Dvorák s Symphony No. 7 was commissioned by the Royal Philharmonic Society in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself. The following June the second movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock.The editor of this new scholarly-critical edition is Jonathan Del Mar who has gained an international reputation for his edition of Dvorák s cello concerto in B minor (BA 9045) not to mention his editions of works by Beethoven and Elgar. Del Mar has drawn on all the available sources including letters. The original version of the second movement appears in theappendix as well as in the performing material.This new Bärenreiter edition sets the highest scholarly standards whilst also taking the needs of modern performers into account. First Urtext edition of this important workContains the original London version of the second movementIncludes a foreword (Cz/Eng/Ger) and a critical commentary (Eng)
SKU: AP.48041S
UPC: 038081555201. English.
Doug Adams' arrangement of themes from Symphony No. 9 in E minor by AntonÃn Dvorák will introduce your beginning strings to selections from this well-known symphony. While technical obstacles have been eliminated, this piece provides teaching opportunities for dynamic shading and contouring as well as diverse articulations. A perfect choice for contest, festival or the concert stage. (2:50) This title available in MakeMusic Cloud.
SKU: AP.48041
UPC: 038081555195. English.
Doug Adams' arrangement of themes from Symphony No. 9 in E minor by AntonÃn Dvorák will introduce your beginning strings to selections from this well-known symphony. While technical obstacles have been eliminated, this piece provides teaching opportunities for dynamic shading and contouring as well as diverse articulations. A perfect choice for contest, festival or the concert stage. (2:50) This title is available in MakeMusic Cloud.
SKU: HL.1190004
ISBN 9781705192498. UPC: 196288131717.
From the composer: Evensong was composed at the request of my friend David Wick, principal hornist of the Virginia Symphony Orchestra. He asked that I compose a recital piece for him to play with the orchestra's music director, JoAnn Falletta, who is also a virtuoso guitarist. The only stipulation he made was that the work include fragments of one of his favorite melodies, “Lasst mich alleâ€, from Four Songs, Op. 82, by AntonÃn Dvorák. The melody is also quoted in the Adagio movement of DvorákÂ’s Cello Concerto in B Minor, Op. 104, B. 191. The music is absolute in nature and cast in the form of a single movement fantasy based loosely on DvorákÂ’s melody, which is stated at the outset and at the conclusion.
SKU: HL.49035667
UPC: 884088073220. 8.25x11.5x0.009 inches.
