Arcangelo Corelli : Trio Sonata C major, Op. 1-3

Sonaten op. 2: Nr. 1 4 und 12 op. 4: Nr. 1 4 und 7. Very few works in music history have been associated with the phrase 'epoch-making' yet Arcangelo Corelli's Trio Sonatas are among them. In 1681 and 1685 with the composition of Sonate da chiesa Op. 1 and Sonate da camera Op. 2 Corelli laid the foundation for a genre which was to be the chamber music format for almost 100 years. It was only in 1781 that it was superseded by Joseph Haydn's String Quartets Op. 33 which were also highly significant to the era. From a historical point of view the String Quartet can be viewed as a 'child' of the trio sonata. As a result Wiener Urtext Edition have published a selection of 12 of a total of 48 trio sonatas due to the 300th anniversary of the composer's death. Volume 1 contains six sonatas of the Da Chiesa model Volume 2 six pieces of the Da Camera type. This new edition was based on original editions the first Italian reprints as well as the Rogers Amsterdam edition. In addition to parts for the melodic instruments the new edition also contains a Continuo score with realised easily playable Basso Continuo. This edition is perfectly suitable as an introduction into chamber music.

Très peu de travaux en histoire de la musique ont été associées à l'expression 'epoch-making' encore les Sonates en trio de Corelli sont parmi eux. En 1681 et 1685, avec la composition du Sonate da chiesa op. 1 et Sonate da camera op. 2, Corelli jeté les bases d'un genre qui devait être le format de musique de chambre depuis presque 100 ans. C'est seulement en 1781 qu'il a été remplacé par Quatuors à cordes de Joseph Haydn Op. 33, qui étaient également très importante à l'époque.D'un point de vue historique, le quatuor à cordes peut être considérée comme un 'enfant' de la sonate en trio, donc,En conséquence, Wiener Urtext édition ont publié une sélection de 12 sur un total de 48 sonates en trio en raison de la 300e anniversaire de la mort du compositeur.Le volume 1 contient six sonates du modèle Chiesa Da, Volume 2 six pièces de type Da Camera.Cette nouvelle édition a été basée sur les éditions originales, les premières rééditions italiennes ainsi que l'édition Rogers Amsterdam. En plus de pièces pour les instruments mélodiques, la nouvelle édition contient également un score continue à réaliser, facilement jouable basso continuo.Cette édition est parfaitement approprié comme une introduction à la musique de chambre. / 2 Violons, Violoncelle Et Orgue (Piano)

Par CORELLI ARCANGELO. A comprehensive collection of all 48 of the trio sonatas of Opp. 1, 2, 3 and 4 and all 12 of the violin sonatas Op. 5./ Répertoire / Musique de Chambre

Par CORELLI ARCANGELO. Sonatas 1-3/ Répertoire / 2 Violons ou Flûte Traversière et Violon et Basse

The Library Of Baroque Music is an enormously expansive collection of the greatest works produced during that prolific period that flourished between the Renaissance and Classical eras. All arranged for solo Piano, this volume features works drawn from all the major Baroque composers, including some of the greatest pieces of music ever composed. The progression and development of music during the Baroque period can be heard in these pieces, providing you not only with a window into musical history, but also many exciting additions to your repertoire. The retrospective 'Baroque' label was applied to a diverse range of European compositions-often combining a spirit of experimentation with elaborate new musical structures. Dominated primarily by the Harpsichord and Organ, this period also saw the rise and development of larger-scale forms such as the concerto and oratorio. This superb volume is comprised of Keyboard and ensemble works from all the major Baroque composers, arranged for Piano. Featuring Arne, Boyce, Buxtehude, Corelli, Couperin, Gibbons, Lully, Pachelbel, Purcell, Rameau and Vivaldi, the composers here include some of the most respected and revered figures in musical history. The Library Of Baroque Music spans compositions of many of these masters, ranging from Frescobaldi in the early 1600s to Pergolesi a century later, and the famous three - J.S. Bach, Handel and Domenico Scarlatti.Baroque music, so called for its ornateness, was characterised by a bold exploration of counterpoint and new harmonic possibilities. This was variously expressed through the work of perhaps fifty or so major European composers. By the time Baroque began to segue into a new Classical period around 1750 it had already irrevocably changed and expanded the possibilities of music. The works that precipitated this change are available to play in this single volume, perfect for pianists looking to expand their repertoire with both challenging and exciting music.In this thoroughly enjoyable Library Of Baroque Music, the triumphant progression of this period is illustrated in the best possible way - through the compositions themselves, forming the definitive Baroque collection for solo pianists. / Piano