Aria

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Dramatique

Basé sur les partitions vocales Bärenreiter, ces trois volumes contiennent quelques-uns des airs les plus connus de Haendel pour mezzo-soprano/contralto, ténor et basse, avec quelques numéros de qualité musicale tout aussi élevé moins connus. Les arias dans ces volumes contiennent des oeuvres de période de trente ans de Haendel comme un compositeur d'opéra à Londres et donnent une idée de la variété de ce vaste répertoire. Le arias afficher différentes caractéristiques techniques distinctive et sont souvent présentés avec le récitatif précédent ou, dans quelques cas, dans le contexte d'une scène entière. Les arias apparaissent dans l'ordre chronologique des opéras. Les préfaces par Donald Burrows contiennent des notes détaillées sur les chanteurs de Haendel et le contexte des arias des opéras.- Sur la base des partitions vocales Urtext de la Halle Handel Edition- Détail préfaces (Eng / Ger) en menant Handel expert Donald Burrows- Traductions de l'Italian Arias (Eng / Ger) texteRécitatifs et arias pour ténor () à partir de:Alcina, Ariodante, Ezio, Lothaire, Rodelinda, Rodrigo, Tamerlano / Tenor

This landmark series collects compelling, useful, singer-friendly arias from a distinctly American opera tradition. Each volume includes information about every opera and an aria plot note. A majority of the music in the four volumes has never before been available outside of the opera vocal scores, and some arias in the series have never been in print at all before now. Most arias are appropriate for college-level singers. Composers such as Samuel Barber, William Bolcom, Douglas Moore, Virgil Thomson and Gian Carlo Menotti are well represented. Additionally, arias are included from important works such as Regina, A Streetcar Named Desire, The Ghosts of Versailles, The Great Gatsby, Little Women and many others. Stephen Sondheim graciously agreed to adapt new aria editions of two pieces from Sweeney Todd for the series: ?The Contest? in the Tenor volume and ?Epiphany? in the Baritone/Bass edition./ Recueil / Soprano et Piano

Par VERACINI FRANCESCO MARIA. Fac-similé de la première édition de Dresden, 1721.Présentation de Nicolas Fromageot : Bibliographie de l'oeuvre - Appréciations - Lecture de la partition - Bibliographie sommaire. Première oeuvre d'un des plus remarquables violonistes de son temps. - - - - / Niveau : Facile / Répertoire / Violon et Basse Continue (Fac-similé)

lyric coloratura. The OperAria repertoire collection for all voice genres that was successfully launched last year has produced lyrical soprano progeny: From Adele to Zerbinetta, from Pamina to Mimi and Ellen Orford - the first two (of altogether four) soprano volumes contain a representative sampling of important arias from the multifaceted lyrical repertoire. Classical audition arias can be found there, just as vocal gems from opera rarities and arias of classical modernity, each one obviously reliably and carefully edited. Accessorizing one's own lyrical voice, the singer will find a wealth of material such as: information on the composer, the librettist, the work, the vocal range, on questions concerning versions and scoring as well as on the storyline, along with instructive tips from a singer's viewpoint provided by experienced voice teachers and a Phonetics Text Assistant on CD-ROM with diverse possibilities of use. OperAria is the ideal vocal coach for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. / Date parution : 2019-09-06/ Recueil / Soprano Colorature

Manuscrit autographe, 1887.Présentation de Jeanne Roudet : la production pianistique de l'école franckiste - présentation - variantesnotice biographique de Madame Bordes-Pène. / Piano / 40 pages / niveau : 1 / Fac-Similés - Format: 24.5 X 33.5

Référence unique par son ISBN 9780793504008 cette partition musique n'est autre que Arias For Soprano Schirmer Opera Anthology qui a été composée pour Voix. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Hal Leonard. La référence catalogue de cette oeuvre est HL50481097. / Voix / Partition