Matériel : Conducteur et Parties séparées
SKU: GI.G-002348
UPC: 641151023489.
Have you ever wondered what music in the time of Jesus sounded like? Based on several years of intense study and research, Christopher Moroney and SAVAE have imaginatively and brilliantly reconstructed the msuic that Jesus might have heard in the temple and synagogue of the first century C.E. The ensemble learned to play reconstructed instruments of the period especially for this recording--varieties of plucked and bowed strings, wind instruments like the shofar and flute, and percussion. The music has been recreatd from Hebrew melodic fragments, Babylonian Jewish music, and traditional songs that have passed down through the ages from the time of Jesus. The end result is an amazing restoration of what Jesus may have heard. Highlights include settings of the Lord's Prayer and the Beatitudes, Miriam's Song of the Sea, the Ten Commandments, and the traditional Shema Israel (Hear, O Israel).
SKU: CF.YPS240F
ISBN 9781491159644. UPC: 680160918232.
An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed? The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story. Conductor Notes: Measures 45-61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64-73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.An Ankh is an ancient Egyptian hieroglyphic representing the word Life. The Ankh of Eternity depicts an epic journey through ancient lands to find the mythical Ankh of Eternity amulet promising eternal life. The piece journeys through the desert in a caravan, with a stop for a Kaff celebration, an Arabic hand-clapping folk art. The discovery of the tomb is spine chilling and eerie with special percussion effects. After the Ankh is discovered, swarms of locusts descend and our travelers run for their lives. They may have found eternal life, but will they be forever cursed?The Ankh of Eternity uses an Arabic or double harmonic-major scale. Performers have multiple soloing and improvising opportunities. Complex but repeating rhythms offer players a chance to practice getting in the groove. Players and audiences alike will be invigorated by the many celebratory moments and thrilled at the eerie and downright scary moments! The Ankh of Eternity offers cultural and historical inclusion opportunities, improvisation, unique scales, rhythmic challenges, and a thrilling story.Conductor Notes: Measures 45–61: Kaff is the ancient Arabic art of hand clapping over improvised poetry. The Kaff Celebration section represents this art form. The improvising soloists should be designated by the conductor and should each be four measures long . Alternatively, soloists may copy the phrase in the second ending as a solo. The AYE! should be shouted joyously. The repeat may be omitted for performance time concerns, or, of course, repeated multiple times for more solos. Measures 64–73: Experiment with different cymbal noises, such as scrapes with a nail or coin, taps with triangle beaters, bowed cymbals, etc. Water-cymbal techniques should also be used. Fill a storage tub with water, and with the suspended cymbal still on the stand, hit the cymbal a couple times with a soft mallet, and lower the cymbal into the water for a glissando effect. The overall effect should be creepy cave-like echoes bending around corners.
SKU: CF.YPS240
ISBN 9781491159637. UPC: 680160918225.
SKU: AP.43097S
UPC: 038081504384. English.
Musically depicting the brilliant and dramatic dawn of civilization through the journey of humankind. Opening with a grandiose fanfare, then exploring the intricate tapestry of life, this original composition is rich with musical and teaching opportunitiesl. This programmatic work will enhance concert and contest performance alike! (3:00).
SKU: AP.43775S
UPC: 038081496528. English.
This dynamic and colorfully scored original is a sure-fire choice for concert or contest. Expansive harmonies and soaring tunes combine to present an imaginative musical landscape that explores the tonal facets of the orchestra. Playable by strings alone or full orchestra. (3:00).
SKU: AP.43097
UPC: 038081504377. English.
SKU: HL.4008947
UPC: 196288281764.
The Juvavum Fanfare was composed for the closing concert of the first part-time University course in Wind Orchestra Conducting at the renowned Mozarteum University Salzburg, which took place from 2019 to 2021 for the first time. This celebratory opening composition is dedicated to the esteemed course instructor and conductor, Martin Fuchsberger, as well as to all the graduates who successfully completed this program. The name of the fanfare, “Juvavum,” derives from the ancient Roman name for Salzburg. This connection to Salzburg is not only evident in the premiere of the piece at the Mozarteum Salzburg but also in its musical depth. Thematically, the initial fanfare and subsequent lyrical section draw from the melody of Salzburg's regional anthem, “Land uns'rer Väter.” The majestic fanfare echoes the opening intervals of this anthem. From bar 27 onward, a direct citation of the melodic theme can be heard. Both the fanfare motifs and the vocal lines of this anthem are eventually brought together in an exhilarating final ection. The Juvavum Fanfare is ideally suited to ceremonially open concerts and provides an engaging experience for both listeners and musicians alike due to its appropriate length.
SKU: HL.4008948
UPC: 196288281771.
SKU: HL.811415
UPC: 196288087120. 6.75x10.5x0.029 inches. Colossians 3:1-2, Habakkuk 2:20, Psalm 33:8.
The echoes of ancient worshippers are heard in this time-honored text that conveys the mystery and majesty of our faith. A fully engaged choir will luxuriate in the harmonies and choral textures while the orchestral accompaniment provides splendid options for larger scale performances. Score and Parts (fl/pic, ob, cl, bn, tpt 1-3, hn, tbn 1-2, tbn3/tba, perc 1-3, hp, vn 1-2, va, vc, db) available as a digital download.
