublings, insertions,
and rests, intended to
ensure that, for example,
the few tenors were not
overpowered by the more
numerous altos and
basses, the boy sopranos
harmonized with the
mature voices, and the
chorus blended well with
the instruments in the
rich ambience of
Westminster
Abbey.This
edition traces these ad
hoc additions to reveal a
score that is startlingly
similar to
Handel’s familiar
and beautifully direct
choral style. All
editorial decisions are
thoroughly documented in
the critical
report. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Calm on the Listening Ear of Night Chorale SSATBB SSATBB A Cappella [Octavo] Lorenz Publishing Company
Composed by Craig Courtney. For SSATBB choir (a cappella). Te Deum Choral Series...(+)
Composed by Craig
Courtney. For SSATBB
choir (a cappella). Te
Deum Choral Series.
Sacred Anthem. Octavo.
Published by Lorenz
Publishing Company
$2.75 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Labyrinth Theodore Presser Co.
Band Bass Clarinet, Bass Trombone, Bassoon, Clarinet, Contrabass, Contrabassoon,...(+)
Band Bass Clarinet, Bass
Trombone, Bassoon,
Clarinet, Contrabass,
Contrabassoon, English
Horn, Euphonium, Flute,
Horn, Keyboard, Oboe,
Percussion, Piccolo,
Timpani, Trumpet, Tuba,
alto Saxophone, baritone
Saxophone, soprano
Saxophone, tenor
Saxophone and more.
SKU: PR.11540425L
Composed by Carter Pann.
Large Score. 92 pages.
Duration 26 minutes.
Theodore Presser Company
#115-40425L. Published by
Theodore Presser Company
(PR.11540425L). UPC:
680160688159. MyÂ
work Labyrinth for
Ithaca College could have
easily been titled as my
Third Symphony. The work
is larger in scope than
every other work of mine
for winds, save perhaps
my first symphony. The
piece is cast in two main
parts, each consisting of
two movements. As it
happened I wrote the
movements backwards
(fitting for something
called Labyrinth). The
size of the band is on
par with that of Karel
Husa’s Music for
Prague 1968 with one
exception, there is an
electric keyboard part
which lends certain
moments in the piece an
other-worldly ambience...
sounds that are
altogether different from
anything possible from
acoustic instruments. At
the risk of sounding
obvious or mundane, I had
two words floating around
my brain during the
composing of this work
— HUGE and
melodic. My
predisposition to create
inherently melodic music
is inescapable at this
point in my composing
career. This is the kind
of music I have
gravitated towards since
beginning at the piano so
long ago. I don’t
write ambient or spectral
music, nor do I write
music replete with
extended techniques. The
crafting of melodies with
gravitas has always made
my process of composing
the most satisfying. The
very last movement of
Labyrinth is a gargantuan
crescendo the likes of
the last movement of
Respighi’s The
Pines of Rome or
Ravel’s Bolero and
should leave the audience
and players sonically
drenched by the end.
I’m so honored to
have this opportunity to
compose for Ithaca
College’s 50th
Anniversary of that
seminal work of Karel
Husa’s. I have
known Music for Prague
1968 as long as
I’ve known serious
music for winds. It is my
aim that every moment of
Labyrinth offers the
players as much to bite
their teeth on as it
leaves the audience in
its throng from start to
finish. -CP. $82.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
|