We Are the Music Makers

SKU: HL.14008873

English.

SKU: SU.80500181

1. A Musical Instrument (Elizabeth Barrett Browning) 2. The Aim Was Song (Robert Frost) Medium Voice & Piano Duration: 6' Composed: 2018 Published by: Pear Tree Press.

SKU: SU.91440190

Instrumentation : 1111; 2200; perc, pno 4-hd; Stg Quartet
Duration: 5'
Composed: 2013
Published by: Subito Music Publishing.

SKU: BT.CMP-0415-00-350

English.

SKU: TM.13315SC

SKU: TM.13315SET

SKU: BT.AMP-417-130

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Eröffnungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None was composed for the celebration of the 20th anniversary of the British Army Corps. Paying tribute to the musical tradition of the Corps, this celebratory work refers to some of its own famous marches like The Corps of ArmyMusic Slow March (Greg Machin) and The Music Makers (Ian Mitchell). Second to None - which can also be played in a shorter version - is an ideal opener for any festive concert.

SKU: BT.AMP-417-030

English-German-French- Dutch.

Second to None is a perfectly suitable title for this work, though it actually refers to “Nulli Secundus”, the motto of the British Corps of Army Music, who gave the commission to Philip Sparke. The piece opens with a fanfare, followed by two short quotes from two of the Corp’s own marches and a festive Vivace. A more legato central section creates a nice contrast before the work closes with the opening fanfare. A perfect affair!

De titel Second to None past heel goed bij dit werk, maar verwijst eigenlijk naar ‘Nulli Secundus’, het motto van British Army Corps of Music, het orkest dat Philip Sparke de opdracht voor dit werk gaf. Second to None opent met een fanfare. Daarna volgen twee korte citaten uit twee van de eigen marsen van het orkest en een feestelijke Vivace. Een meer legato deel creëert een mooi contrast voordat het werk wordt afgesloten met de openingsfanfare. Van begin tot einde prachtig!

Secon d to None (Unübertroffen“) wurde zum 20-jährigen Jubiläum der britischen Armee komponiert. Das feierliche Werk honoriert die musikalische Tradition des Corps, indem es auf einige seiner eigenen berühmten Märsche, wie beispielsweise The Corps of Army Music Slow March (Greg Machin) und The Music Makers (Ian Mitchell), anspielt. Second to None kann auch in einer kürzeren Fassung gespielt werden und ist ein ideales Eröffnungsstück für jedes festliche Konzert.

Second to None est un titre qui convient parfaitement ce morceau, même s’il fait en fait référence « Nulli Secundus », la devise du British Corps of Army Music, l'orchestre qui a fait la commande auprès de Philip Sparke. La pièce commence par une fanfare, suivie de deux citations courtes de deux de leurs propres marches, et un Vivace festif. Une section plus legato crée un beau contraste avant la fin où la fanfare du début est répétée. Parfait !

Second to None was composed for the celebration of the 20th anniversary of the British Army Corps. Paying tribute to the musical tradition of the Corps, this celebratory work refers to some of its own famous marches like The Corps of ArmyMusic Slow March (Greg Machin) and The Music Makers (Ian Mitchell). Second to None - which can also be played in a shorter version - is an ideal opener for any festive concert.

SKU: BT.DHP-1094733-140

9x12 inches.

The idea behind The Groove Makers is that all musicians, regardless of training or musical taste, can play together if they all keep the same ‘groove.’ This inspired Peter Kleine Schaars to write a piece everyone would enjoy and to give the concert band a trendy ‘groove’ that the audience can really connect with.

Die Idee hinter The Groove Makers sind Musiker, die - unabhängig vom Musikstil - alle im selben Groove“ spielen und gemeinsam das Entstehen einer gemeinsamen Erfahrung erleben. Alles arbeitet auf ein gemeinsames Ziel hin: das Blasorchester grooven“ zu lassen, um das Publikum mitzureißen. Diese Version von The Groove Makers ist eine ausgewogene Zusammenstellung von Höhepunkten aus dem originalen neunminütigen Pflichtstück.

The Groove Makers è un brano commissionato in occasione del 2° Festival svizzero di musica da intrattenimento (2008). L’idea era di raggruppare tutti i musicisti sotto un “groove” inteso come stile musicale da suonare insieme. The Groove Makers è quindi una creazione che privilegia suonare insieme. Lo sviluppo del brano è ideale per raggiungere l’obiettivo prefisso: un buon “groove” per incantare il pubblico.

SKU: GI.G-9556

ISBN 9781622772513.

Our goal is to be helpful to all music teachers who engage in musical experiences with students every day, in ways that are historically and culturally relevant. It could serve as an undergraduate textbook in music methods courses, or as supplementary text in graduate music education curriculum or psychology of music learning courses. — Frank Abrahams and Ryan John With the help of a team of educators with a wide diversity of experience, Frank Abrahams and Ryan John explore how music educators best empower students of all ages to be musical. The goal of Becoming Musical is to ensure that through school music, students respond and evaluate music in ways informed by critical thinking, feeling, and acting. Written for in-service music teachers, music education students, and practicing teachers, this practical companion to Planning Instruction in Music offers in-depth exploration of musical understanding, musical agency, and learning styles. In Part I, the authors address global themes that contribute to musical literacy and creativity, including what it means to be musical, allowing for and developing student agency, matching learning styles with pedagogical approaches, and the genesis and implementation of the authors’ highly successful Collaborative Solfeggio. In Part II, thirteen experienced teachers share approaches to developing musicality, drawing on pedagogical methods by Dalcroze, Gordon, Kodály, Orff, and Suzuki while expanding topics to include music therapy, yoga, composition, improvisation, and using popular music. In Part III, twelve musicians address the needs of music-makers from the elementary music classroom through adulthood. Adding to approaches discussed in Part II, the authors show how to use social media, music theory, movement, and technology in band, choir, orchestra, and with young musicians. Sample lesson and rehearsal plans make this practical and helpful, guiding students toward Becoming Musical.

SKU: BT.FORFLJ04

English.

For many years a professor at the Royal Academy of Music, Joan Last was widely admired for her skill and vast experience in the teaching of young beginners and adults alike. The enduring success of Music Makers is down to its practical, down to earth approach to Piano tuition. It is ideal for teachers with starter pupils, and also adult beginners who wish to learn by themselves.

This newly revised edition includes Book 2, Facts and Fancies, which features an improved layout and introduces the Professor, who will conduct you through the lessons.