Matériel : Feuillet
SKU: BA.BA25144
ISBN 9790006575107. 29.7 x 21 cm inches. Text Language: Latin.
The motets and choral pieces, composed with the distinctive features of the Madeleine organ in mind, enchant with their colourful, floating harmonies and convey a certain intimacy even with their ritualized Latin texts. These works are very well suited for performances by small vocal ensembles. A novelty is the inclusion of the double bass part (ad libitum) which does not appear consistently in the first editions but corresponds to the musical practice at the Madeleine.Numerou s gems such as the â??Cantique de Jean Racineâ? or the â??Messe basseâ? are published in performing editions based on the musical text of the â??Gabriel Faur â?? Å?uvres complètesâ?.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: FZ.3276
ISBN 9790230632768. 23.50 x 32.50 cm inches.
This facsimile of an original by Nicolas-Antoine Lebegue is part of our French classical music collection. Edition : Paris, C. Ballard, 1687. These motets, quite short and presenting few difficulties, are an excellent introduction to the French vocal repertory of the second half of the 17th century. Preface by: Philippe Lescat: Lebegue's works. Jean Saint-Arroman: bibliography of the motets - comparison of the sources. Motet for 2 soprano voices and continuo: O crux ave (page 11). All the other motets are for 1 soprano voice and continuo. Motets in which the right hand part of the organ is written between the sung phrases: Veni Sancte Spiritus (page 1) - O Rex gloriae (page 14) - Parasti in conspectu (page 18) - Vidi speciosam (page 24) - O salutaris hostia (page 35) - Anima Christi (page 39) - Ave verum (page 44) - Salve Regina (page 49) - Regina Coeli (page 56) - Exultet Omnium (page 60) - Domine salvum fac Regem (page 65) - Domine salvum fac Regem (page 68). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the Schonborn Castle's Library of Wiesentheid (Germany). Anne Fuzeau Classique propose period copies of classical music scores.
