SKU: BA.BA04082
ISBN 9790006497751. 33 x 25.8 cm inches. Text Language: English, Italian.
The oratorio ?? Athalia ? tells the Old Testament story of the Queen Athalia . Handel composed it in 1733 for Oxford University where it was first performed later that year during the celebrations for the awarding of honorary degrees. The great s uccess of this performance is generally regarded as a reason for Handel??s renewed interest in the oratorio form. As was frequently the case, Handel also carried on composing this work after the first performance. Thus, for the version which was performed in London in 1735, he introduced numbers in Italian for the Italian singer Carestini in the role of Joad . He also ended the work with an organ concerto. For the performance in 1756 he drew on other works for the third act. Conversely, large parts of the music to Athalia form the basis for other works by Handel such as ?? Parnasso in festa ? (HWV 73) and the Wedding Anthem (HWV 262). The piano reduction by Andreas Köhs , based on the Urtext of the ??Halle Handel? Edition, includes the main version of 1733 together with an appendix containing the versions of 1735 and 1756 as well as the outline of a planned version of 1743 which was not performed.
About Barenreiter Urtext
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
The oratorio “ Athalia †tells the Old Testament story of the Queen Athalia . Handel composed it in 1733 for Oxford University where it was first performed later that year during the celebrations for the awarding of honorary degrees. The great s uccess of this performance is generally regarded as a reason for Handel’s renewed interest in the oratorio form. As was frequently the case, Handel also carried on composing this work after the first performance. Thus, for the version which was performed in London in 1735, he introduced numbers in Italian for the Italian singer Carestini in the role of Joad . He also ended the work with an organ concerto. For the performance in 1756 he drew on other works for the third act. Conversely, large parts of the music to Athalia form the basis for other works by Handel such as “ Parnasso in festa †(HWV 73) and the Wedding Anthem (HWV 262). The piano reduction by Andreas Köhs , based on the Urtext of the “Halle Handel†Edition, includes the main version of 1733 together with an appendix containing the versions of 1735 and 1756 as well as the outline of a planned version of 1743 which was not performed.
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: LM.24725
ISBN 9790230947251.
Atoy e - Greensleeves - Danse - Lesson - AGUADO D. : Etude - VISEE R. de : 2 Menuets - PURCELL H. : Menuet - GALILEI V. : Andante - GIULIANI M. : Theme et variations - LOGY J.A. : Menuet - TARREGA F. : Etude - Malaguena - DOWLAND J. : The sick tune - PICKERING J. : What if a day - BALLET W. : Irish tune - RIVOAL Y. : Valse en Mi mineur - MOUSTAKI G. : Nathalia.
SKU: HL.49015504
ISBN 9783795703257. German.
Das Anliegen der Herausgeber, mit der Arbeit an der Carl-Maria-von-Weber-Gesa mtausgabe auch den naheren Umkreis des Komponisten zu beleuchten und so das gesamte Umfeld fruhromantischer Musik und Kunstanschauung in ein helleres Licht zu setzen, wird in diesem Band mit Beitragen aus germanistischer, musikwissenschaftlicher, musikpraktischer und psychologischer Sicht weitergefuhrt.Nach Aufsatzen zu E. T. A. Hoffmann und zur Musikanschauung des fruhen 19. Jahrhunderts folgen Beitrage, die unbekannte Dokumente aus Webers Umkreis erstmals prasentieren, danach werden editorische Fragen der Gesamtausgabe behandelt. Es folgen analytische Betrachtungen von Kompositionen sowie Beitrage zur Rezeption des Weberschen ouvres. Auffuhrungspraktische und musikpsychologische Studien runden diesen Teil ab. Der abschliessende Aufsatz zur Entwicklungsgeschichte des Klavierquartetts zeigt, welche neuen und interessanten Bezuge eine aus der Sicht des praktischen Musikers verfasste Musikhistorie offenlegen kann.
SKU: CL.016-0171-00
SKU: HF.FH-7062
ISBN 9790203470625. 8.3 x 11.7 inches.
1. Herakles, Oratorium; 2. Athalia, Oratorium; 3. L' Allegro, il Penseroso ed il Moderato, Oratorium; 4. Semele, Oratorium; 5. Theodora, Oratorium; 6. Samson, Oratorium; 7. Das Alexanderfest, Ode; 8. Josua, Oratorium; 9. Die Wahl des Herakles, Musikalisches Zwischenspiel; 10. Sieg der Zeit und der Wahrheit, Oratorium; 11. Concerto II B (B-Dur); 12. Judas Makkabaus, Oratorium; 13. Salomo, Oratorium; 14. Debora, Oratorium; 15. Alexander Balus, Oratorium; 16. Trauungshymne (Wedding Anthem); 17. Esther, Oratorium; 18. Gelegenheits-(Fest-)Orato rium; 19. Jephta, Oratorium; 20. Concerto F-Dur; 21. Orchesterkonzert Nr. 25 (F-Dur) (Wassermusik); 22. Concerto (A) F-Dur; 23. Concerto (B) D-Dur; 24. Orchesterkonzert Nr. 26 (D-Dur) (Feuerwerksmusik).
SKU: HF.FH-1063
ISBN 9790203410638. 8.3 x 11.7 inches.
Notenbeispi ele aus: 1. Orfeo (Monteverdi); 2. Kantate (Zachow); 3. Julius Caesar (Handel); 4. Orpheus (Gluck); 5. Die Geschopfe des Prometheus (Beethoven); 6. Die weisse Dame (Boieldieu); 7. Der Nordstern (Meyerbeer); 8. Otello (Rossini); 9. Don Pasquale (Donizetti); 10. Norma (Bellini); 11. Wenn ich Konig war (Adam); 12. Fausts Verdammnis (Berlioz); 13. Symphonie phantastique (Berlioz); 14. Aufforderung zum Tanz (Berlioz); 15. Jota aragonesa (Glinka); 16. Athalia (Mendelssohn-Bartholdy); 17. Die lustigen Weiber von Windsor (Nicolai); 18. Das Paradies und die Peri (Schumann); 19. Des Sangers Fluch (Schumann); 20. Szenen aus Faus (Schumann); 21. Orpheus (Liszt); 22. Die Legende von der heiligen Elisabeth (Liszt); 23. Des Preludes (Liszt); 24. Dante-Symphonie (Liszt); 25. Mignon (Thomas); 26. Martha (Flotow); 27. Rienzi, der Letzte der Tribunen (Wagner); 28. Der fliegende Hollander (Wagner); 29. Tannhauser oder Der Sangerkrieg auf Wartburg (Wagner); 30. Lohengrin (Wagner); 31. Tristan und Isolde (Wagner); 32. Das Rheingold (Wagner); 33. Die Walkure (Wagner); 34. Siegfried (Wagner); 35. Gotterdammerung (Wagner); 36. Ein Maskenball (Verdi); 37. Stabat mater (Verdi); 38. Der Troubadour (Verdi); 39. Aida (Verdi); 40. Die Macht des Schicksals (Verdi); 41. Don Carlos (Verdi); 42. Margarethe (Gounod); 43. Ballettmusik (Gounod); 44. Hoffmanns Erzahlungen (Offenbach); 45. Symphonie Nr. I (Franck); 46. Namouna (Lalo); 47. Vysehrad (Smetana); 48. Symphonie Nr. VIII (Bruckner); 49. An der schonen blauen Donau (Strauss); 50. Fruhlingsstimmen-Walzer (Strauss); 51. Kaiserwalzer (Strauss); 52. Gesange fur Frauenchor (Brahms); 53. Ein deutsches Requiem (Brahms); 54. Nanie (Brahms); 55. Furst Igor (Borodin); 56. Coppelia-Suite (Delibes); 57. L'Arlesienne-Suite I (Bizet); 58. Carmen (Bizet); 59. L'Arlesienne-Suite II (Bizet); 60. Die Perlenfischer (Bizet); 61. Schwanensee (Tschaikowski); 62. Nussknacker-Suite (Tschaikowski); 63. Dornroschen (Tschaikowski); 64. Manfred-Symphonie (Tschaikowski); 65. Eugen Onegin (Tschaikowski); 66. Espana (Chabrier); 67. Boris Godunow (Mussorgski / Rimski-Korssakow); 68. Sonnenwendnacht (Rimski-Korssakow); 69. Russische Ostern (Rimski-Korssakow); 70. Mlada (Rimski-Korssakow); 71. Scheherezade (Rimski-Korssakow); 72. Zar Saltan (Rimski-Korssakow).
SKU: CL.074-6037-04
CONTENTS: * Romaine March * Majestic March * Coronation Overture * One Sweetly Solemn Thought * Cast Thy Burden Upon The Lord * March from Athalia * O Lamb Of God * Spring's Awakening * The Glory of God in Nature * Lotus Flower, The * The Messenger March * Holy, Holy, Holy * The Star Spangled Banner * Missionary Overture * Flee As A Bird *.
SKU: BR.SON-415
ISBN 9790004802601. 10 x 12.5 inches.
Mendelssohn 's Athalia, i.e. the incidental music to Racine's tragedy Athalie, occupies a special place among the composer's incidental works for stage plays. The composer began by setting the original French text (Vol. V/9A) before expanding his concept step by step for the German version. He revised this version several times - and especially the closing chorus - for the first performance in 1845. The work was not published during the composer's lifetime, which means that, in consideration of Mendelssohn's notorious self-criticism, there is no definitive final version. Armin Koch has taken up the editorial challenge and, with his great knowledgeability, cleared up all questions concerning the authentic form of the work.
SKU: HF.FH-7064
ISBN 9790203470649. 8.3 x 11.7 inches.
1. La Resurrezione; 2. Esther; 3. Debora; 4. Athalia; 5. Israel; 6. Saul; 7. L' Allegro; 8. Samson; 9. Messias; 10. Belsazar; 11. Wassermusik; 12. Feuerwerksmusik.
SKU: SP.TS180
ISBN 9781585604623. UPC: 649571101800.
Varie ty lies at the core of 83 Classified Piano Solos published by Santorella Publications. It combines eighty-three songs from seven different genres to form an incredibly unique product. From Hymns to Marches, Waltzes to Folk songs and Classics to Boogie, 83 Classified Piano Solos has everything that a beginning piano student needs. Boredom is a major obstacle to learning which students and teachers have encountered. They have found it extremely difficult to maintain interest when using a single resource. Often, supplemental materials are needed to keep study interesting and exciting since it is nearly impossible to find adequately diverse books. This adds a significant and unnecessary financial burden on both parties. 83 Classified Piano Solos from Santorella Publications is different. This best-selling easy piano title eliminates the need for costly supplemental materials while exploring many composers in varied genres and keeping study fun and interesting. To take full advantage of the variety, we strongly urge that you jump around from section to section and explore all that 83 Classified Piano Solos has to offer. This Jonathon Robbins best seller from Santorella Publications includes a performance CD which serves as a great tool for the beginning student. He or she can listen to a performance of each piece performed at the appropriate tempos, dynamics and stylings, then emulate this during their own performance, practice or study sessions. Just take a look at the incredibly diverse range of titles found in this great Santorella title: WALTZES - WALTZ (From, The Sleeping Beauty) - Tchaikovsky - EMPEROR WALTZ - Strauss - WALTZ IN A MINOR - Chopin, WALTZ IN Bb - Schubert - WALTZ IN C - Schubert - WALTZ IN C - Brahms - WAVES OF THE DANUBE - Ivanovici - WALTZ OF THE FLOWERS (From, The Nutcracker) - Tchaikovsky COWBOY MUSIC RED RIVER VALLEY - HOME ON THE RANGE - POOR, LONESOME COWBOY - GOOD BYE OLD PAINT - BIG ROCK CANDY MOUNTAIN - I'D LIKE TO BE IN TEXAS - THE COLORADO TRAIL - TO BURY ME NOT ON THE LONE PRAIRIE - WHOOPIE TI-YI-YO! (Git Along Little Dogies!) HYMNS ABIDE WITH ME - I NEED THEE EVERY HOUR - WHAT A FRIEND WE HAVE IN JESUS - ETERNAL FATHER - STRONG TO SAVE - HEAR OUR PRAYER - O LORD - I LOVE TO TELL THE STORY - ROCK OF AGES - COME, THOU ALMIGHTY KING - MY FAITH LOOKS UP TO THEE - NEARER, MY GOD TO THEE - HE LEADETH ME - ALL HAIL THE POWER OF JESUS' NAME - HOLY, HOLY, HOLY - SWEET HOUR OF PRAYER - IN THE SWEET BYE AND BYE - FAITH OF OUR FATHERS FOLK MUSIC BILLYBOY - ALOUETTE - ON TOP OF OLD SMOKY - CRAWDAD SONG - TURKEY IN THE STRAW - THE FARMER IN THE DELL - SKIP TO MY LOU - SHE'LL BE COMIN''ROUND THE MOUNTAIN - PUT YOUR LITTLE FOOT - JOHN PEEL - OH, WHERE HAS MY LITTLE DOG GONE - MARY HAD A LITTLE LAMB - FOR HE'S A JOLLY GOOD FELLOW - POLLY WOLLY DOODLE MARCHES THE STARS AND STRIPES FOREVER - AMERICAN PATROL - MARCH OF THE PRIESTS (From, Athalia) - GRAND MARCH (From the Opera, Aida) - DIXIE - THE MARINES' HYMN - SOLDIER'S CHORUS (From the Opera, Faust) - HAIL TO THE CHIEF - ANCHORS AWEIGH - THE THUNDERER CLASSICS CRADLE SONG - Brahms - TURKISH MARCH (From, The Ruins of Athens) - Beethoven, NOCTURNE IN F - Chopin - MINUET IN G - Bach - MUSETTE - Bach - FANTASIE IMPROMTU - Chopin - GAITE PARISIENNE (Can Can) - Offenbach - THEME FROM SURPRISE SYMPHONY - Haydn - MARCHE MILITAIRE - Schubert - UNFINISHED SYMPHONY THEME - Schubert - LARGO (From the Opera, Xerxes) - Handel - TOREADOR SONG (From the Opera, Carmen) - Bizet - JUNE - Tchaikovsky - BRIDAL CHORUS (From the Opera, Lohengrin) - Wagner - BARCAROLLE (From, The Tales of Hoffman) - Offenbach, HALLELUJAH CHORUS (From, The Messiah) - Handel - LA DONNA E MOBILE (From the Opera, Rigoletto) - Verdi. BOOGIE WOOGIES (Jonathon Robbins) BOOGIE WOOGIE BLUES - DOODLIN'- RIDE THE BOOGIE WOOGIE TRAIN - THE LAZY BOOGIE WOOGIE - ONE NOTE BOOGIE - MR. BOOGIE WOOGIE - THE NON-STOP BOOGIE - THE HORSE BACK BOOGIE.
SKU: HL.14010707
14.5x10.25x0.036 inches.
Mendelssohn 's War March Of The Priests arranged for Organ by W. T. Best. Originally composed as part of a larger set of incidental music for the stage productuion Athalia.
