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| Lars Karlsson Kari
Jamback: Five Aphorisms
For Flute and Guitar:
Flute:
Flûte et Guitare
Fennica Gehrman
Five Aphorisms For Flute and Guitar
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| Nick Page: When in Doubt
Tell the Truth: 2-Part
Choir: Vocal Score
Chorale 2 parties
Hal Leonard
No. 3 from Three Mark Twain Settings-Several famous Mark Twain aphorisms are com...(+)
No. 3 from Three Mark Twain Settings-Several famous Mark Twain aphorisms are combined in this little ditty that will make everyone chuckle. A great finale for the Mark Twain set or an excellent encore. Includes optional 3rd hand Piano part. Performance Time: Approx. 0 10069444444444443
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| Nick Page: When in Doubt
Tell the Truth: 2-Part
Choir: Vocal Score
Chorale 2 parties [Vocal Score]
Hal Leonard
No. 3 from Three Mark Twain Settings-Several famous Mark Twain aphorisms are com...(+)
No. 3 from Three Mark Twain Settings-Several famous Mark Twain aphorisms are combined in this little ditty that will make everyone chuckle. A great finale for the Mark Twain set or an excellent encore. Includes optional 3rd hand Piano part. Performance Time: Approx. 0 10069444444444443
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| M Gould: Hosanna Amen
(from Quotations): SATB:
Vocal Score
Chorale SATB
SATB, Piano [Vocal Score]
Schirmer
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices ...(+)
Morton Gould's Hosanna Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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| M Gould: Hallelujah Amen
From Quotations: Double
Choir: Vocal Score
Chorale SATB
SATB, Piano [Partition]
Schirmer
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voic...(+)
Morton Gould's Hallelujah Amen from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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| 11 Oblique Strategies
Violoncelle
Bote and Bock
The composer states:'The term 'oblique strategies? was coined jointly by British...(+)
The composer states:'The term 'oblique strategies? was coined jointly by British musician Brian Eno and German-born British visual artist Peter Schmidt to describe a series of printed cards they developed throughout the 1970's. The cards had their origins in sets of uncannily similar working principles that both artists had established independently, and featured aphorisms intended as a means of triggering inspiration or providing useful stimulus during the creative process, particularly when encountering difficulties of fatigue or time constraint.As Eno and Schmidt wrote in their introduction to the first edition in 1975: 'They can be used as a pack (a set of possibilities being continuously reviewed in the mind) or by drawing a single card from the shuffled pack when a dilemma occurs in a working situation. In this case, the card is trusted even if its appropriateness is quite unclear. They are not final, as new ideas will present themselves, and others will become self-evident?.I chose eleven of Eno and Schmidt's strategies, ordering them in a way that revealed to me a logic and potential inter-relatedness within a hitherto disparate set of single ideas I had assembled for solo cello, each of them in turn a reflection upon the commission's initial purpose of creating a test piece for the 2014 Emanuel Feuermann cello competition.It's my hope then that the resultant composition may provide not only an interesting test of the competitors' talents but also offer the interpreter an opportunity to reflect upon the delights and pitfalls of creativity as he or she comes to terms with the various musical and technical challenges to be found within these ten minutes of music for solo cello.? / Violoncelle
Délais: 2-5 jours - En Stock Fournisseur |
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| Hums And Songs Of Winnie
The Pooh (Score) (KNUSSEN
OLIVER)
Conducteur [Partition]
Faber Music Limited
Par KNUSSEN OLIVER. Edward Greenfield says 'Taking the word Hum literally, Knuss...(+)
Par KNUSSEN OLIVER. Edward Greenfield says 'Taking the word Hum literally, Knussen has subjected A.A.Milne to some lighthearted but intense expressionist treatment, even developing a series of aphorisms which present such incidents as Piglet meeting the Heffalump with an economy and compression that Webern might have envied' The Guardian 15th June 1983, / Niveau : Elémentaire / Répertoire / Conducteur
Délais: 2-5 jours - En Stock Fournisseur |
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| M Gould: Walkin On Air
From Quotations: Double
Choir: Vocal Score
Chorale SATB
SATB, Piano [Partition]
Schirmer
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices...(+)
Morton Gould's Walkin'On Air from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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| M Gould: Bird In Hand
From Quotations With
Orchestra: SATB: Vocal
Score
Chorale SATB
SATB, Piano [Vocal Score]
Schirmer
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voice...(+)
Morton Gould's A Bird In Hand from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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| M Gould: Ballads From
Quotations: SATB: Vocal
Score
Chorale SATB
SATB, Piano [Vocal Score]
Schirmer
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and W...(+)
Morton Gould's Ballads from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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| Live Your Dream (HEUMANN
HANS-GUNTER)
Piano seul [Partition + CD]
Schott
12 piano pieces. Par HEUMANN HANS-GUNTER. Hans-Günter Heumann, Germany’s best...(+)
12 piano pieces. Par HEUMANN HANS-GUNTER. Hans-Günter Heumann, Germany’s best known author of piano books, has made himself a dream come true with his debut album Live Your Dream. After his best-selling publications in the field of music education, he now presents a CD of his own compositions. His inspirations came from spiritual aphorisms. The results are timeless, evocative compositions destined to relax, to be listened to and to be played again and again. 12 piano pieces cannot be classified into a genre. Apart from New Age piano sounds, the CD also contains meditative music, film music themes with pop elements and Romantic Pop. But there is one thing that unites all these beautiful piano pieces: Heumann’s great passion for the piano./ Recueil / Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| M Gould: Postscript From
Quotations With
Orchestra: SATB: Vocal
Score
Chorale SATB
SATB, Piano [Vocal Score]
Schirmer
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices an...(+)
Morton Gould's Postscript from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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| M Gould: Sermon From
Quotations With
Orchestra: Double Choir:
Vocal Score
Chorale SATB
SATB, Piano [Partition]
Schirmer
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wi...(+)
Morton Gould's Sermon from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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| M Gould: Early Bird From
Quotations With
Orchestra: SATB: Vocal
Score
Chorale SATB
SATB, Piano [Vocal Score]
Schirmer
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voice...(+)
Morton Gould's The Early Bird from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction.This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall.The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'theearly bird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.'After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'
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| P. Witzlav: Aphorism Many
A Fool: SATB: Vocal Score
Chorale SATB [Vocal Score]
Bosworth
3.75 GBP - vendu par Musicroom GB |
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| Encore (EOTVOS PETER)
Quatuor à cordes: 2 violons,
alto, violoncelle [Conducteur et Parties séparées]
Schott
There's a taxi waiting for Chekhov, but he'd rather go on foot.. Par EOTVOS PETE...(+)
There's a taxi waiting for Chekhov, but he'd rather go on foot.. Par EOTVOS PETER. Right at the beginning, this funny encore piece has the string quartet imitate the squawking horn of a car from 1901. The following polyrhythmic and somewhat slow chorale may suggest that Chekhov actually did not make his decision easy for himself…
'Encore' is dedicated to Peter Eötvös' Hungarian fellow composer and master of aphorism, György Kurtág, on the occasion of his 80th birthday./ Répertoire / Quatuor à Cordes
Délais: 2-5 jours - En Stock Fournisseur |
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| Composers Series For
Piano 3 Intermediate
Collection - Piano Solo
Piano seul [Partition] - Intermédiaire
Bosworth
Description Intermediate collection. Edited by Richard Deering with performan...(+)
Description Intermediate collection. Edited by Richard Deering with performance notes to each piece. Songlist A Touch Of Contrast (Sebastian Forbes) Aphorism (Sebastian Forbes) Black And White (Peter Dickinson) Homeward (James Wilson) I'm Late Again (Bryan Kelly) Jack Be Nimble (Philip Martin) Kyle Song (Sally Beamish) Lullaby (James Patten) Melting (John Paynter) Night Song (Eric Hudes) No.5 From '5 Miniature Pieces' Prelude (Patric Standford) Spanish Dance (Op.12 No.2) [Moszkowski, Moritz] The Hedley Kow (Rory Boyle) Trembling Leaves (Stanley Glasser)
Délais: Sur commande |
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| Aphorisms
Clarinette et Piano
Bote and Bock
14.50 EUR - vendu par LMI-partitions
Délais: 2-5 jours - En Stock Fournisseur |
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| Dezaire, Nico : Four
Aphorisms Op. 2
Piano seul
De Haske Publications
10.15 EUR - vendu par Note4Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Gunther Schuller:
Aphorisms: Chamber
Ensemble: Score & Parts
Associated
Score and Parts-For flute violin viola and cello.
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| 3 Aphorisms Des Tre Rec
Divers
Universal Edition
10.55 EUR - vendu par LMI-partitions
Délais: 2-5 jours - En Stock Fournisseur |
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| The Boosey And Hawkes
20Th Century Piano
Collection
Piano seul [Partition]
Boosey and Hawkes
Professionnel ou amateur de Classique vous apprécierez cette partition de musiq...(+)
Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Editée par Boosey
Délais: En Stock |
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| Aphorisms
Clarinette
Schott
14.38 EUR - vendu par LMI-partitions
Délais: 2-5 jours - En Stock Fournisseur |
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| Rudy Shackelford: Nine
Aphorisms: Organ:
Instrumental Album
Orgue
Hinshaw Music Inc.
I.CanzonettaII. DithyrambIII. PlanhIV. Fuga ContrariaV. Hymn To The NightVI. Toy...(+)
I.CanzonettaII. DithyrambIII. PlanhIV. Fuga ContrariaV. Hymn To The NightVI. ToyVII. RecitativeVIII. Motet & IX Canzonetta Da Capo
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| 7 Aphorisms
2 Contrebasses (duo)
Bote and Bock
31.10 EUR - vendu par LMI-partitions
Délais: 2-5 jours - En Stock Fournisseur |
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| 5 Aphorisms (KARLSSON
LARS)
Piano seul [Partition]
Fennica Gehrman
Par KARLSSON LARS. / Répertoire / Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Aphorisms (12)
Flûte Traversière(S) Et
Autres Instruments
Peters
/ Flûte Traversière(S) Et Autres Instruments
Délais: 2-5 jours - En Stock Fournisseur |
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