SKU: HL.50606823
ISBN 9798350114379. UPC: 196288188230.
Roughly half of this selection of transcriptions of Baroque vocal and instrumental works consists of well-known pieces by the greatest composers of the period (Purcell: Dido and Aeneas, Rameau: Piéces de clavecin, Händel: Water Music, Music for the Royal Fireworks, J.S. Bach: B major partita, C major orchestral suite), but works by composers less well known nowadays (for example, G. Böhm and J. C. F. Fischer) are also included, together with unusual items such as Polish, German and Hungarian dances from 17th- and18th-century Hungarian manuscripts: the Kájoni and Vietórisz codexes, and Eleonóra Lányi's music book. This volume, previously available in the Leggiero series, is now, in a new guise, part of the series Treasury for String Ensembles. Treasury for String Ensembles provides carefully selected original compositions and arrangements from the Renaissance to the twentieth century, compiled in volumes according to level of difficulty, from beginner's level to professional. Elementary (all in first position): typically for three violins and cello or children's string orchestra. Intermediate: typically for three violins and cello or string quartet or youth string orchestra. Advanced: typically for string quartet or string quintet (with double bass) or string orchestra. The volumes are published in both printed and digital form. The printed edition contains the score and one copy of each part. Further copies can be ordered for the purposes of orchestral performance. The digital edition can be viewed on screen, and the parts can also be downloaded as A4-sized PDF files. The digital edition comes free with the printed edition, using the unique code provided.
Voir toutes les partitions de Bela Bartok
SKU: HL.50486705
ISBN 9790080143759. 9.0x12.0x0.334 inches. Friedrich Georg Handel; Andras Soos.
Andras Soos, who arranged and edited this volume, has selected from the composer's popular harpsichord suites, concerti grossi, operas and his Water Music movements and arias that are relatively simple both technically and in terms of musical expression, and suitable for performance by a junior orchestra. Thus from quite an early age, by interpreting the most demanding musical material students can become familiar with the language of the Baroque style and its mode of performance. The selection includes not only the well known Hornpipe and also a minuet from the Water Music, but also the famous aria from Rinaldo beginning 'Lascia ch'io pianga|'. (Any teacher or student who is interested can find the source of each piece in the list of contents.).
SKU: HL.50511788
ISBN 9790080145630. Bach (23 x 30,2 cm) inches. Hungarian, English, German, French. Laszlo Zempleni; Andras Soos.
The volumes in the Leggierissimo series, each containing works by a different composer, are now followed by albums presenting easily playable music from the various historical periods: renaissance, baroque, Viennese classicism and romanticism. The selection of renaissance music includes not only instrumental dances but also transcriptions of what were originally vocal pieces (well-known chansons). The volume also contains dance movements that can be paired together, and for individual performances cycles of several movements can be assembled from pieces taken from the same collection.
Rough ly half of this selection of transcriptions of Baroque vocal and instrumental works consists of well-known pieces by the greatest composers of the period (Purcell: Dido and Aeneas, Rameau: Piéces de clavecin, Händel: Water Music, Music for the Royal Fireworks, J.S. Bach: B major partita, C major orchestral suite), but works by composers less well known nowadays (for example, G. Böhm and J. C. F. Fischer) are also included, together with unusual items such as Polish, German and Hungarian dances from 17th- and18th-century Hungarian manuscripts: the Kájoni and Vietórisz codexes, and Eleonóra Lányi's music book. This volume, previously available in the Leggiero series, is now, in a new guise, part of the series Treasury for String Ensembles. Treasury for String Ensembles provides carefully selected original compositions and arrangements from the Renaissance to the twentieth century, compiled in volumes according to level of difficulty, from beginner's level to professional. Elementary (all in first position): typically for three violins and cello or children's string orchestra. Intermediate: typically for three violins and cello or string quartet or youth string orchestra. Advanced: typically for string quartet or string quintet (with double bass) or string orchestra. The volumes are published in both printed and digital form. The printed edition contains the score and one copy of each part. Further copies can be ordered for the purposes of orchestral performance. The digital edition can be viewed on screen, and the parts can also be downloaded as A4-sized PDF files. The digital edition comes free with the printed edition, using the unique code provided.
SKU: HL.50606826
ISBN 9798350114409. UPC: 196288188261.
SKU: HL.50606822
ISBN 9798350114362. UPC: 196288188223.
SKU: HL.50606824
ISBN 9798350114386. UPC: 196288188247.
SKU: HL.50606825
ISBN 9798350114393. UPC: 196288188254.
SKU: PR.114418820
ISBN 9781491113998. UPC: 680160667697.
Compo sed by Telemann as a double concerto for recorder and transverse flute, Zart Dombourian-Eby’s new edition is prepared for piccolo, flute, and piano — remaining compatible with available orchestral editions, and respectfully faithful to Telemann’s detailed nuances. Cast in the slow-fast, slow-fast four-movement mold typical of Baroque concert works, the CONCERTO IN E MINOR is at once among the most beautiful and exhilarating works of Telemann’s formidable output.__________________ ____________________Text from the scanned back cover:ZART DOMBOURIAN-EBY is the Principal Piccoloist of the SeattleSymphony and is regularly featured as both a soloist and clinician in Seattle and across the world. Her performances consistently receive highest praise from both critics and audiences. A native of New Orleans, she received B.A. and M.M. degrees from Louisiana State University. After a year of study with Albert Tipton she attended Northwestern University earning a Doctor of Music degree under the tutelage of Walfrid Kujala. She has been a member of the New Orleans Pops, Baton Rouge Symphony, Colorado Philharmonic, and the Civic Orchestra of Chicago. She has performed with the Chicago Symphony and served on the faculties of the University of Washington and Pacific Lutheran University. She was the founding editor of Flute Talk and ison the Editorial Board for The Flutist Quarterly. Zart is the immediate past president of the National Flute Association, and been a featured soloist and presenter at numerous NFA conventions. Zart has commissioned numerous works, including two for piccolo and piano by Martin Amlin, sonatas by Gary Schocker and Levente Gyongyosi, and a chamber work by Ken Benshoof. She can be heard in over 100 recordings by the Seattle Symphony, and her solo CD, in shadow, light, is available on Crystal Records. Her award-winning edition of the three Vivaldi piccolo concertos is published by Theodore Presser.A native of Seattle, VALERIE SHIELDS received her B.M. summa cum laude in organ and violin from St. Olaf College. While completing her M.M. from Northwestern University, she became increasingly interested and skilled in the art of improvisation. She served as Director of Music at St. Luke’s Lutheran Church in Park Ridge, Illinois, where she developed a music program involving over 150 participants in choirs and chamber music groups.Upon her return to Seattle, she served for 12 years as director of adivision of the Northwest Girlchoir. She became organist and developed a vibrant Youth Choir at Phinney Ridge Lutheran Church, where she served for over 30 years, as well as enjoying a 20-year tenure as Music Director and Composer-in-Residence of Temple De Hirsch Sinai. Valerie’s work with children’s choirs,churches, and synagogues has inspired over 100 published compositions.When I was invited to perform a Vivaldi piccolo concerto in Italy a few years ago, my host, Luisa Sello, wrote that Carol Wincenc was going to be on the same concert, and was there any piece that we could play together? I looked and asked around, and my colleague Joanna Bassett recommended the Telemann Concerto in E Minor for Traverso and Recorder. I didn’t know the piece, but as I listened to a recording of it, I immediately loved it and could easily envision how beautifully it could work, with a few “adjustments,†for flute and piccolo. I got to work, and the current publication is the result. I have performed it many times, and enjoy it even more every time. It fits a unique place in our repertoire, and works equally well with piano as with the string orchestra setting.According to Steven D. Zohn, pre-eminent Telemann scholar, and author of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s Instrumental Works, much is unknown about the concerto itself; it likely dates from the 1720s, soon after Telemann moved to Hamburg. Only an eighteenth-century copyist’s set of parts is extant, that of Johann Samuel Endler, who was engaged at the Darmstadt court as a singer and violinist, later becoming Vice-Kapellmeister and Kapellmeister, and who had a large collection of Telemann’s works.As in my Vivaldi concertos edition (Presser 414-41190), I have added virtually all of the articulations and dynamics that appear here, and have inserted quite a bit of ornamentation. Unlike the Vivaldi edition, I have not included any indication of the original Telemann in those passages, nor have I included any pedagogical markings, such as fingerings.Finally, I would like to acknowledge, with gratitude, Joanna Bassett, Daniel Dorff, Benton Gordon, Evan Pengra-Sult, Sandra Saathoff, Valerie Shields, Carol Wincenc, and Steven Zohn, for the various roles they played in the making of this publication.— Zart Dombourian-EbyJune 2018.
SKU: YM.GTP01097006
ISBN 9784636970067.
15 famous melorides by Baroque Composers arranged for children. The purpuse of this book is NOT to study piano technique, but to touch the sound of each era through the historical masterpieces. 15Shou Lai Zi Ba Luo Ke Shi Qi De Zhu Ming Xuan Lu . Ben Shu De Mu De Bing Fei Gang Qin Ji Qiao Jiao Xue . Er Shi Yong Er Duo Qu Qin Shen Gan Shou Mei Ge Shi Qi Yin Le De Te Dian . Vivaldi: 1-4. Four Seasons; 5. Mandolin Concerto Handel: 6. Lascia ch'io pianga from Rinaldo; 7. Alla Hornpipe from Water Music; 8. The Harmonious Blacksmith; 9. Ombra mai fu from Serse; 10. Hallelujah from Messiah Bach, J. S.: 11. Toccata and Fugue BWV 565; 12. Ave Maria by Gounod; 13. Jesus, Joy of Man's Desiring; 14. Air on the G String; 15. Sleepers, Wake from Cantata 140.
