Matériel : Partition
for flute (or oboe or violin) and piano (or harpsichord)
SKU: HL.48188802
Campra Per Cantare E Sonare Pj402 Les Festes Venitiennes 4eme Parts.
SKU: HL.48188377
Campra Per Cantare E Sonare Pj402 Les Festes Venitiennes 4eme Entree.
SKU: HL.48188309
UPC: 888680856212. 7.25x10.5x0.144 inches.
Campra Feuillie Cantates Francaises No.5 Arion Cpj22 Score/Parts.
SKU: BT.ALHE32776
French.
For flute (or oboe, or violin) and piano (or harpsichord).
SKU: BT.ALHE32390
SKU: BT.ALHE32470
SKU: FZ.615
ISBN 9790540006150. 24.00 x 33.00 cm inches.
This facsimile of an original by Andre Campra is part of our French Classical Music from 1650 to 1800 collection. Sheet music for voice: Motets for I, II, III voices with continuo Book II of Andre Campra. Edition: Paris, Ballard, 1700. The original preface gives a translation of the latin texts of the motets. Andre Campra's petits motets are undoubtedly the best of his compositions. Preface by: Philippe Lescat: bibliographical notice,Jean Saint-Arroman: ornamentation, accidentals, terminology, notation, temperament. Sheet music for voice in facsimile of a copy in the Inguimbertine Library of Carpentras (Vaucluse - France). The French Classical Music from 1650 to 1800 collection includes approximately 200 sheets music for soloists or chamber music ensembles, plus a collection of major motets and another collection of operas. The French Classical Music from 1650 to 1800 collection is supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Anne Fuzeau Classique propose period copies of classical sheet music.
SKU: HL.48186109
UPC: 888680827687. 8.5x11.5x0.174 inches.
Choral part for Andre Campra's Requiem for SSTTB soli, SSATTBB chorus and orchestra..
SKU: HL.48186110
Andre Campra: Requiem (Choral-Mixed accompanied).
SKU: FZ.565
ISBN 9790230605656. 22.00 x 31.00 cm inches.
This facsimile of an original by Andre Campra is part of our French Classical Music from 1650 to 1800 collection. Song music sheets: Motets for I, II, III voices with continuo Book I of Andre Campra. Edition: Paris, C. Ballard, 1699 (2e edition). Preface by: Philippe Lescat: bibliographical notice of Andre CampraJean Saint-Arroman: ornamentation - accidentals - continuo bass - inegalites - terminology - temperament - style of writing. Song music sheets in facsimile of a copy in the Inguimbertine Library of Carpentras (Vaucluse - France). The French Classical Music from 1650 to 1800 collection includes approximately 200 sheets music for soloists or chamber music ensembles, plus a collection of major motets and another collection of operas. The French Classical Music from 1650 to 1800 collection is supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Anne Fuzeau Classique propose period copies of classical sheet music.
SKU: CA.2103019
ISBN 9790007164072. Text language: Latin.
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, Andre Campra (1660-1744) composed numerous motets which frequently displayed the influence of contemporary opera. If today Campra is known almost exclusively for his famous Requiem, nevertheless his more than forty motets composed for soli, choir and orchestra are still awaiting discovery. Among these is a setting of Psalm 129, De profundis, published here in a new critical edition after the autograph score. The work was composed in 1723 during the first months of Campra's service to the French king and it proves to be the equal to the compositions of Michel-Richard de Lalande, who during his lifetime shaped and dominated the genre of the Grand Motet.. Score and parts available separately - see item CA.2103000.
SKU: CA.2103012
ISBN 9790007198251. Text language: Latin.
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, Andre Campra (1660-1744) composed numerous motets which frequently displayed the influence of contemporary opera. If today Campra is known almost exclusively for his famous Requiem, nevertheless his more than forty motets composed for soli, choir and orchestra are still awaiting discovery. Among these is a setting of Psalm 129, De profundis, published here in a new critical edition after the autograph score. The work was composed in 1723 during the first months of Campra's service to the French king and it proves to be the equal to the compositions of Michel-Richard de Lalande, who during his lifetime shaped and dominated the genre of the Grand Motet.. Score and part available separately - see item CA.2103000.
SKU: CA.2103049
ISBN 9790007164065. Language: Latin.
SKU: CA.2103014
ISBN 9790007198275. Text language: Latin.
SKU: FZ.5939
ISBN 9790230659390. 23.50 x 31.50 cm inches.
This facsimile of an original by Andre Campra is part of our French classical music collection. Edition : Paris, C. Ballard, 1714. Presentation by Bertrand Porot : The recitative writing - The airs - Opera influences - Mythological characters in the cantatas - The poets: biographical details. Tables: of the cantatas, of the separate airs. Catalogue of Campra's works. Far from his reputation of being under Italian influence, Campra is a typically French composer, as is apparent from the style and perfect prosody of this second book of cantatas. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Municipal Library of Lyon (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: CA.2103000
ISBN 9790007164089. Text language: Latin.
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, Andre Campra (1660-1744) composed numerous motets which frequently displayed the influence of contemporary opera. If today Campra is known almost exclusively for his famous Requiem, nevertheless his more than forty motets composed for soli, choir and orchestra are still awaiting discovery. Among these is a setting of Psalm 129, De profundis, published here in a new critical edition after the autograph score. The work was composed in 1723 during the first months of Campra's service to the French king and it proves to be the equal to the compositions of Michel-Richard de Lalande, who during his lifetime shaped and dominated the genre of the Grand Motet..
SKU: CA.2103011
ISBN 9790007198244. Text language: Latin.
SKU: CA.2103003
ISBN 9790007164096. Text language: Latin.
In his roles as Music Director at the Cathedral of Notre Dame in Paris and in the Royal Choir [chapel] of Louis XV, Andre Campra (1660-1744) composed numerous motets which frequently displayed the influence of contemporary opera. If today Campra is known almost exclusively for his famous Requiem, nevertheless his more than forty motets composed for soli, choir and orchestra are still awaiting discovery. Among these is a setting of Psalm 129, De profundis, published here in a new critical edition after the autograph score. The work was composed in 1723 during the first months of Campra's service to the French king and it proves to be the equal to the compositions of Michel-Richard de Lalande, who during his lifetime shaped and dominated the genre of the Grand Motet.. Score available separately - see item CA.2103000.
SKU: CA.2103009
ISBN 9790007198237. Language: Latin.
SKU: CA.2103005
ISBN 9790007166489. Text language: Latin.