Balkan

SKU: AP.46662

UPC: 038081534022. English.

Balkan Seven gets its inspiration from the lively dances of the Balkan region of Southeastern Europe encompassing Greece, Bulgaria, Macedonia, Serbia, and Croatia. 7/8 is the most popular uneven dance rhythm in all of Balkan music, especially in Macedonia, where a line dance with a 3+2+2 subdivision is prevalent.

SKU: AP.46662S

UPC: 038081534039. English.

Balkan Seven gets its inspiration from the lively dances of the Balkan region of Southeastern Europe encompassing Greece, Bulgaria, Macedonia, Serbia, and Croatia. 7/8 is the most popular uneven dance rhythm in all of Balkan music, especially in Macedonia, where a line dance with a 3+2+2 subdivision is prevalent.

SKU: BT.DHP-0981155-010

Balkanya, a suite in three parts composed by Jan Van der Roost, was commissioned by the Music School of Gaillon - Aubevoye (France) for the celebration of the twentieth anniversary of its creation. Jan Van der Roost dedicated the piece to the director of the school: Thierry Patel.As in his earlier work, Puszta, the composer makes no use of existing dances or themes in these three Balkan dances. This high-spirited suite takes its own approach to the folk music of the Balkan countries and is characterized by unique changes in tempo and spirit. Woodwinds, brass and percussion all have equal parts, making this suite attractive and enjoyable for the entire band.

C’est la demande de l’École de Musique de Gaillon - Aubevoye et deson directeur, Thierry Patel, que Jan Van der Roost composa cette suite en trois mouvements pour célébrer le 20ème anniversaire de la création de cette École de Musique. Comme ce fut le cas pour Puszta, ces trois danses des Balkans sont des compositions originales ; il ne s’agit donc pas d’arrangements de danses ou de thèmes existants. Des changements de tempi et d’ambiance caractérisent cette suite enlevée et très personnelle dans son approche de la musique traditionnelle des Balkans. Bois, cuivres et percussions sont mis tour tour en valeur, ce qui rend cette suite particulièrement attractive etagréable jouer pour toute la formation.

SKU: BT.DHP-0981155-140

Balkanya, a suite in three parts composed by Jan Van der Roost, was commissioned by the Music School of Gaillon - Aubevoye (France) for the celebration of the twentieth anniversary of its creation. Jan Van der Roost dedicated the piece to the director of the school: Thierry Patel.As in his earlier work, Puszta, the composer makes no use of existing dances or themes in these three Balkan dances. This high-spirited suite takes its own approach to the folk music of the Balkan countries and is characterized by unique changes in tempo and spirit. Woodwinds, brass and percussion all have equal parts, making this suite attractive and enjoyable for the entire band.

C’est la demande de l’École de Musique de Gaillon - Aubevoye et deson directeur, Thierry Patel, que Jan Van der Roost composa cette suite en trois mouvements pour célébrer le 20ème anniversaire de la création de cette École de Musique. Comme ce fut le cas pour Puszta, ces trois danses des Balkans sont des compositions originales ; il ne s’agit donc pas d’arrangements de danses ou de thèmes existants. Des changements de tempi et d’ambiance caractérisent cette suite enlevée et très personnelle dans son approche de la musique traditionnelle des Balkans. Bois, cuivres et percussions sont mis tour tour en valeur, ce qui rend cette suite particulièrement attractive etagréable jouer pour toute la formation.

SKU: HL.4008332

ISBN 9781705198131. UPC: 196288148548.

Balka n-Fever is a virtuoso piece inspired by the music of the Balkans. Fiery rhythms, trills in a whole range of variations and technically demanding solo passages make for an energetic highlight for performers and audience alike.

SKU: AP.1-ADV17010

UPC: 805095170108. English.

Balkan Groove written for woodwind ensemble combines musical influences originating from the Balkans in southeast Europe and a dynamic groove typical of western music. This mixture results in an ingenious and energetic composition which leaves musicians and audience torn between enthusiasm and pure pleasure. Arranged for woodwind ensemble.

SKU: IS.CQ6257EM

ISBN 9790365062577.

Patr ick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. The 3 Balkan Dances mean: Dance of Happiness - Elegant Dance - Quick Dance.

SKU: IS.CQ6256EM

ISBN 9790365062560.

Patr ick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. The 3 Balkan Dances mean: Dance of Happiness - Elegant Dance - Quick Dance.

SKU: IS.CQ6258EM

ISBN 9790365062584.

Patr ick Hiketick is a Belgian pianist and composer. As a composer he worked for nearly all theatre companies in Flanders and he wrote over a 100 different theatre plays, amongst which the complete oeuvre of Molière and Shakespeare. He was also the musical director for all Brecht plays for KNS theatre in Antwerp, where he worked as the home composer for 10 years. He than became the musical coordinator for the Royal Ballet of Flanders and he wrote several ballet compositions for symphony orchestra. He has his own close-harmony and jazz trio, and he works freelance as a composer and as artistic director in several musical productions. He composed many clarinet works for the Flanders Clarinet Quartet, and was honoured in Japan with concerts completely dedicated to his works. The 3 Balkan Dances mean: Dance of Happiness - Elegant Dance - Quick Dance.

SKU: IS.C7530EM

ISBN 9790365075300.

Balk an Impressions II is a challenging composition for solo clarinet by clarinet virtuoso Miltos Mumulides. Based on Greek and Bulgarian folk music, this piece unites traditional influences with contemporary techniques. Originally studying in Thessaloniki (Greece), Miltos Mumulides received an advanced diploma with high distinction from the Royal Conservatory of Antwerp (Belgium). He has built an impressive career as an orchestral musician, in chamber music and as a soloist. He performs throughout Europe and Asia on a regular basis and is currently an associate professor at the University of Macedonia in the department of Music Sciences and Art.

SKU: LM.29248

ISBN 9790230992480.

Pjes e instrumentale per flaut No. 1, 2, 3 (Piece instrumentale pour flute No. 1, 2, 3) - Valle e gezuar malesore (Danse joyeuse montagnarde) - Ejani te festojme se bashku (Viens... fetons ensemble) - Rapsodi kushtuar nenes (Rhapsodie dediee a ma mere) - Kendon bilbili (Quand chantent les oiseaux) - Sa e bukur je Shqiperi (Que tu es belle, l'Albanie) - Valle me motive shqipetare (Danse d'Albanie) - Rapsodi instrumentale ballkanike per 2 flaut No. 2 (Rhapsodie instrumentale balkanique pour 2 flutes No. 2).

SKU: BT.DHP-1043707-060

ISBN 9789043120890. International.

M áva is een van oorsprong Griekse melodie. In veel Balkanmuziek wordt gebruik gemaakt van de onregelmatige maatsoort (7/8 maatsoort), zo ook in dit levendige stuk voor accordeonensemble. Kenmerkend voor de Balkan is verderde vrolijke, meeslepende melodie met een sterk ritmische begeleiding - Máva ademt een zuidelijke en temperamentvolle sfeer.

Máva< /I> ist ursprünglich eine griechische Melodie. Der unregelmäßige 7/8-Takt wird in der Musik vom Balkan oft verwendet und verleiht diesem lebhaften Stück für Akkordeonensemble einen besonderen Effekt. Ebenfalls typisch für den Balkan ist die fröhliche, eingängige Melodie mit einer sehr rhythmischen Begleitung - mit Máva sorgen Sie garantiert für eine südländische, ausgelassene Atmosphäre.

l’origine, Máva était une mélodie grecque. La rythmique impaire 7/8, que l’on trouve souvent dans la musique des Balkans, s’intègre parfaitement cette pièce pétillante. La vitalité et les couleurs éclatantes de la mélodie associée un accompagnement très rythmé reflètent une autre caractéristique de la musique balkanique. Máva respire l’exubérance toute méridionale...

SKU: BT.DHP-1053822-010

Klezmer was originally the name given to the music of the Yiddish speaking Jews in Eastern Europe. The klezmer musicians played dance music, mainly at weddings. Historically string instruments such as the violin were predominantly used, but later (after ca. 1900) other instruments and in particular the clarinet were added as melodic instruments. In klezmer music in addition to Balkan influences oriental and gipsy influences can also be found. Jacob de Haan composed Klezmania in this style, based on the well-known Hebrew song Hava Nagila.

Klezmer is van oorsprong de benaming voor de muziek van de Jiddisch sprekende joden in met name Oost-Europa. De klezmermuzikanten speelden onder meer dansmuziek op bruiloften. Van oudsher werden voornamelijk snaarinstrumenten alsde viool gebruikt. Later (na ca. 1900) kwam daar vooral de klarinet als melodie-instrument bij. In de klezmermuziek zijn naast veel Balkan-invloeden ook oriëntaalse en zigeunerinvloeden terug te vinden. In deze stijl componeerde Jacobde Haan Klezmania, waarin hij het bekende Hebreeuwse lied Hava Nagila verwerkte.

Mit Klezmer wurde ursprünglich die Musik der jiddisch sprechenden Juden in Osteuropa bezeichnet. Klezmer-Musiker spielten vornehmlich Tanzmusik auf Hochzeiten und Familienfeiern. In der oft zugleich fröhlichen und melancholischen Klezmer-Musik finden sich neben Anklängen der Musik des Balkans auch Einflüsse aus dem Orient und der Zigeunermusik. In diesem einzigartigen Stil komponierte Jacob de Haan sein Stück Klezmania, in welchem er das bekannte hebräische Lied Hava Nagila verwendete.

« Klezmer » est le nom donné la musique inspirée par les traditions des communautés juives de langue yiddish installées en Europe de l’Est. La musique klezmer est une musique métissée d’influences balkanes, orientales et tziganes. Klezmania s’inscrit dans cette lignée. Jacob de Haan y développe un standard du répertoire : Hava Nagila.

SKU: BT.SCHBB3317

Blue Rose is based on two folk melodies which have been freely developed. It uses uneven beats and bars which creates a rocking feeling that is somewhat reminiscent of Balkan music. The title refers to the way the piece starts, unfolding and blooming as it slowly becomes stronger, like the blue light of dawn. It is one of the few pieces of the composer that is based in a major key (D major).

Blue Rose basiert auf zwei Volksmelodien, die hier frei entwickelt werden. Im Stück werden ungerade Takte verwendet, die ein schaukelndes Gefühl erzeugen und an die Musik des Balkan erinnern. Der Titel bezieht sich auf die Weise, wie das Stück beginnt: sich entfaltend und erblühend, bis es langsam stärke wird - wie das blaue Licht der Dämmerung. Es ist eines der wenigen Werke, das die Komponistin auf D-Dur basierend geschrieben hat.